The Anthologies: Frontier: The Anthologies
By Tahir Shah
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About this ebook
During a career of thirty years, Tahir Shah has published dozens of books on travel, exploration, topography, and research, as well as a large body of fiction.
Through this extraordinary series of Anthologies, selections from the corpus are arranged by theme, allowing the reader to follow certain threads that are of profound interest to Shah.
Spanning a number of distinct genres – in both fiction and non-fiction work – the collections incorporate a wealth of unpublished material. Prefaced by an original introduction, each Anthology provides a lens into a realm that has shaped Shah's own outlook as a bestselling author.
Regarded as one of the most prolific and original writers working today, Tahir Shah has a worldwide following. Published in hundreds of editions, and in more than thirty languages, his books turn the world back to front and inside out. Seeking to make sense of the hidden underbelly, he illuminates facets of life most writers hardly even realize exist.
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Book preview
The Anthologies - Tahir Shah
For Erik Weihenmayer
The Anthologies:
Africa
Ceremony
Childhood
City
Danger
East
Expedition
Frontier
Hinterland
India
Jungle
Morocco
People
Quest
South
Taboo
By Tahir Shah:
Travel
Trail of Feathers
Travels With Myself
Beyond the Devil’s Teeth
In Search of King Solomon’s Mines
House of the Tiger King
In Arabian Nights
The Caliph’s House
Sorcerer’s Apprentice
Journey Through Namibia
Novels
Jinn Hunter: Book One – The Prism
Jinn Hunter: Book Two – The Jinnslayer
Jinn Hunter: Book Three – The Perplexity
Hannibal Fogg and the Supreme Secret of Man
Hannibal Fogg and the Codex Cartographica
Casablanca Blues
Eye Spy
Godman
Paris Syndrome
Timbuctoo
Midas
Zigzagzone
Nasrudin
Travels With Nasrudin
The Misadventures of the Mystifying Nasrudin
The Peregrinations of the Perplexing Nasrudin
The Voyages and Vicissitudes of Nasrudin
Nasrudin in the Land of Fools
Stories
The Arabian Nights Adventures
Scorpion Soup
Tales Told to a Melon
The Afghan Notebook
The Caravanserai Stories
Ghoul Brothers
Hourglass
Imaginist
Jinn’s Treasure
Jinnlore
Mellified Man
Skeleton Island
Wellspring
When the Sun Forgot to Rise
Outrunning the Reaper
The Cap of Invisibility
On Backgammon Time
The Wondrous Seed
The Paradise Tree
Mouse House
The Hoopoe’s Flight
The Old Wind
A Treasury of Tales
Daydreams of an Octopus & Other Stories
Miscellaneous
The Reason to Write
Zigzag Think
Being Myself
Research
Cultural Research
The Middle East Bedside Book
Three Essays
Anthologies
The Anthologies
The Clockmaker’s Box
The Tahir Shah Fiction Reader
The Tahir Shah Travel Reader
Edited by
Congress With a Crocodile
A Son of a Son, Volume I
A Son of a Son, Volume II
Screenplays
Casablanca Blues: The Screenplay
Timbuctoo: The Screenplay
Secretum Mundi Publishing Ltd
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London
EC1V 2NX
United Kingdom
www.secretum-mundi.com
info@secretum-mundi.com
First published by Secretum Mundi Publishing Ltd, 2019
THE ANTHOLOGIES: FRONTIER
© TAHIR SHAH
Tahir Shah asserts the right to be identified as the Author of the Work in accordance with the Copyright, Designs and Patents Act 1988.
A CIP catalogue record for this title is available from the British Library.
Visit the author’s website at:
www.tahirshah.com
ISBN: 978-1-914960-38-3
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
Contents
Introduction
Across the Straits
The Fool
Gambian Interlude
Lords of the Last Frontier
Chain of Transmission
An African Twilight Zone
In Timbuctoo
On a Family Mission
Railway to Heaven
Rubber Baron Blues
Real Africa
Morocco’s Pirate Realm
Magic and Death Birds
In the Shadow of the Red Army
Eye Spy
Descent into Cloud Forest
West Meets East
In Gondwanaland
In Search of Nasrudin
The Salt Caravan
Welcome to Casablanca
The Secret of Life
Rough and Rougher in West Africa
The Highlands of Ethiopia
Contrabanista
Introduction
IN THE DRAWER
beside my bed I keep a stack of expired passports.
There are more than a dozen of them, charting zigzagging adventures around all corners of the world. On nights when I can’t sleep, I take them out, flick through their pages, and remember the journeys represented in a sea of slapdash immigration stamps.
Last night was one such night.
I’d been tossing and turning for a while, all kinds of thoughts and ideas coursing through my mind. As a way of stirring the flow of memory to wash away my worry, I took out the passports, and selected one.
Issued in 1992, it was cancelled three years later, every available inch of space filled. A picture at the front shows a bright young thing in his mid-twenties in need of much travel to ripen him.
Flicking through the passport, a particular immigration stamp caught my attention. Smudged and inexpertly pressed down on the page, it read ‘ENTRY TO TAHIRLAND!’ At an angle beside it was a second stamp, which read: ‘EXIT FROM TAHIRLAND!’
