The Fourth Dimension

By Charles Howard Hinton

"The Fourth Dimension" by Charles Howard Hinton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

• Language: English
• Publisher: Good Press
• Release date: Aug 21, 2022
• ISBN: 4064066418861

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PREFACE

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I have endeavoured to present the subject of the higher dimensionality of space in a clear manner, devoid of mathematical subtleties and technicalities. In order to engage the interest of the reader, I have in the earlier chapters dwelt on the perspective the hypothesis of a fourth dimension opens, and have treated of the many connections there are between this hypothesis and the ordinary topics of our thoughts.

A lack of mathematical knowledge will prove of no disadvantage to the reader, for I have used no mathematical processes of reasoning. I have taken the view that the space which we ordinarily think of, the space of real things (which I would call permeable matter), is different from the space treated of by mathematics. Mathematics will tell us a great deal about space, just as the atomic theory will tell us a great deal about the chemical combinations of bodies. But after all, a theory is not precisely equivalent to the subject with regard to which it is held. There is an opening, therefore, from the side of our ordinary space perceptions for a simple, altogether rational, mechanical, and observational way of treating this subject of higher space, and of this opportunity I have availed myself.

The details introduced in the earlier chapters, especially in Chapters VIII., IX., X., may perhaps be found wearisome. They are of no essential importance in the main line of argument, and if left till Chapters XI. and XII. have been read, will be found to afford interesting and obvious illustrations of the properties discussed in the later chapters.

My thanks are due to the friends who have assisted me in designing and preparing the modifications of my previous models, and in no small degree to the publisher of this volume, Mr. Sonnenschein, to whose unique appreciation of the line of thought of this, as of my former essays, their publication is owing. By the provision of a coloured plate, in addition to the other illustrations, he has added greatly to the convenience of the reader.

C. Howard Hinton.

THE FOURTH DIMENSION

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CHAPTER I

FOUR-DIMENSIONAL SPACE

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There is nothing more indefinite, and at the same time more real, than that which we indicate when we speak of the higher. In our social life we see it evidenced in a greater complexity of relations. But this complexity is not all. There is, at the same time, a contact with, an apprehension of, something more fundamental, more real.

With the greater development of man there comes a consciousness of something more than all the forms in which it shows itself. There is a readiness to give up all the visible and tangible for the sake of those principles and values of which the visible and tangible are the representation. The physical life of civilised man and of a mere savage are practically the same, but the civilised man has discovered a depth in his existence, which makes him feel that that which appears all to the savage is a mere externality and appurtenage to his true being.

Now, this higher—how shall we apprehend it? It is generally embraced by our religious faculties, by our idealising tendency. But the higher existence has two sides. It has a being as well as qualities. And in trying to realise it through our emotions we are always taking the subjective view. Our attention is always fixed on what we feel, what we think. Is there any way of apprehending the higher after the purely objective method of a natural science? I think that there is.

Plato, in a wonderful allegory, speaks of some men living in such a condition that they were practically reduced to be the denizens of a shadow world. They were chained, and perceived but the shadows of themselves and all real objects projected on a wall, towards which their faces were turned. All movements to them were but movements on the surface, all shapes but the shapes of outlines with no substantiality.

Plato uses this illustration to portray the relation between true being and the illusions of the sense world. He says that just as a man liberated from his chains could learn and discover that the world was solid and real, and could go back and tell his bound companions of this greater higher reality, so the philosopher who has been liberated, who has gone into the thought of the ideal world, into the world of ideas greater and more real than the things of sense, can come and tell his fellow men of that which is more true than the visible sun—more noble than Athens, the visible state.

Now, I take Plato’s suggestion; but literally, not metaphorically. He imagines a world which is lower than this world, in that shadow figures and shadow motions are its constituents; and to it he contrasts the real world. As the real world is to this shadow world, so is the higher world to our world. I accept his analogy. As our world in three dimensions is to a shadow or plane world, so is the higher world to our three-dimensional world. That is, the higher world is four-dimensional; the higher being is, so far as its existence is concerned apart from its qualities, to be sought through the conception of an actual existence spatially higher than that which we realise with our senses.

