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Reflections: Essays, Aphorisms, Autobiographical Writings
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About this ebook
“This book is just that: reflections of a highly polished mind that uncannily approximate the century’s fragments of shattered traditions.” — Time
A companion volume to Illuminations, the first collection of Walter Benjamin’s writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin.
Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
A companion volume to Illuminations, the first collection of Walter Benjamin’s writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin.
Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
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Walter Benjamin
WALTER BENJAMIN (1892–1940) was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem.
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Reviews for Reflections
Rating: 4.250000227272728 out of 5 stars
4.5/5
66 ratings1 review
- Rating: 3 out of 5 stars3/5We can
remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a
better chance when one is shaken by laughter than when one’s mind is shaken and upset. The only extravagance of
the epic theatre is its amount of laughter.
This is a much more disparate collection than Illuminations. Surely this is to be expected The isfting and editing. The indecision. Reflections' opening section A Berlin Chronicle is a cartographic autobiography. It is a spatial narrative in the weirdest sense. There is a disorientation present. I also liked the Conversations With Brecht and the Author as Producer though my attentions waned upon approaching the lengthy piece on Karl Kraus. The concluding fragments appear rich with insight but frankly I was spent by that time.