Goblin Market & Other Poems

By Christina Rossetti, Elizabeth Macneal and Laurence Housman

With a preface by Elizabeth Macneal and original illustrations by Laurence Housman.

Two sisters, Laura and Lizzie, are enticed by the smells, sounds and sights of the goblin market, tempted by the ripe figs, plump cherries and fragrant berries. Whilst Lizzie resists, Laura is slowly destroyed by her insatiable longing for the goblin’s forbidden fruit.

Complete & Unabridged. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

Here is Christina Rossetti’s first critically acclaimed collection of poetry. Published in 1862, as well as ‘Goblin Market’ it contains some of her most treasured work, such as ‘A Birthday’, ‘An Apple Gathering’ and ‘Remember’. It launched her career as the foremost female poet of her time and, more than a century later, modern readers are still seduced by its symbolism and sensual language.

• Language: English
• Publisher: Pan Macmillan
• Release date: Oct 13, 2022
• ISBN: 9781529065374

Christina Rossetti

Christina Rossetti was born in 1830 in London. She was the youngest child in a creative Italian family, which included her famous brother Dante Gabriel Rossetti. Their father, a poet and political exile from Italy, fell ill when Rossetti was a teenager and the family suffered financial difficulty. Rossetti started writing at a young age and her poems were often influenced by her religious faith. She published various poems in literary magazines, but it was Goblin Market & Other Poems, published in 1862 to great acclaim, that established her position as a prominent poet. She became ill towards the end of her life, first from Graves’ disease and then from cancer, but she continued to write until her death in 1894.

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Reviews for Goblin Market & Other Poems

[thorold_1 · Rating: 4 out of 5 stars]

Christina was the youngest of the glamorous and talented Rossetti siblings, three-quarter-Italian and brought up in England in the intellectual afterglow of the Byron circle. Apart from being one of the most distinguished women poets of her time (her only real competitor on this side of the Atlantic being Elizabeth Barrett Browning), she's also remembered as the model for many of her big brother's paintings, especially as the Virgin Mary. And, like her brother and the other Pre-Raphaelites, she was heavily involved with the Oxford Movement, a religious revival that aimed to restore some lost medieval piety and glamour to Anglicanism, but ended up sending some of its most prominent followers into the arms of Rome. Partly for religious reasons, Christina never married, although she had at least three offers. Goblin Market and other poems was Christina's first properly-published collection. The title-poem — her best-known piece after "In the bleak midwinter" — is an odd kind of fairy-tale ballad about two sisters who get involved with a bunch of dodgy supernatural fruit-and-veg salesmen, naive on the surface, but full of all kinds of troubling sexual and religious undercurrents when you start to look at it closely — perfect exam-syllabus material, especially since it's written with so much verve and assurance that it's always great fun to re-read. And the girls come out on top in the end, which helps!The rest of the collection is a bit mixed, but there's a lot of good stuff there. Short lyric poems where the poet imagines herself abandoned by her lover, rejecting a suitor, widowed, marrying in the presence of a former lover's ghost, lamenting the transience of life and the seasons, etc. Possibly there is a little more focus on death than we might be entirely comfortable with as modern readers: there is a remarkable number of poems in which the speaker of the poem turns out to be talking to us from beyond the grave. Not surprising to learn that Christina had some struggles with depression during her life. But some of these poems are among the strongest in the collection, like the sonnets "After Death" and "Dead before death". Or "Sweet Death" in the religious section at the end. And just occasionally there's a wry touch of humour, as in "No, thank you, John", a woman's exasperated complaint to a tedious suitor straight out of a three-volume novel, who thinks he just has to go on proposing to her for her to realise that she loves him. Another notable long poem is "The convent threshold", which seems to be a kind of pendant to her brother's "Blessed Damozel" — the speaker of the poem is a woman who has been involved in a relationship that has gone wrong in some unspecified but spectacular way involving lots of blood. She has repented and is entering a convent, but on the doorstep she pauses to urge her lover to do the same, so that they can be reunited in Paradise later. You sinned with me a pleasant sin:Repent with me, for I repent.Woe's me the lore I must unlearn!Woe's me that easy way we went,So rugged when I would return!It's fun to re-read these poems after a gap without much exposure to Victorian poetry: sometimes what Rossetti has to say about religious and female experience might seem a little trite and obvious in hindsight, but that probably wasn't the case at the time, and it's clear that she meant every word of it. What remains striking above all is the confidence and strength with which she fits her deceptively simple language into a precision-aligned poetic structure.