Here you will observe I necessarily leave out all that gives its charm and interest to Plato’s writings. All those conceptions of the beautiful and good which live immortally in his pages.

All that I keep from his great storehouse of wealth is this one thing simply—a world spatially higher than this world, a world which can only be approached through the stocks and stones of it, a world which must be apprehended laboriously, patiently, through the material things of it, the shapes, the movements, the figures of it.

We must learn to realise the shapes of objects in this world of the higher man; we must become familiar with the movements that objects make in his world, so that we can learn something about his daily experience, his thoughts of material objects, his machinery.

The means for the prosecution of this enquiry are given in the conception of space itself.

It often happens that that which we consider to be unique and unrelated gives us, within itself, those relations by means of which we are able to see it as related to others, determining and determined by them.

Thus, on the earth is given that phenomenon of weight by means of which Newton brought the earth into its true relation to the sun and other planets. Our terrestrial globe was determined in regard to other bodies of the solar system by means of a relation which subsisted on the earth itself.

And so space itself bears within it relations of which we can determine it as related to other space. For within space are given the conceptions of point and line, line and plane, which really involve the relation of space to a higher space.

Where one segment of a straight line leaves off and another begins is a point, and the straight line itself can be generated by the motion of the point.

One portion of a plane is bounded from another by a straight line, and the plane itself can be generated by the straight line moving in a direction not contained in itself.

Again, two portions of solid space are limited with regard to each other by a plane; and the plane, moving in a direction not contained in itself, can generate solid space.

Thus, going on, we may say that space is that which limits two portions of higher space from each other, and that our space will generate the higher space by moving in a direction not contained in itself.

Another indication of the nature of four-dimensional space can be gained by considering the problem of the arrangement of objects.

If I have a number of swords of varying degrees of brightness, I can represent them in respect of this quality by points arranged along a straight line.

Fig. 1.

If I place a sword at A, fig. 1, and regard it as having a certain brightness, then the other swords can be arranged in a series along the line, as at A, B, C, etc., according to their degrees of brightness.

Fig. 2.

If now I take account of another quality, say length, they can be arranged in a plane. Starting from A, B, C, I can find points to represent different degrees of length along such lines as AF, BD, CE, drawn from A and B and C. Points on these lines represent different degrees of length with the same degree of brightness. Thus the whole plane is occupied by points representing all conceivable varieties of brightness and length.

Fig. 3.

Bringing in a third quality, say sharpness, I can draw, as in fig. 3, any number of upright lines. Let distances along these upright lines represent degrees of sharpness, thus the points F and G will represent swords of certain definite degrees of the three qualities mentioned, and the whole of space will serve to represent all conceivable degrees of these three qualities.

If now I bring in a fourth quality, such as weight, and try to find a means of representing it as I did the other three qualities, I find a difficulty. Every point in space is taken up by some conceivable combination of the three qualities already taken.

To represent four qualities in the same way as that in which I have represented three, I should need another dimension of space.

Thus we may indicate the nature of four-dimensional space by saying that it is a kind of space which would give positions representative of four qualities, as three-dimensional space gives positions representative of three qualities.

CHAPTER II

THE ANALOGY OF A PLANE WORLD

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At the risk of some prolixity I will go fully into the experience of a hypothetical creature confined to motion on a plane surface. By so doing I shall obtain an analogy which will serve in our subsequent enquiries, because the change in our conception, which we make in passing from the shapes and motions in two dimensions to those in three, affords a pattern by which we can pass on still further to the conception of an existence in four-dimensional space.

