But Still, Music
By Anne Pitkin
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About this ebook
Pitkin’s evocative reflections...are moments of time captured in the amber of poetic wordsmithing... The powerful, highly recommended collection that is But Still, Music should ideally be made part of any discussion group interested in contemporary poetry reflecting place, time, and life monuments. It doesn’t just narrate. It sings. —Diane Donovan, Sr. Reviewer, Midwest Book Review
These are Anne Pitkin's interrogations of Loss, her moments alone with the Whirlwind that sweeps through human lives and systematically takes all that we love and cherish away from us. With fierce intelligence, humor, grace and great skill, Pitkin offers these haunting poems as her response.
—Jesse Glass, ed. Ahadada Press
But Still, Music by Anne Pitkin truly is a beautiful poetry collection. Rich in imagery, emotion, and passion, these poems are exceptionally composed. —Theresa Kadair, Seattle Book Review
There’s a fearlessness in the poems of Anne Pitkin’s But Still, Music… Nothing is off limits, and that’s part of the bravery of this collection… —Ed Harkness, The Law of the Unforeseen
Full of warnings, arguments, and reckonings, Anne Pitkin’s But, Still Music attempts to move beyond a mindset “pretend[ing] all is well,” whether in home, community, nation, or world… “It’s a long story,” she admits, how we eventually come to understand the past; how, in time, we see through perspectives not our own; and how we find mercy, acceptance, perhaps even redemption, as we move farther and more truthfully “into our broken-open world.” —Jeff Hardin, Watermark
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Book preview
But Still, Music - Anne Pitkin
I
I am carried in my shadow
like a violin
in its black case
—Thomas Tranströmer
MOCKINGBIRD
I heard the mockingbird:
robin, cardinal, blue jay, car horn,
one bird arguing in many voices.
I thought I’d escaped the secrets,
the lies behind which the smiling grownups hid—
whispers that hurt the child, telling me
I was not pretty.
*
I heard the mockingbird
the day my mother died, and I was free
of the last attachment.
That day, the sun clamored
into the windows of the mausoleum
our old home had become.
A cardinal streaked from the maple,
an ember over the dry yard.
It landed on the rusted pole
for the long vanished martin house
and flew away.
*
I heard the mockingbird
in the elm partway down the bluff,
where Michael and I found—we were certain—
the shell of a crashed plane.
*
Someone asked me after Mother’s funeral,
Are you Episcopalian or Presbyterian?
Yes. I answered. Guilty.
THE FIRST HOME
—for Michael, wherever you are,
best friend of my childhood
You sat by the street, howling
so loud we heard you and brought you in.
Your mother had sent you to bed again without dinner.
You’d been late. Didn’t hear her calling,
the two of us not noticing how late.
The mothers are dead.
The fathers are dead.
Jays scold, beautiful
and harsh. They know everything.
Can you hear them?
We lived on the same bluff
across the street from each other.
We quarreled, hitched rides on old Fines’s garbage wagon,
played all day from house to house.
Where are you?
The jays know. Scolding all day long.
But where are you?
Once, years ago, we spoke by phone.
I’ll love you forever, you wailed,
so drunk I could barely understand.
How many years
since the muddy Red River unrolled from under our bluff
along the future’s unreadable maps?
I have a photo, the two of us holding hands
across the sprinkler, summer’s first ritual.
We face the camera, laughing,
our eyes tight closed against sun and pelting water.
The maple we climbed and hid in for hours
still bends over the street. You warned me
about the Bell Witch, the perils
of Miss Sadie’s fifth grade.
Once the bad boys treed us.
Dare you to come down, sissy, they said.
I think of trying to find you. Jays scold, Too Late!
One summer, after you’d been two months out of town,
your mother’s old Ford pulled into the driveway.
All day I’d been waiting, all day under the maple.
You leapt out, tore