Veranda A Room of One's Own: Personal Retreats & Sanctuaries
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These beguiling, intimate, and restorative spaces are marvels of design. From serenely dreamy bedrooms to charming reading nooks and sophisticated studies, Veranda reveals a spectacular collection of indoor and outdoor havens. Organized by room and function, this gorgeously photographed book presents stunning kitchens with cerused-oak cabinetry, suspended shelves, and Parisian bistro chairs; grand gardens with sculptural benches, hammocks, and riots of foliage; and luxurious dining and living rooms. Throughout, designers reveal how they created and why they cherish these retreats, while “In the Details” sidebars call out elements like curated collections, hidden alcoves, and showstopping entrance halls that add intimacy and uniqueness to these private, personalized hideaways.
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Book preview
Veranda A Room of One's Own - Kathryn OShea-Evans
Introduction
When Virginia Woolf wrote A Room of One’s Own, her essay on why having your own private quarters fuels free-range thinking, her title of choice was just five little words‚ yet they were instantly powerful. The expression, a room of one’s own
has endured for nearly 90 years because its sentiment—that you need to carve out your own space to live your best life—rings unequivocally true today, as anyone who’s ever shared a crowded space with others will attest. When you create a personal, tailored-to-you bolt-hole, you may find that you’re happier and more successful, and that you feel truly at peace. (Fitting, then, that when picturing some of history’s most luminous women—Bunny Mellon, Pauline de Rothschild, Fleur Cowles—you may also conjure up their buffed-to-a-high-sheen homes, so essential are they to their identities.)
If you love being at home as much as I do, forging personal spaces all around you is essential. It’s a lesson Veranda espouses in every issue. The rooms within these pages, all carefully chosen from Veranda’s archives, are more than beautiful—they’re evocative of the souls that live there, whether cocooned in toile for Francophile splendor or lacquered at every turn, radiating palpable glamour. The designers behind them often work like anthropologists, sussing out exactly how their clients live so they can help them—with even the most minute fabric choice or layer of paint—improve their daily experience, brandishing art and antiques the way some psychiatrists wield prescriptions.
Gloria Vanderbilt was right when she said, Decorating is autobiography.
I know it, because when I look around my own rooms, I see every decade of my life on display, from the tintypes my husband and I had captured of ourselves one autumn in Lancaster, Pennsylvania, down to an early print of Jules Breton’s La Glaneuse I picked up in Ireland in college. Wherever your eyes go, there we are. I hope you find enough inspiration in this book to take it as a muse—and make every square foot of your home your very own.
DREAMY
bedrooms
A headboard made from a vintage suzani helps turn this SoHo aerie by Katie Leede into a sexy, relaxing, and easy retreat.
It’s the height of irony that unruly children are routinely banished to their bedrooms—what better Narnia could there be for young sprites than their toy-stocked quarters? As adults, we must remember to banish ourselves—for it’s in this most private of private spaces, the inner sanctum, where we can truly recharge. Create a bedroom that both coddles and restores you, leave your tech gadgets at the door, and watch your days grow longer and more serene. Cozify the hideaway with all manner of cosseting details, starting with the four walls—perhaps green suede walls with vigor (page 29) or mural-esque wallpaper for a palatial feel (page 39). A canopy atop the bed furnishes decadence befitting Buckingham Palace (page 22); stocking a space with carefully edited antiques transports you to a gentler era (page 38). Whatever you dream up, make your bedroom a fairy tale—as romantic as a bedtime story, for you alone.
In Montecito, California, Richard Hallberg emphasizes a sculptural headboard with symmetrically placed etchings that draw the eye up.