A piece of paper on a smooth table affords a ready image of a two-dimensional existence. If we suppose the being represented by the piece of paper to have no knowledge of the thickness by which he projects above the surface of the table, it is obvious that he can have no knowledge of objects of a similar description, except by the contact with their edges. His body and the objects in his world have a thickness of which however, he has no consciousness. Since the direction stretching up from the table is unknown to him he will think of the objects of his world as extending in two dimensions only. Figures are to him completely bounded by their lines, just as solid objects are to us by their surfaces. He cannot conceive of approaching the centre of a circle, except by breaking through the circumference, for the circumference encloses the centre in the directions in which motion is possible to him. The plane surface over which he slips and with which he is always in contact will be unknown to him; there are no differences by which he can recognise its existence.

But for the purposes of our analogy this representation is deficient.

A being as thus described has nothing about him to push off from, the surface over which he slips affords no means by which he can move in one direction rather than another. Placed on a surface over which he slips freely, he is in a condition analogous to that in which we should be if we were suspended free in space. There is nothing which he can push off from in any direction known to him.

Let us therefore modify our representation. Let us suppose a vertical plane against which particles of thin matter slip, never leaving the surface. Let these particles possess an attractive force and cohere together into a disk; this disk will represent the globe of a plane being. He must be conceived as existing on the rim.

Fig. 4.

Let 1 represent this vertical disk of flat matter and 2 the plane being on it, standing upon its rim as we stand on the surface of our earth. The direction of the attractive force of his matter will give the creature a knowledge of up and down, determining for him one direction in his plane space. Also, since he can move along the surface of his earth, he will have the sense of a direction parallel to its surface, which we may call forwards and backwards.

He will have no sense of right and left—that is, of the direction which we recognise as extending out from the plane to our right and left.

The distinction of right and left is the one that we must suppose to be absent, in order to project ourselves into the condition of a plane being.

Let the reader imagine himself, as he looks along the plane, fig. 4, to become more and more identified with the thin body on it, till he finally looks along parallel to the surface of the plane earth, and up and down, losing the sense of the direction which stretches right and left. This direction will be an unknown dimension to him.

Our space conceptions are so intimately connected with those which we derive from the existence of gravitation that it is difficult to realise the condition of a plane being, without picturing him as in material surroundings with a definite direction of up and down. Hence the necessity of our somewhat elaborate scheme of representation, which, when its import has been grasped, can be dispensed with for the simpler one of a thin object slipping over a smooth surface, which lies in front of us.

It is obvious that we must suppose some means by which the plane being is kept in contact with the surface on which he slips. The simplest supposition to make is that there is a transverse gravity, which keeps him to the plane. This gravity must be thought of as different to the attraction exercised by his matter, and as unperceived by him.

At this stage of our enquiry I do not wish to enter into the question of how a plane being could arrive at a knowledge of the third dimension, but simply to investigate his plane consciousness.

It is obvious that the existence of a plane being must be very limited. A straight line standing up from the surface of his earth affords a bar to his progress. An object like a wheel which rotates round an axis would be unknown to him, for there is no conceivable way in which he can get to the centre without going through the circumference. He would have spinning disks, but could not get to the centre of them. The plane being can represent the motion from any one point of his space to any other, by means of two straight lines drawn at right angles to each other.

Fig. 5.

Let AX and AY be two such axes. He can accomplish the translation from A to B by going along AX to C, and then from C along CB parallel to AY.

The same result can of course be obtained by moving to D along AY and then parallel to AX from D to B, or of course by any diagonal movement compounded by these axial movements.

By means of movements parallel to these two axes he can proceed (except for material obstacles) from any one point of his space to any other.

Fig. 6.

If now we suppose a third line drawn out from A at right angles to the plane it is evident that no motion in either of the two dimensions he knows will carry him in the least degree in the direction represented by AZ.

The lines AZ and AX determine a plane. If he could be taken off his plane, and transferred to the plane AXZ, he would be in a world exactly like his own. From every line in his world there goes off a space world exactly like his own.

Fig. 7.

