London Lyrics
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London Lyrics - Frederick Locker-Lampson
Frederick Locker-Lampson
London Lyrics
EAN 8596547132622
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
INTRODUCTION
THE CASTLE IN THE AIR
THE CRADLE
O TEMPORA MUTANTUR!
PICCADILLY
THE OLD CLERK
THE GARTER
THE PILGRIMS OF PALL MALL
THE RUSSET PITCHER
THE ENCHANTED ROSE
CIRCUMSTANCE The Orange
A WISH
MY LIFE IS A—
VANITY FAIR
BRAMBLE-RISE
OLD LETTERS
SUSANNAH
MY FIRSTBORN
THE WIDOW’S MITE
ST GEORGE’S, HANOVER SQUARE
A SKETCH IN SEVEN DIALS
MISS EDITH An Extravaganza
A GLIMPSE OF GRETNA GREEN, IN THE DISTANCE
THE FOUR SEASONS
ENIGMA
ENIGMA
TO THE PRINTER’S DEVIL
INTRODUCTION
Table of Contents
The father of Frederick Locker Lampson (or Frederick Locker, according to the name by which he is generally known) was Edward Hawke Locker, at one time Commissioner of Greenwich Hospital. He is described in the Dictionary of National Biography
as a man of varied talents and accomplishments, Fellow of the Royal Society, an excellent artist in water-colour, a charming conversationalist, an esteemed friend of Southey and Scott.
Frederick, the author of London Lyrics,
was born,
Mr Augustine Birrell, his son-in-law, writes in Scribner’s Magazine (January 1896), in Greenwich Hospital in 1821. After divers adventures in various not over well selected schools, and a brief experience of the City and of Somerset House, he became a clerk in the Admiralty, serving under Lord Haddington, Sir James Graham, and Sir Charles Wood. He was twice married—first, to Lady Charlotte Bruce, a daughter of Lord Elgin (of the Marbles); and secondly, to the only daughter of Sir Curtis Lampson, Bart., of Rowfant in Sussex.
The present volume is Locker’s earliest literary venture; produced, however, at the comparatively mature age of thirty-six. In 1857,
he says in My Confidences,
I published a thin volume—certain sparrow-flights of song, called ‘London Lyrics.’
Subsequently, about 1860, Thackeray, who was then editor of the Cornhill Magazine, invited Locker to contribute; and poems published there and elsewhere were collected and reprinted from time to time, the original title being always retained. Ten editions, besides some selections privately printed, appeared before the poet’s death. In almost all something new was added, in all something old was taken away; so that only eight of the twenty-five pieces composing the early thin volume
survive in the issue of 1893, and some of these are much altered. It is hoped that readers of Locker’s later and more highly finished work will consider a republication of his Primitiæ
justified by the interest which attaches to all beginnings.
So many people even now confuse minor poetry with bad poetry that it is almost invidious to call a poet minor. Yet there is no doubt that minor poetry can be good in its way, just as major poetry can be good in its way. "If he [Locker] was a minor poet he was at least [why ‘at least’?] a master of the instrument