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We're Here, We're Here: A Tor.com Original
We're Here, We're Here: A Tor.com Original
We're Here, We're Here: A Tor.com Original
Ebook35 pages29 minutes

We're Here, We're Here: A Tor.com Original

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Critically acclaimed sci-fi author K.M. Szpara probes the ethics of genetic engineering in this Tor.com Original short story "We're Here, We're Here"

Joining a boyband gave Tyler everything he ever dreamed of. A close-knit group of friends, the chance to model a beautiful masculinity, and a vocal implant that lets him sing even better than he did before transitioning. But deep on tour, Tyler realizes he wants more from one of his bandmates, yearns for a love that would never fit the image that has been carefully crafted for him. His manager wants him to be the heartthrob: available, wholesome, and pure. And since his manager gave Tyler his voice, he can always take it away again.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateJun 10, 2020
ISBN9781250766304
We're Here, We're Here: A Tor.com Original
Author

K.M. Szpara

K.M. Szpara is a queer and trans author who lives in Baltimore, MD, with a small dog and long cat. He is the author of speculative novels such as FIRST, BECOME ASHES (2021), DOCILE (2020), and a novel that will follow up on his Hugo and Nebula nominated novelette, "Small Changes Over Long Periods of Time." They're about cults and trauma, consent and debt, and a horny trans vampire, respectively. His short fiction appears in Tor.com, Uncanny, Lightspeed, and more. You can find himme on the Internet at kmszpara.com and on Twitter and Instagram at @kmszpara.

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    We're Here, We're Here - K.M. Szpara

    Jeff opens the app on his phone while we warm up. While we run through scales and diction exercises and harmonies. While we breathe in—two, three—out—two, three. While four voices unite to become one, each a band in a rainbow of sound. While Jeff adjusts the timbre of my voice.

    It didn’t always sound like this. That’s part of why I auditioned for Back 2 Back—for the vocal implant. A chance to sing like I used to before my vocal chords thickened. I wanted my range back, wanted the soaring feeling of a note held against the swell of harmony.

    I clear my throat.

    Sounds good, boys. Jeff pockets his phone. Have a great show. He waves over his shoulder and heads up to the sound booth.

    As much as I love being in a band, I love being in a boyband even more. You’re not supposed to. Boyband members are male, but no one considers them masculine—not when their audience is comprised of teenage girls. Heaven forbid girls’ tastes be given any weight. When I was one, my favorite band was a group of baby-faced cis boys whom my classmates misgendered just so they could call me a lesbian for liking them. Figures, they were my trans masculinity goals and now here I

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