Septuagenarian: Love Is What Happens When I Die
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About this ebook
Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist.
Praise for Sherry Quan Lee's Septuagenarian
In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. The dignity and fire of her seventy-three-year old gaze taking in snapshots of those selves...straightens my spine and gives me a vision for myself traveling today into my future septuagenarian.
--Lola Osunkoya, MA, LPCC
Sherry Quan Lee writes courageously to understand herself and the world. She uses rich language and her skills as a storyteller to focus her sharp lens on what it means to have a complex, sometimes complicated identity: becoming invisible as she ages, a history of passing unseen, love and sex, grieving and celebration. She ruminates on history, which repeats itself in the current moment and widens her lens to look at the bigger, global picture to tell truths in poems that tenderly hold memory, time, rituals, trauma, mothering, fear of death and love in many forms. Her poems offer deeply personal, intimate and perceptive insights and opportunities to reflect on what it means to truly live. It feels like I've taken the journey with her, and I'm wiser for it.
--Shay Youngblood, author of Soul Kiss and Black Girl in Paris
From Modern History Press
Sherry Quan Lee
Sherry Quan Lee, MFA, Creative Writing is a Community Instructor at Metropolitan State University (Intro to Creative Writing, Advanced Creative Writing), and has taught classes and men-tored writers at Intermedia Arts, and the Loft Literary Center; and co-taught A Gathering of Storytellers with Lori Young-Williams for the University [of Minnesota] Women of Color organi-za-tion (UWOC), Urban Research and Outreach-Engagement Center (UROC), a partnership between the University of Minnesota and North Minneapolis, and for other community organizations state wide. She is the author of A Little Mixed Up, Guild Press, 1982 (second printing), Chinese Blackbird, a memoir in verse, published 2002 by the Asian American Renaissance, re-published 2008 by Modern History Press, and How to Write a Suicide Note: serial essays that saved a woman's life, Modern History Press, 2008. Follow her online at http://blog.sherryquanlee.com
Read more from Sherry Quan Lee
Chinese Blackbird Rating: 5 out of 5 stars5/5Love Imagined: A Mixed Race Memoir Rating: 4 out of 5 stars4/5How to Write a Suicide Note: Serial Essays that Saved a Woman's Life Rating: 3 out of 5 stars3/5
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Septuagenarian - Sherry Quan Lee
Acclaim for Sherry Quan Lee’s Septuagenarian
In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. Working as a therapist in racial identity development, I invite people to look at themselves in context. Seeing oneself in context decreases the judgment and shaming that comes from making lifetime decisions in childhood. Sherry's self-assessment is curious, assertive, open and unapologetic. She holds many versions of past selves, looking plainly at her training to pass as White and to squeeze into the tight, traditional roles of woman, wife and mother. And then she lifts the veil, showing us the pain of this training, the rage that followed captivity in ill-fitting boxes and the forward movement that inevitably follows forgiveness. The dignity and fire of her seventy-three-year-old gaze taking in snapshots of those selves... straightens my spine and gives me a vision for myself traveling today into my future septuagenarian.
~ Lola Osunkoya, MA, LPCC
I’ve been reading Sherry Quan Lee’s work for almost thirty years and her voice keeps getting stronger, more urgent, deeper. In Septuagenarian, she continues to write out of her past, the Black/Chinese/girl passing for white,
but the range of her voice is wider now, both inward and outward and it’s anchored by a wisdom that can only be achieved through struggle and time. This is a significant, heartfelt work, one that will help readers to understand not only the author and her life, but also America itself--what we have been, what we are and, hopefully, what we might become.
~ David Mura, author of A Stranger's Journey: Race, Identity & Narrative Craft in Writing
Septuagenarian by Sherry Quan Lee is a book that answers, in many different ways, the question posed in one of the poems contained within: What does surrender look like?
Surrender looks like passion, like the banishment of shame, like truth telling. The narrator is not afraid of death, but embraces the inseparability and magnitude of opposing forces: The world is a large body of terror where good and evil coexist, and each of us is responsible.
Quan Lee’s bold language makes space for living within impossibilities. It is a book that maps, often with aching beauty, many of the author’s passions, desires, grief and the circularity of life at seventy, I have lost so many people over time, but at seventy long-term memory brings them back, both the wicked and the wise…story ends where it begins.
~ Sun Yung Shin, author of Unbearable Splendor
Septuagenarian is a poignant retrospective covering seven decades of Sherry Quan Lee’s life, culminating in 2020, the year of the COVID-19 pandemic. In this collection, which blends new work with poems published in her previous books, Quan Lee reckons with invisibility—a mixed-race woman who was raised white/ a gray-haired specter
the critics ignore.
The pain and frustration caused by the pervasive, divisive effects of generational trauma on herself and her family are no longer obstacles, and love is no longer imagined—and the world at large explored.
~ Carolyn Holbrook, author of Tell Me Your Names and I Will Testify
Sherry Quan Lee writes