[quondame · Rating: 4 out of 5 stars]

The title poem is so overwhelmingly sensuous that it belies the restraint theme. I interpret it as closer to an addiction->withdrawal tale where Laura gets the high and Lizzie the withdrawal. As for the rest, there, right in the middle of flowery death, wasNo, Thank You, John(excerpt)"Let Bygones be bygones:Don't call me false, who owed not to be true:I'd rather answer "No" to fifty JohnsThan answer "Yes" to you."There was another moment or two, but nothing so memorable in the -when I'm gone- and -life is vanity, true living is in heaven- verses that follow.

[booksfordinner · Rating: 4 out of 5 stars]

Not a regular poetry reader, but found this lying around the house and checked it out. A lot of fun, great gothic imagery and sadness.

[birdie.newborn · Rating: 4 out of 5 stars]

Perhaps an ideal children's story — scary, but comes out right in the end. A bit moralistic, but certainly works on a child's imagination.

[lilywren · Rating: 5 out of 5 stars]

I often find that when I write reviews I waffle on far too much. All I can say about this book is that I find myself wanting more. I want to drink in more of Christinas' poetry and find out more about her, her life and history. I was introduced to her through my love of her brothers' art. Dantes' art and Christina's poetry seem so compatible. The Goblin Market is such a wonderful tale of desire, wanting, haunting and love. So much more than the initial thoughts (at the time) of it being a children's poem. Her other works in this book are so beautiful I cannot describe them in my words. These lack the poetic beauty Rossetti conjures. There is so much sadness, love and, yes, hope in these verses. I love poetry but, up until now, have never found one that I could say 'Yes, this is IT'. But, reading this, I feel in Christina Rossetti, I have indeed found 'it'. I only wish I could conjure up so much emotion and feeling through my use of words as she

[musicmom41 · Rating: 4 out of 5 stars]

When I was a teenager I loved Christina Rossetti poems. Shortly after we moved back to California in the early 90’s I picked up this book but never got around to reading it. I stumbled across it a few days ago and decided this would be a good time to get it off my TBR pile. This is a Dover edition of the first book Rossetti published. I decided to save Goblin Market until last because it is quite long and I wanted to get back into her style before I tackled it. It was a wise decision. I’ve been reading a lot of 20th century poetry and at first it was a little difficult to get back into the rhythm of 19th century poetry-which, when I was a teenage I “specialized’ in! But once I got into the flow I once again became immersed in Rossetti’s world. Her poems are haunting and often sad. The introduction quotes Virginia Woolf as saying “Death, oblivion, and rest lap around your songs with their dark wave.” Her two main themes are sensual love and religious devotion. In her life she eventually renounced the first for the second. I now realize why I loved her so much back then. At sixteen I wanted to become a nun—and I wasn’t even Catholic. Even after all these years, I enjoyed these poems. Most were ones I either hadn’t ever read or have forgotten but I also encountered some “old friends.” I plan to look for more of her poems to see how she matured as a poet. My favorite poem of hers wasn’t in this book.

[ryvre_1 · Rating: 5 out of 5 stars]

Beautiful poetry. The imagery is so vivid you can almost taste the fruit.

[crowyhead · Rating: 5 out of 5 stars]

Lush, lovely poetry.