Selected Poetry Book Vii: Neutrino Spinor Transcendental Counterpoint 21St Century Poetry

By Paul Shapshak PhD

About the Book

This is the 7th book of selected poetry by Paul Shapshak, PhD, titled: ‘NEUTRINO SPINOR TRANSCENDENTAL COUNTERPOINT 21ST CENTURY POETRY’. Art is included by the poet’s father, Sir Rene Shapshak. The ten sections in this book, like prior volumes, encompass Pastoral, Mythology, Cosmology, Theology, History, Social, Economics, Health, Cybernetic Allegories, and the Arts. Interrogations include neutrino communication, unitary matrix, mass, oscillation transition, elementary particles, jurisprudence, jurisdiction, labor, law, landscapes, language. It’s just a still summer’s day, work, providence, revery, and continuum.

• Language: English
• Publisher: AuthorHouse
• Release date: Jul 21, 2022
• ISBN: 9781665565400

Paul Shapshak PhD

About the Poet Paul Shapshak, PhD, attended the public High School of Music and Art in Harlem (New York City). He studied music, conducting, violin, and piano. The entire class of 500 students received high school graduation diplomas from Mrs. Eleanor Roosevelt. He attended the Henry Street Settlement Music School, Lower East Side (NYC), with a full scholarship, studying violin and chamber music (teacher, H. Kwalwasser), orchestra (conductor, P. Vermel), conducting, music history, harmony, musicology, and counterpoint composition. He previously studied harmony with H. Hyams and conducting with A. Hartman. He won several annual Eisteddfod competitions for piano and violin. His first piano teacher was E. Klempmann. His first violin teacher was Nikolai Nikolaev, who had played violin in the Tsar’s orchestra in the early 1900’s, and was a classic teacher, tea samovar, jam and tall glass with metal holder, as well as staff to keep time. Upon arriving in NYC, a family friend, the Irish poet-playwright, Brendan Behan, walked him to the subway station, several mornings, until he got the hang of safely getting to school. He participated in orchestra and chamber music concerts at the High School of Music and Art, the Henry Street Settlement Music School, radio WNYC, and played the Mozart fifth violin concerto at the Lower East Side Park Amphitheatre in 1958. In High School senior year, he built a Wilson Cloud Chamber and photographed particles traversing an internal electric field. He started the high school math club, wrote its constitution, and helped set up a tutoring schedule for classmates. In the summer of 1956, he studied French at the public Stuyvesant High School. In the summer of 1957 he worked at Mangel Stores Corporation as a book-keeper and bank liaison. In 1958, he received a summer-school full scholarship to study mathematics at the Rhodes School (NYC). In the summer of 1959, he turned down an invitation from a Wall Street firm to work for them, since he received a full scholarship to participate in the Aspen Music Festival in Colorado. At the Aspen Music Festival, he studied violin with Szymon Goldberg (World War II concentration camp survivor with numbered tattoo), chamber music with Ralph Hillier (Juilliard String Quartet), orchestra (Salomon conductor), as well as musicology. With full scholarships, he attended Harvard College (BA), New York University Medical Center, NYU Washington Square Graduate School, and then Princeton University Graduate School (PhD). During the summers of 1962 and 1963 he worked at the Massachusets General Hospital, in the Biochemistry laboratory. While attending Harvard College, he worked at the Waltham Massachusetts State Mental Hospital for Children for a semester, under the auspices of Harvard Phillips Brooks House and the State Psychiatry Board. [His weekly job with several children at the Waltham State Mental Hospital was to discuss and teach Art – drawing and painting and as a potential therapy, he promoted non-objective art forms. He was on the college fencing team and had previously studied fencing at the Montecelli Fencing School. He was invited to be producer of the play, ‘Bodas de Sangre’ by the Spanish playwright, Federico Garcia Lorca, which was staged at the Harvard President Pusey Student Theatre. During 1962-1963, he co-chaired a Ford Foundation Cultural Grant Committee at Kirkland House. Guest speakers included Shelley Winters, William Golding, Yalta Menuhin, Paul Doktor, and Jao Martins. His courses included an English literature survey course taught by Professor William Alfred and a course on molecular biology taught by Professors James Watson, Sir Francis Crick, and Sidney Brenner. In his senior year 1963 departmental exam, he predicted that neutrinos have mass. He played violin and viola in the Harvard-Radcliffe Orchestra, Bach Society Orchestra, Cambridge chamber music groups, and also conducted chamber music groups at Kirkland House, as well as open-air concerts at exam-time on the steps at Widener Library. In 1962, playwright Arthur Miller, a family friend, reviewed with him what his career choice would be. He became a Resident Fellow at Princeton University graduate school, attended math meetings (headed by Gilbert Baumslag) at the Institute for Advanced Study, and once ran into Kurt Gödel. He is ever thankful for the many gifted fellow-students, colleagues, teachers, and friends.

Book preview

Contents

PART I.Pastoral

Canzone 101

Epigramme 101

Canzone 150

Epigramme 140

Epigramme 150

Canzone 155

Epigramme 45

Canzone 26

Canzone 33

Epigramme 41

PART II.Mythology

Epigramme 23

Epigramme 44

PART III.Cosmology

Canzone 67

Canzone 35

Epigramme 123

Canzone 141

Epigramme 179

Canzone 172

Canzone 112

Canzone 153

Canzone 203

PART IV.Theology

Epigramme 102

Canzoniere 201

Canzone 49

Epigramme 200

Canzone 13

Epigramme 14

Canzone 15

Epigramme 17

PART V.History

Canzone 22

Canzone 31

Epigramme 25

Canzone 44

Epigramme 53

Epigramme 54

Epigramme 63

Epigramme 79

Canzone 39

Canzone 57

Canzone 61

Epigramme 47

Canzone 68

Canzone 58

Canzone 103

Epigrammaton 81

Canzonieri 17

Canzone 211

Epigramme 83

Epigramme 84

Canzone 83

Canzone 91

Epigramme 90

PART VI.Social

Epigramme 91

Epigramme 47

Canzone 51

Canzone 52

Canzone 55

Epigramme 48

Canto D15

Canto F

Canto F3

PART VII.Economics

Canzone 7

Canzone 9

Canzone 71

Canzone 31

Canzone 213

Canzone 83

Canzone 85

Epigramme 5

Canzone 97

Canto C

PART VIII.Health

Epigramme 13

Epigramme 99

Canto B

PART IX.Cybernetic Allegories

Epigramme 31

Canzone 13

Epigramme 15

Epigramme 120

Canzone 16

Canzone 72

Epigramme 121

Canzone 202

Epigramme 107

Canzone 50

Epigramme 29

Epigramme 31

Canzone 63

Canzone F

Canzone J

Epigramme 33

Canzone 11

Epigramme 59

Epigramme 67

Epigramme 89

Canzone 19

Canzone 17

Epigramme 123

Epigramme 217

Epigramme 129

Epigramme 147

Canzone 19

Canzone 53

Epigramme 67

Canzone A

PART X.The Arts

Canzone 73

Canzone 79

Canto 41

Canzone 37

Canzone 57

Canzone 71

Epigramme 73

Canzone 29

Canzone 23

Epigramme 37

Canzone 37

Epigramme 37

Canzone 79

Epigramme 23

Canzone 159

Canzone 93

List of Illustrations

Photograph 1.Valley of a thousand hills

Photograph 2.Kara

Photograph 3.Drakensberg