Lady Into Fox (Barnes & Noble Digital Library)
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About this ebook
Published in 1922, this surreal and strangely moving novel won the James Tait Black Memorial Prize and launched Garnett's literary career. Sylvia Tebrick suddenly turns into a fox one day while walking in the woods with her husband. The novel's approach to this metamorphosis and the effect it has on their love is remarkably matter-of-fact.
David Garnett
David Garnett (1892-1981) was a British writer. Born in Brighton, East Sussex, Garnett was the son of Edward Garnett, a critic and publisher, and Constance Clara Black, a translator of Russian known for bringing the works of Chekhov and Dostoevsky to an English audience. A pacifist, he spent the years of the First World War as a conscientious objector working on fruit farms along the eastern coast England. As a member of the Bloomsbury Group, he befriended many of the leading artists and intellectuals of his day. After publishing his debut novel, Dope Darling (1918), under a pseudonym, he won the James Tait Black Memorial Prize for Lady into Fox (1922), an allegorical fantasy novel. His 1955 novel Aspects of Love was adapted into a musical of the same name by Andrew Lloyd Webber. Alongside poet Francis Meynell, Garnett founded the Nonesuch Press, an independent publisher known for its editions of classic novels, poetry collections, and children’s books. Garnett, a bisexual man, had relationships with fellow Bloomsbury Group members Francis Birrell and Duncan Grant, and was married twice in his life. Following the death of his first wife Ray, with whom he had two sons, Grant married Angelica Bell, the daughter of Grant and Vanessa Bell, whose sister was renowned novelist Virginia Woolf. Together, the Garnetts raised four daughters, three of whom went on to careers in the arts. Following his divorce from Angelica, Garnett spent the rest of his life in Montcuq, France.
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Reviews for Lady Into Fox (Barnes & Noble Digital Library)
92 ratings4 reviews
- Rating: 4 out of 5 stars4/5A very strange little book, but I had tears in my eyes when it was over—it's a weird, sad story.
A lady becomes a fox—just like that—and though nobody witnesses it (her husband was looking away at the instant), the change is immediate, and the fox can understand English and play cards, so we accept it as truth. It is told from a narrator's opinion of the husband's point of view, as he copes with a wife who is a fox, and as the story unfolds, a wife who increasingly becomes foxlike.
My mother (who is keen to ask me what the theme or message of a book was, thinking that's something they all must have, based on her chosen diet of books) would probably like this one. I suspect there's a theme or message there for the taking. I try not to worry about such things. But it held my interest, got extra points for being utterly strange, I felt the author played fair given the premise, and it moved me.
It's freely available at Project Gutenberg, with the original illustrations—I finally broke down and learned how to download-and-transfer-to-Kindle, so I could read this in bed, and it couldn't have been easier once I identified my Kindle folder! Luddites, give it a try.
(Note: 5 stars = amazing, wonderful, 4 = very good book, 3 = decent read, 2 = disappointing, 1 = awful, just awful. I'm fairly good at picking for myself so end up with a lot of 4s). - Rating: 4 out of 5 stars4/5A man is out with his wife in the woods one day, and while he is tugging on her hand, she turns into a fox. From that point, the author takes the tale pretty much to its logical conclusion, with just a few twists along the way. The main focus of the story, not too surprisingly, is the man's reaction to what has happened, a mixture of British stoicism, horror, acceptance, anger, and a few other emotions. I won't spoil the story by revealing some of the things he has to deal with, but his actions somehow seem to make sense. Still, I can't help but think that there is some sort of sub-theme here that I would need to be British, and perhaps living in 1922 when this was written, to fully comprehend. Definitely different--and now I have to dig up my copy of John Collier's His Monkey Wife so I can read it and compare!
- Rating: 4 out of 5 stars4/5I loved this. It manages to be an insightful commentary on so many relationship issues, while still remaining true to its core premise and not wandering too far into heavy allegory. The struggles Mr Tebrick goes through when his wife turns into a fox strongly resonate with the struggles of people whose partners develop mental health problems, change from when they first married them, long for freedom, wish to do things that their partner finds unnatural, want to put their needs before their safety, or commit adultery, and yet are fundamentally more vulpine than any of those. One cannot but feel sympathy for both Sylvia and Richard, whose lives are destroyed by the change neither of them asked for.
- Rating: 3 out of 5 stars3/5Summary: The Tebricks are a happily married couple, content in their English country life. One day, Mrs. Tebrick accompanies her husband on a hunt, and while they are out, something unexplainable and astonishing happens: within the space of a moment, Mrs. Tebrick turns from a woman into a vixen. Mr. Tebrick immediately takes her home and, in the absense of a way to change her back, treats the fox the same way he had treated his wife when she was human. He's convinced his wife is still the same person, and for a while she seems untouched in spirit (although much changed in body). But how long can his loyalty to his wife last, as time goes on and she becomes more and more foxlike?Review: This is one of those books that I wanted to like more than I actually did. I didn't dislike it; it's well-written and well-paced, it kept my attention, and there were a number of sweet moments that I wasn't expecting. My problem was that it just didn't speak to me. If I were feeling in the mood to be analytical, I could use this story as a platform to talk about a number of things: how to deal with a drastic change in the personality of a long-term partner; how Mr. Tebrick keeping his wife safe meant keeping her locked up away from what she really wanted; how the fox represents a number of different, conflicting personality aspects and how they may or may not be repressed in Victorian women, etc. I can easily see it being mined for good material for a book club or a high school class discussion. But I feel like I'm having to dig for those themes and meanings; I didn't find the book in itself particularly thought-provoking, nor did it ever capture my imagination. Overall, I thought it was unobjectionable, but not particularly memorable. 3 out of 5 stars.Recommendation: Even for a short little book, there's a lot of material here with the potential to be really interesting; it most likely will speak to others in a way that it didn't to me... and if not, hey, at least it's short and well-written.
