Bright Existence
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About this ebook
A celebrated poet's vision of our dynamic universe.
The poems in Brenda Hillman's new collection, a companion volume to her recent Death Tratates, offer a dynamic vision of a universe founded on the tensions between light and dark , existence and non-existence, male and female, spirit and matter. Informed in part by Gnostic concepts of the separate soul in search of its divine origins ("spirit held by matter"). This dualistic vision is cast in contemporary terms and seeks resolution of these tensions through acceptance.
Brenda Hillman
Brenda Hillman is the author of 11 books of poetry from Wesleyan University Press. She has co-edited numerous books, including At Your Feet by Brazilian poet Ana Cristina Cesar. A former Chancellor at the Academy of American Poets and a recent recipient of the Morton Dauwen Zabel Award from the American Academy of Arts and Letters for innovation in literature, she is Professor Emerita at Saint Mary’s College of California and lives in the Bay Area with her husband Robert Hass.
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Bright Existence - Brenda Hillman
I. Twelve Dawns
"A veil exists between the world above and the realms
that are below, and the shadow came into being
beneath the veil, and that shadow became matter."
(from a Gnostic codex)
Old Ice
The thought that you could even save the light,
that you could stop it from having to be
everywhere at once.
You stood in the ice cream shop
and from the street, in a group
of silly glass trumpets
light came,
and broke into millions of itself, shattered
from the pressure of being mute who knows how long.
There also, leaning against the counter
the child who saw nothing
but the bins of sweet color
separately rimmed with silver.
Behind you, thoughtfully placed by the owners, a photo
of an avalanche, its violence
locked in blue spears . . . The ice moved cruelly, one way only,
and behind the avalanche, and behind
the posts that held it,
the cars went back and forth like mediators.
You who do not exist:
you stared along the edges of the freezer:
frost glistened and clustered.
Suddenly it looked as if one act could be completed,
mounting over and over, even under terrible pressure.
Perhaps the tiny crystals would last forever.
Once it seemed the function of poetry
was to redeem our lives.
But it was not. It was to become
indistinguishable from them.
Dark Existence
—You lay down in your bed
for ten years, and after ten years
you got up. The room was full of weak color
but there was an interesting little hill of rich life
from which all things streamed;
and you saw between
existence and the fringe of your
quotes non-
being on the wall
an active shadow that could not reconcile itself to earth
and was not ironical, that is, not split;
but nothing could be done without some
cooperation between this
shadow and whatever refused it in this world
so you invited it in—
dark existence that comforts and terrifies—
bright existence that could not stay—
Black Series
—Then in the scalloped leaves of the plane tree
a series of short, sharp who’s:
a little owl had learned to count.
You lay in your bed as usual not existing
because of the bright edges pressing in.
All at once the black thick o’s of the owl
made the very diagram you needed.
Where there had been two
kinds of infinity, now there was one!
The smudged circle around the soul
was the one the gnostics saw around the cosmos,
the mathematical
toy train, the snake eating its tail.
Relieved by the thought that the owl’s o’s
had changed but not you, that something
could change and not be lost in you,
you asked the voice for more
existence and the voice said
yes but you must understand
I loved you not despite your great emptiness
but because of your great emptiness—
The Servant
—So you whispered to the soul Rise up!
but the soul was not ready.
—Get up! It’s our turn! But that part of the soul
stayed still. So you checked the list
of those who existed
but the soul was not on the list, the soul
responded to none of those things.
Very well, you said. He sank back in his furs.
And you started across the plain to one he loved—
December Shadow
—Then how to address the place where the soul was not.
Should you have said, standing next to the trench,
this should have been you?
This darkness was not the terror of what we do to each other,
or the delicious sexual darkness he’d brought you
or the black corridors of the female body—
remember the early diagrams,
what the inside of a woman looks like?
A cow’s skull.
This darkness was the protection of the child,
it included the vast fluttering
as the oak included the moths
with its shadow—
remember in the brilliant day long ago,
the ball coming toward you?
You played with the other children like this—
not as anything—
blocked the sun with your non-
being as it were,
but by that pewter shadow you could be affirmed . . .
One by one they kissed you.
One by one the guests advanced themselves
into the night where you would have been
had they looked for you
though it was not in the dim night
that you’d planned to receive them
but at midday, when the druid oak
blossomed with moths, with being gone—
January Dawn
—Two window shades: the stiff
premonition forcing its way around them,