Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought)
By Kathleen Krull and Kathryn Hewitt
4.5/5
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About this ebook
Most people can name some famous artists and recognize their best-known works. But what's behind all that painting, drawing, and sculpting? What was Leonardo da Vinci's snack of choice while he painted Mona Lisa’s mysterious smile? Why did Georgia O'Keeffe find bones so appealing? Who called Diego Rivera "Frog-Face"? And what is it about artists that makes both their work and their lives so fascinating—to themselves, to their curious neighbors, and to all of us? This book presents the humor and the tragedy in twenty artists' lives as no biography has done before.
Kathleen Krull
Kathleen Krull (1952–2021) was the author of over 100 books, including No Truth Without Ruth: The Life of Ruth Bader; A Woman for President: The Story of Victoria Woodhull; Lives of Extraordinary Women: Rulers, Rebels (and What the Neighbors Thought); The Only Woman in the Photo; and other acclaimed biographies for young readers. Visit her website at KathleenKrull.com.
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Reviews for Lives of the Artists
29 ratings5 reviews
- Rating: 3 out of 5 stars3/5This is a YA book about famous artists. I picked it up because I wanted to see how someone explains artists ranging from the Rennaisance through the Modernists to a young fan. It was a good introduction to artists for a young person, and the author did not gloss over some of the more tawdry aspects of some of the artists. Good effort.
- Rating: 5 out of 5 stars5/5Fantastic book written for children to have snapshot views of famous artists throughout history. I love that there are little known facts included in the articles to spark imaginations while reading non-fiction.
- Rating: 5 out of 5 stars5/5Kathleen Krull tells intriguing details about thelives of twenty artists of the world, including DaVinci,Michelangelo, Van Gogh, Matisse, Chagall, O'Keeffe, Dali, andPicasso. All of the artists come across as having lived extremelyeccentric lives.
- Rating: 5 out of 5 stars5/5This book provides a behind the scenes tour to twenty world renowned artists. It glimpses over the art historical data and jumps right into the juicy details of their lives. For instance, did you know that Georgia O'Keeffe lived to the ripe old age of ninety-eight, and then bequeathed her ranch and many paintings to a young man less than half her age? Or, that Marc Chagall often painted in the nude? (You will never look at his paintings the same again!) This book is littered with fun facts and interesting personality tidbits that will forever change your perception of these intriguing individuals. Each artist is discussed in around four pages, which include a full page illustration of the artist and a shortlist of the artist's best-known artworks. The amusing illustrations depict the artists with larger that laugh heads and visual clues about their lives. Little groupings of drawings are also included to break up the lengthier blocks of text. A must for students interested in the art world, and a great way to humanize the giants of art history.
- Rating: 5 out of 5 stars5/5Kathleen Krull manages to fully engage the reader by adding interesting bits of information about each artist. Illustrations provide a humorous look at the subject as well. This collection serves as a great method to engage young readers and, hopefully, propel them along to deeper research regarding their subjects.
Book preview
Lives of the Artists - Kathleen Krull
1. Leonardo da Vinci
2. Pablo Picasso
3. Salvador Dali
4. Frida Kahlo
5. Vincent van Gogh
The great artists of the world are never Puritans, and seldom even ordinarily respectable.
—H. L. MENCKEN (A WRITER)
Text copyright © 1995 by Kathleen Krull
St. Luke, the patron saint of artists
Text copyright © 1995 by Kathleen Krull
Illustrations copyright © 1995 by Kathryn Hewitt
All rights reserved. Originally published in hardcover in the United States by Harcourt Children’s Books, an imprint of Houghton Mifflin Harcourt Publishing Company, 1995.
For information about permission to reproduce selections from this book, write to trade.permissions@hmhco.com or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
The Library of Congress has catalogued the hardcover edition as follows:
Krull, Kathleen.
Lives of the artists: masterpieces, messes (and what the neighbors thought)/written by Kathleen Krull; illustrated by Kathryn Hewitt.
p. cm.
Includes bibliographical references and index.