Book preview
Lady Into Fox (Barnes & Noble Digital Library) - David Garnett
LADY INTO FOX
DAVID GARNETT
This 2011 edition published by Barnes & Noble, Inc.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher.
Barnes & Noble, Inc.
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New York, NY 10011
ISBN: 978-1-4114-4470-6
WONDERFUL or supernatural events are not so uncommon, rather they are irregular in their incidence. Thus there may be not one marvel to speak of in a century, and then often enough comes a plentiful crop of them; monsters of all sorts swarm suddenly upon the earth, comets blaze in the sky, eclipses frighten nature, meteors fall in rain, while mermaids and sirens beguile, and sea-serpents engulf every passing ship, and terrible cataclysms beset humanity.
But the strange event which I shall here relate came alone, unsupported, without companions into a hostile world, and for that very reason claimed little of the general attention of mankind. For the sudden changing of Mrs. Tebrick into a vixen is an established fact which we may attempt to account for as we will. Certainly it is in the explanation of the fact, and the reconciling of it with our general notions that we shall find most difficulty, and not in accepting for true a story which is so fully proved, and that not by one witness but by a dozen, all respectable, and with no possibility of collusion between them.
But here I will confine myself to an exact narrative of the event and all that followed on it. Yet I would not dissuade any of my readers from attempting an explanation of this seeming miracle because up till now none has been found which is entirely satisfactory. What adds to the difficulty to my mind is that the metamorphosis occurred when Mrs. Tebrick was a full-grown woman, and that it happened suddenly in so short a space of time. The sprouting of a tail, the gradual extension of hair all over the body, the slow change of the whole anatomy by a process of growth, though it would have been monstrous, would not have been so difficult to reconcile to our ordinary conceptions, particularly had it happened in a young child.
But here we have something very different. A grown lady is changed straightway into a fox. There is no explaining that away by any natural philosophy. The materialism of our age will not help us here. It is indeed a miracle; something from outside our world altogether; an event which we would willingly accept if we were to meet it invested with the authority of Divine Revelation in the scriptures, but which we are not prepared to encounter almost in our time, happening in Oxfordshire amongst our neighbours.
The only things which go any way towards an explanation of it are but guesswork, and I give them more because I would not conceal anything, than because I think they are of any worth.
Mrs. Tebrick's maiden name was certainly Fox, and it is possible that such a miracle happening before, the family may have gained their name as a soubriquet on that account. They were an ancient family, and have had their seat at Tangley Hall time out of mind. It is also true that there was a half-tame fox once upon a time chained up at Tangley Hall in the inner yard, and I have heard many speculative wiseacres in the public-houses turn that to great account—though they could not but admit that there was never one there in Miss Silvia's time.
At first I was inclined to think that Silvia Fox, having once hunted when she was a child of ten and having been blooded, might furnish more of an explanation. It seems she took great fright or disgust at it, and vomited after it was done. But now I do not see that it has much bearing on the miracle itself, even though we know that after that she always spoke of the poor foxes
when a hunt was stirring and never rode to hounds till after her marriage when her husband persuaded her to it.
She was married in the year 1879 to Mr. Richard Tebrick, after a short courtship, and went to live after their honeymoon at Rylands, near Stokoe, Oxon. One point indeed I have not been able to ascertain and that is how they first became acquainted. Tangley Hall is over thirty miles from Stokoe, and is extremely remote. Indeed to this day there is no proper road to it, which is all the more remarkable as it is the principal, and indeed the only, manor house for several miles round.
Whether it was from a chance meeting on the roads, or less romantic but more probable, by Mr. Tebrick becoming acquainted with her uncle, a minor canon at Oxford, and thence being invited by him to visit Tangley Hall, it is impossible to say. But however they became acquainted the marriage was a very happy one. The bride was in her twenty-third year. She was small, with remarkably small hands and feet. It is perhaps worth noting that there was nothing at all foxy or vixenish in her appearance. On the contrary, she was a more than ordinarily beautiful and agreeable woman. Her eyes were of a clear hazel but exceptionally brilliant, her hair dark, with a shade of red in it, her skin brownish, with a few dark freckles and little moles. In manner she was reserved almost to shyness, but perfectly self-possessed, and perfectly well-bred.
She had been strictly brought up by a woman of excellent principles and considerable attainments, who died a year or so before the marriage. And owing to the circumstance that her mother had been dead many years, and her father bedridden, and not altogether rational for a little while before his death, they had few visitors but her uncle. He often stopped with them a month or two at a stretch, particularly in winter, as he was fond of shooting snipe, which are plentiful in the valley there. That she did not grow up a country hoyden is to be explained by the strictness of her governess and the influence of her uncle. But perhaps living in so wild a place gave her some disposition to wildness, even in spite of her religious upbringing. Her old nurse said: Miss Silvia was always a little wild at heart,
though if this was true it was never seen by anyone else except her husband.
On one of the first days of the year 1880, in the early afternoon, husband and wife went for a walk in the copse on the little hill above Rylands. They were still at this time like lovers in their behaviour and were always together. While they were walking they heard the hounds and later the huntsman's horn in the distance. Mr. Tebrick had persuaded her to hunt on Boxing Day, but with great difficulty, and she had not enjoyed it (though of hacking she was fond enough).
Hearing the hunt, Mr. Tebrick quickened his pace so as to reach the edge of the copse, where they might get a good view of