Serenade Sonnets and Other Poems
By TF Badilla
()
About this ebook
A poem does not have to be the soliloquy of an author defaced and de-voiced by T. S. Eliot’s objective correlative. Poetry can be the conversation between the reader and writer: at times they come to an agreement, at other times they agree to disagree. This book of verse answers to its readers--not to T. S. Eliot.
TF Badilla
Husband (of one! : ). Father of five. Former teacher, former brewery quality assurance chemist. Poetry enthusiast.
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Serenade Sonnets and Other Poems - TF Badilla
Preface
The poems here do not go the way of the MacLeish prescription: they be—and mean, as well.
We, Filipinos, do take ourselves seriously—but not too seriously. So we good-naturedly poke fun at some of our own, such as the not-so-great-looking President—whether of the Kapilya (local chapel) or of the Republic—after taking serious notice of the guy on his having the beautiful wife and beautiful children or the jaw-dropping pedigree. We curse at some upwardly mobile price of canned sardines like the product should be boycotted forever—and then proceed to buy some. Or we go to feel (for Einstein, without having to fully fathom his math) like kicking our behind for spoiling the brilliant mathematics with some biased cosmological constant, but not at all go to the extent of getting somebody to actually kick us in the behind.
And yet at other times we take ourselves really seriously.
It is matters like those—and more—that this collection of verse visits.
(Untitled)
The license leans MacLeish:
a poem should just be.
And so the poetry sets out to sea,
eclectic in the egregiously eccentric
and abstrusely idiosyncratic—
to the point of reader irrelevance
and annoyance.
Some of those poems go like rudderless ships
and stumble upon the shores of chokes—
to become the butt of jokes.
What is a tale that does not
tell? A poem!
Should the poet let the ridicule be?
Unlike the James Bond brief,
the freedom of artistic expression
does not include the license to kill:
the artist goes with the constant
burden
of accountability for his craft.
And a