From every point in his world a line can be drawn parallel to AZ in the direction unknown to him. If we suppose the square in fig. 7 to be a geometrical square from every point of it, inside as well as on the contour, a straight line can be drawn parallel to AZ. The assemblage of these lines constitute a solid figure, of which the square in the plane is the base. If we consider the square to represent an object in the plane being’s world then we must attribute to it a very small thickness, for every real thing must possess all three dimensions. This thickness he does not perceive, but thinks of this real object as a geometrical square. He thinks of it as possessing area only, and no degree of solidity. The edges which project from the plane to a very small extent he thinks of as having merely length and no breadth—as being, in fact, geometrical lines.

With the first step in the apprehension of a third dimension there would come to a plane being the conviction that he had previously formed a wrong conception of the nature of his material objects. He had conceived them as geometrical figures of two dimensions only. If a third dimension exists, such figures are incapable of real existence. Thus he would admit that all his real objects had a certain, though very small thickness in the unknown dimension, and that the conditions of his existence demanded the supposition of an extended sheet of matter, from contact with which in their motion his objects never diverge.

Analogous conceptions must be formed by us on the supposition of a four-dimensional existence. We must suppose a direction in which we can never point extending from every point of our space. We must draw a distinction between a geometrical cube and a cube of real matter. The cube of real matter we must suppose to have an extension in an unknown direction, real, but so small as to be imperceptible by us. From every point of a cube, interior as well as exterior, we must imagine that it is possible to draw a line in the unknown direction. The assemblage of these lines would constitute a higher solid. The lines going off in the unknown direction from the face of a cube would constitute a cube starting from that face. Of this cube all that we should see in our space would be the face.

Again, just as the plane being can represent any motion in his space by two axes, so we can represent any motion in our three-dimensional space by means of three axes. There is no point in our space to which we cannot move by some combination of movements on the directions marked out by these axes.

On the assumption of a fourth dimension we have to suppose a fourth axis, which we will call AW. It must be supposed to be at right angles to each and every one of the three axes AX, AY, AZ. Just as the two axes, AX, AZ, determine a plane which is similar to the original plane on which we supposed the plane being to exist, but which runs off from it, and only meets it in a line; so in our space if we take any three axes such as AX, AY, and AW, they determine a space like our space world. This space runs off from our space, and if we were transferred to it we should find ourselves in a space exactly similar to our own.

We must give up any attempt to picture this space in its relation to ours, just as a plane being would have to give up any attempt to picture a plane at right angles to his plane.

Such a space and ours run in different directions from the plane of AX and AY. They meet in this plane but have nothing else in common, just as the plane space of AX and AY and that of AX and AZ run in different directions and have but the line AX in common.

Omitting all discussion of the manner on which a plane being might be conceived to form a theory of a three-dimensional existence, let us examine how, with the means at his disposal, he could represent the properties of three-dimensional objects.

Fig. 8.

There are two ways in which the plane being can think of one of our solid bodies. He can think of the cube, fig. 8, as composed of a number of sections parallel to his plane, each lying in the third dimension a little further off from his plane than the preceding one. These sections he can represent as a series of plane figures lying in his plane, but in so representing them he destroys the coherence of them in the higher figure. The set of squares, A, B, C, D, represents the section parallel to the plane of the cube shown in figure, but they are not in their proper relative positions.

The plane being can trace out a movement in the third dimension by assuming discontinuous leaps from one section to another. Thus, a motion along the edge of the cube from left to right would be represented in the set of sections in the plane as the succession of the corners of the sections A, B, C, D. A point moving from A through BCD in our space must be represented in the plane as appearing in A, then in B, and so on, without passing through the intervening plane space.

In these sections the plane being leaves out, of course, the extension in the third dimension; the distance between any two sections is not represented. In order to realise this distance the conception of motion can be employed.

Fig. 9.

Let fig. 9 represent a cube passing transverse to the plane. It will appear to the plane being as a square object, but the matter of which this object is composed will be continually altering. One material particle takes the place of another, but it does not come from anywhere or go anywhere in the space which the plane being knows.

The analogous manner of representing a higher solid in our case, is to conceive it as composed of a number