1. Artist—Biography—Juvenile literature. 2. Artists and community—Juvenile literature. [1. Artists.]
I. Hewitt, Kathryn, ill. II. Title.
N42.K78 1995
709'.2'2—dc20
ISBN: 978-0-15-200103-2 hardcover
ISBN: 978-0-544-25223-3 paperback
The illustrations in this book were done in watercolor and colored pencil on watercolor paper.
The display type was hand lettered by Judythe Sieck.
eISBN 978-547-54165-5
v1.0517
For Jacqui and Melanie, two terrific artists
—K.K.
For David, my patron of the arts, and for Chris Madans, archangel of art history
—K.H.
I ntroduction
CAN IT BE dangerous to be neighbor to an artist? Neighbors of artists have risked ear damage—from enduring the same song blaring one hundred times in a row (Warhol) or early-morning violin serenades issuing from the bathroom (Matisse). Even worse, neighbors are apt to end up in a work of art, displayed for posterity as models, willing or not. Those close to artists have been portrayed with a pig’s snout (Cassatt), shocked to find themselves in the midst of great historical or biblical events (Rembrandt), and immortalized in the ultimate pose—as corpses (Leonardo da Vinci).
Yet the element of danger cuts both ways. Neighbors have indeed dodged paintings hurled from an artist’s window (Chagall). But artists have had stones thrown at their windows by neighbors protesting a turbulent lifestyle (Picasso). Neighbors have been mystified by weird shadows radiating from an artist’s darkened rooms (Michelangelo), and at their most superstitious, they’ve suspected an artist of witchcraft (O’Keeffe). Savvy neighbors might have sneered to realize that the more money an artist spends, the less he has (Dali), but savvy artists have thwarted inquisitiveness by buying adjoining lots to keep neighbors at a distance (Kahlo and Rivera). Neighbors have been known to protect artists from Nazi persecution (Kollwitz), but they’ve also banded together to run an artist out of town (Van Gogh). And in terms of sheer quantity, perhaps no one can claim as many neighbors as restless artists, especially when they move themselves and their families a total of ninety-three times (Hokusai).
Much careful research later, it turns out that perhaps no cultural figures have inspired more gossip than artists. (Reputations can be so singular that some artists, such as Rembrandt, need only a single name to identify them.) Why this occurs is a subject of controversy. Are artists—and their works—simply more noticeable?
In any case, the twenty artists in this book had interesting lives and interesting neighbors. Here, guided by their patron saint, are their stories, full of masterpieces and messes, offered now as a way to know them—and their artworks.
—Kathleen Krull
WHAT CAUSES TICKLING?
Leonardo da V inci
BORN IN ANCHIANO, ITALY, 1452
DIED NEAR AMBOISE, FRANCE, 1519
Italian painter and sculptor, genius of the Renaissance, famous for the Mona Lisa, The Last Supper, and encyclopedic notebooks
FOR SOMEONE WHO may have accomplished more than any other man in history, little is known about Leonardo da Vinci—except that his curiosity was unique. We know that his father (a lawyer) never married his mother (a peasant), which created lifelong legal and emotional problems for him. As a child he lived mostly with his father and had four stepmothers in all, but it’s thought that an uncle who lived nearby nurtured Leonardo’s powerful drive to learn.
Leonardo was apprenticed as a youth to the artist Andrea del Verrocchio (a legitimate son would never have been forced to learn a trade, especially one so disreputable as art). One day when Leonardo painted an angel—he was known to draw the faces of angels better than anyone—the older man reportedly threw down his brushes in jealous admiration and swore that he would never paint again. Still, Leonardo always felt at home at Verrocchio’s and in times of stress liked to return for visits.
It is easy to become a universal man,
a young Leonardo wrote—and he somehow made it seem so. He never stopped his studies, working on countless projects, or at least starting them. In addition to artist, he could have easily become a city planner, architect, inventor, engineer, physician, musician, anthropologist, botanist, or astronomer. I question
were the words he wrote most frequently in the elaborate notebooks he kept. He questioned practically everything: What causes tickling? Why are stars invisible during the day? What would it be like to walk on water? Would a fly make a different sound if you put honey on its wings?
Every night Leonardo investigated anatomy in a way few others could have tolerated: he dissected corpses. His sources for bodies were either prisons where criminals had been executed or hospitals for the homeless. He could befriend