Before I knew it, I remembered one of the most bizarre expeditions of my life, through the deserts of Upper Egypt and across a frontier like none other.
In a way, the journey had begun in the summer of 1978 at prep school in Tunbridge Wells. An especially wretched master ordered the class to turn to a certain page in the geography textbook. Just before zoning out, I noticed something written at the corner of the page:
‘Between Egypt and the Sudan there lies a land known as Bir Tawil, an example of a Terra Nullius – a land unclaimed by any nation.’
The rest of the class got down to studying about the emerging nations of post-colonial Africa, while I began fantasizing about venturing to Bir Tawil, and claiming it for myself.
In my experience, the most successful journeys, and the best books, are derived from ideas laid down decades before. There’s nothing quite like having something churning away in the back of your head – with you as you work, rest, and sleep.
The Terra Nullius of Bir Tawil was one such notion.
I’d often forget about it for years on end. But when something sparked me to remember it, I found a hidden region of my brain had been grinding away at it all along.
Fourteen years after first reading the name of the unwanted land, I became the King of Bir Tawil.
As a traveller there are few delights as gripping as crossing a no man’s land between one country and another. I have always been drawn to the oddity of the way the south of Country A is the north of Country B, and how the east of Country C is the west of Country D.
Likewise, frontiers are man-made fictions that rule our experience of travel. At a time of mass human migration they’re in the news more than ever, leading me to frequently revisit the journeys I’ve made from one nation to the next, across frontiers.
While crossing a no man’s land between Sierra Leone and Liberia, a Polish adventurer once struck up a conversation.
‘We are nowhere,’ he said.
‘Nowhere and everywhere,’ I added.
The Pole sighed lugubriously.
‘What joy it is to reach a frontier filled with hope of what will come next,’ he said.
Tahir Shah
Across the Straits
A MOROCCAN FRIEND
told me that to understand his country, one had to understand the kingdom to the north.
The cultures of Morocco and Spain, he had said, are linked by history, by tradition and by blood. So in the middle of February we planned a trip to the Alhambra in southern Spain, where the great palace-fortress of Moorish kings still stands at Granada. It seemed the perfect time to visit what must be the finest Islamic palace ever constructed.
Another reason for the journey was to get away from Casablanca. I fantasized that when we came back a week later all the work would be finished. To ensure the craftsmen would toil day and night, I asked Kamal to stay in the house until our return.
Living in Morocco, it is easy to forget that Europe is no more than a few miles to the north, albeit in another continent. We took the train up to Tangier and crossed the Straits of Gibraltar to Algeciras. The ferry was low in the water, listing to the port side. She was called Isabella, the name of the queen who routed the Spanish Muslims from the Iberian peninsula eight centuries ago. The straits may be only eight miles across at their nearest point, but they divide two continents, an ocean, and a sea.
We stood out on the deck in the breeze, watching as Africa slipped away. The minarets of Tangier grew smaller and smaller, until they were no more than specks on the horizon. Gulls swooped over the stern, where a dozen crates of fish were packed in ice. We strolled along the guard rail to the bow, where we found Europe approaching.
Anyone who has travelled in Andalucía has been touched by the spell of Morocco. The Moors retreated to African soil, but their legacy endures throughout Iberia. Their invasion of Spain took place in 711 of the Christian era, and the Islamic faith was practised there for more than five hundred years. Today, you can find traces of the Moorish past in Spanish food and music, scholarship, folklore and in the language itself.
The Alhambra palace at Granada is so exquisite that a visitor is at a loss to describe it. I was first taken there as a child. I remember walking round the gardens and through the great halls, my mouth wide open in awe. I had never imagined such beauty, such precision.
The chill winter air was perfumed with the scent of roses, lulled by the sound of water tumbling from fountains. Ambling through the courtyards again, this time with my own children, I was spellbound by the serenity, a ballet in stone. The lines and textures were easy on the eye, the sounds and smells equally pleasing. Like the ballet, there was a sense that such perfection had been effortless to create.
We stayed in a small guesthouse in the shadow of the palace. The nights were cold, the mornings glazed with frost. I was overcome by the tranquillity. I told Rachana that I wanted to stay there forever and to walk away from the Caliph’s House. She laughed and then seemed very serious.
‘You’re not joking, are you?’ she said.
From The Caliph’s House
The Fool
CURVACEOUS, BIG-BONED, AND
a shameless flirt, Doña Fernández did her level best to shock everyone she encountered.
More often than not dressed in a super-tight T-shirt and an ultra-skimpy miniskirt, with a spectacular beehive towering above her head, the doña may once have been a beauty of sorts. But time had been cruel to the face that, I liked to imagine, had broken a thousand hearts. Half an inch of foundation cream, mascara, rouge, the blonde-dyed bouffant, and pearly dentures made it challenging to accurately deduce her age.
Pouting, she insisted she wasn’t a day over forty. My own guess was that number and at least the same again.
Like all the other travellers taking refuge at her modest pension, I’d wound up under its roof having fallen victim to thieves.
The longest-serving resident, an American student, had been accosted at knife-point while hitching outside town.
Another, a Dutch artist, was mugged in the public toilets down at the port.
Three more – a trio of French street musicians – claimed to have been pickpocketed on a local bus. While queuing