Teaching High School Creative Writing
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About this ebook
From USA Today Bestselling author and high school creative writing teacher L.A. Detwiler comes a book of tried and true strategies for the writing classroom.
The opportunity to teach a high school creative writing class can be both thrilling and terrifying. If you're like I was in my first year of teaching the course, you may be wondering:
- What should you teach in a creative writing course?
- How should you assess students?
- How can you make writing fun, even for reluctant learners?
- Is it possible to teach students to be creative?
- What should the structure of your class look like?
In my first year of teaching the course, I found few resources that were helpful on these subjects. Most were solely focused on fun activities or how to be a writer, not on how to structure a class and actually teach it.
This book is the product of my own frustrations in my first year and the experience I've gained from trial and error over the past eight years of teaching the course. In that time frame, I also managed to develop a Creative Writing Level II course and a Novel Writing course from scratch. I also earned my USA Today Bestseller's title, which has allowed me to understand what skills are sought in the professional industry.
In this book, I will share with you tried-and-true tactics for starting your own successful writing program or just infusing your English classroom with a positive outlook on creative writing. I'll cover the skills that are most in demand in the creative writing field so you can set your students up for success in high school but also beyond.
This book covers:
- How to create a positive environment for creativity
- The best ways to assess students in creative writing
- Activities and key topics to cover in order to encourage success
- Tips for helping students combat writer's block
- Ways to enhance critique circles to actually be meaningful
- How your mindset as a teacher can impact the type of writing your students create
- And much more
When done well, your creative writing class can become a safe haven not only for your students to learn how to express themselves, but for you to be the kind of teacher I think we all want to be.
It might not feel like it now. You might be feeling overwhelmed and like vomiting. But I promise, if you read this book and make the ideas your own (which is the key, as we'll discuss), you'll shine.
Whether you're teaching a creative writing course for the first time, writing curriculum for it, or a veteran creative writing teacher looking to enhance your writing atmosphere, this is the resource with you in mind. Written for a busy teacher, it takes my best, most practical advice and condenses it into a book that will get you inspired to open your students' eyes to the beautiful, magical world of creative writing.
L.A. Detwiler
L.A. Detwiler is an author and high school English teacher from Hollidaysburg, Pennsylvania. During her final year at Mount Aloysius College, she started writing her first fiction novel, which was published in 2015. She has also written articles that have appeared in several women’s publications and websites. L.A. Detwiler lives in her hometown with her husband, Chad. They have five cats and a mastiff named Henry.
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Teaching High School Creative Writing - L.A. Detwiler
Introduction
Excited.
Honored.
Almost vomiting.
If you’re reading this book, I’m going to assume the following:
You’re been granted or tasked with teaching a creative writing course at your high school, summer camp, or even a higher education institute.
You are feeling at least one if not all of the above emotions.
You’re looking for advice on where to start.
The reason I’m willing to bet these three things are true is because I was you about seven years ago. When I got the chance to take over our high school creative writing program in my third year of teaching, I felt all of the above emotions–but mostly the vomiting emotion.
It wasn’t that I felt incapable of teaching writing. Writing had been my passion for as long as I could remember–it was why I became an English teacher. I’d spent years of my childhood filling notebooks with made-up tales of fluffy bunnies, talking parrots, and everything in between (usually involving an animal or ten). In addition, when I was granted the opportunity to take over the classes, I’d already been published several times.
Still, there’s something about being given the reins to a creative class that is daunting. For one, most of us teachers like structure, organization, and a methodical plan. With creative writing class, I found none of that in place. For one, there isn’t a set structure to teaching a subjective topic like creative writing. The mere subject matter itself makes a scope and sequence difficult to map out. Furthermore, there are very few resources out there for high school creative writing teachers, probably because it isn’t a commonly taught class (thanks, standardized testing, right?). And although it feels great to set down the English teacher textbook and finally focus on creativity, where do you even begin knowing what to actually teach? The state standards offer little structure or help, giving vague hints about style and voice. Still, what should a high school class focus on? How should students be assessed? How do you teach someone to be creative?
These were all questions I struggled with in my first few years of teaching the course. How did I sort it out? Trial and error, mostly. I made mistakes. I restructured. I tried new activities, and abandoned some old ones. And eventually, over the years, I created a class that felt right. It’s a class where I love to be–and so do my students, for the most part. It’s a class where I feel like they’re learning what they need to know for the field but still have freedom to make choices and be themselves. It’s a class with assessments and direct instruction but different in the sense the kids aren’t smothered by expectations of mastery. In a sense, it’s a free-flowing class that still offers a sense of structure and expectations.
Today, I not only have Creative Writing I class that I teach and developed, but I have Level II and a Novel Writing course. Since that first class, I’ve also become a USA Today Bestselling author. Still, even now, the thing I love about teaching creative writing is that no two classes are ever the same. The thing you’ll learn in this book, hopefully, is that there isn’t a one-size-fits-all approach to teaching creative writing. It ebbs and flows. It transforms as you change, too.
Still, in this book, I hope to give you practical tips for starting up your own creative writing class or curriculum. I’ll talk about tried and true strategies that have worked for me in the classroom, basic tenants to use in your own class, and activities I’ve enjoyed. We’ll talk about how to establish grading standards that give you flexibility and how to organize your class to maximize learning while still letting students have options. I’ll talk about how to create a helpful critique environment where students feel comfortable growing.
I wrote this book for a few reasons. Other books out there focus either solely on activities or exclusively on writing theory. I didn’t feel like there was a book out there for real
teachers–teachers who face the challenges of time, behavior, and pressure. I wanted to write a book from the heart, in a way, one that speaks to my own successes and learning curves. Most of all, I wanted to write a book in the hopes of inspiring you to create your own favorite class–because my creative writing class is my breath of fresh air during the day. When done well, your creative writing class can become a safe haven not only for your students to learn how to express themselves, but for you to be the kind of teacher I think we all want to be. It might not feel like it now. You might be feeling overwhelmed and like vomiting. But I promise, if you read this book and then make the ideas your own, you’ll shine.
And let me say this, right at the beginning. It doesn’t matter how skilled you are in writing or how fancy your prompts are. It doesn’t matter if you have basic prompts or elaborate schemes. It doesn’t matter if you have technology or yellow wooden pencils to work with. It doesn’t matter if you can afford to take your class to the Globe Theater or if you barely have a broom closet to teach out of. None of that is needed to be a successful creative writing teacher, which is perhaps what I love the most.
I’m going to tell you the underlying secret to success now so you can keep it in mind the whole book. Sure, the other tips