The Lightning Dreamer: Cuba's Greatest Abolitionist
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About this ebook
Opposing slavery in Cuba in the nineteenth century was dangerous. The most daring abolitionists were poets who veiled their work in metaphor. Of these, the boldest was Gertrudis Gómez de Avellaneda, nicknamed Tula. In passionate, accessible verses of her own, Engle evokes the voice of this book-loving feminist and abolitionist who bravely resisted an arranged marriage at the age of fourteen, and was ultimately courageous enough to fight against injustice. Historical notes, excerpts, and source notes round out this exceptional tribute.
Margarita Engle
Margarita Engle is a Cuban American poet and novelist whose work has been published in many countries. Her many acclaimed books include Silver People, The Lightning Dreamer, The Wild Book, and The Surrender Tree, a Newbery Honor Book. She is a several-time winner of the Pura Belpré and Américas Awards as well as other prestigious honors. She lives with her husband in Northern California. For more information, visit margaritaengle.com.
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The Lightning Dreamer - Margarita Engle
Copyright © 2013 by Margarita Engle
All rights reserved. For information about permission to reproduce selections from this book, write to trade.permissions@hmhco.com or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
Harcourt is an imprint of Houghton Mifflin Harcourt Publishing Company.
hmhbooks.com
Cover illustration © 2013 by Edel Rodriguez
Cover design by Elizabeth Tardiff
Library of Congress Cataloging-in-Publication Data is available.
ISBN 978-0-547-80743-0 hardcover
ISBN 978-0-544-54112-2 paperback
eISBN 978-0-547-80747-8
v4.1119
For young writers in search of words
El esclavo ha dejado volar libre su pensamiento, y su pensamiento subía más allá de las nubes en que se forma el rayo.
The slave let his mind fly free, and his thoughts soared higher than the clouds where lightning forms.
—Gertrudis Gómez de Avellaneda
Historical Background
In the United States, Northern abolitionists were able to speak out against slavery in public. The Spanish colony of Cuba was different. With no part of the island free of slavery, censorship was harsh and penalties severe. The most daring abolitionists were poets who could veil their work with metaphors. Of these, the boldest was a young woman named Gertrudis Gómez de Avellaneda. Her childhood nickname was Tula.
Tula
Books are door-shaped
portals
carrying me
across oceans
and centuries,
helping me feel
less alone.
But my mother believes
that girls who read too much
are unladylike
and ugly,
so my father’s books are locked
in a clear glass cabinet. I gaze
at enticing covers
and mysterious titles,
but I am rarely permitted
to touch
the enchantment
of words.
Poems.
Stories.
Plays.
All are forbidden.
Girls are not supposed to think,
but as soon as my eager mind
begins to race, free thoughts
rush in
to replace
the trapped ones.
I imagine distant times
and faraway places.
Ghosts.
Vampires.
Ancient warriors.
Fantasy moves into
the tangled maze
of lonely confusion.
Secretly, I open
an invisible book in my mind,
and I step
through its magical door-shape
into a universe
of dangerous villains
and breathtaking heroes.
Many of the heroes are men
and boys, but some are girls
so tall
strong
and clever
that they rescue other children
from monsters.
Manuel
My big sister tells
bizarre fantasy tales,
acting them out in whispers
beneath a jungle of leaves
in the shady garden.
Her stories of powerful giants
and terrifying beasts
turn the evening
into a forest
of secrets.
I leave the garden feeling
as if I have traveled
to a distant land.
If only our real lives
could be as heroic as her tales
of courageous giants
one hundred heads high.
Tula
I’ve trained my little brother
to be a brave smuggler of words.
He hides his schoolbooks
under my embroidery hoop
one
forbidden
volume
at a time
so that our frowning mother
and scolding stepfather
hardly ever grow
suspicious.
When no one is looking,
I seize one of Manuel’s books
and flee to the garden,
where words
glitter
and glow
in starlight.
Tula
I am thirteen now, so close
to the age of forced marriage
that invented worlds
made of words
are my only
comfort.
I try to explain my fear
of a loveless wedding
to Mamá, but her mind
is busy with greedy
visions . . .
If only she could dream
of her own future
instead of mine.
Mamá
Thirteen! It is the age for dreams
of sparkling jewels and silken gowns
in elegant ballrooms . . .
not hideous fantasies
about ferocious beasts.
Everyone knows that girls
who read and write too much
are unattractive. Men want
quiet females who listen,
not loud