Ballads Weird and Wonderful - Imperium Press
By Vernon Hill
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About this ebook
Before Poe, before Coleridge, before Blake, the otherworld was cast in verse by nameless bards of the ancient Scottish ballad tradition. The ballad is our usual vehicle for the heroic and the tragic, but in the mirky forests of medieval Britain, a witches brew of Celtic, Germanic, and Christian ingredients gave us another tradition.
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- Rating: 4 out of 5 stars4/5A nice survey and introduction to the most essential supernatural ballads.
Book preview
Ballads Weird and Wonderful - Imperium Press - Vernon Hill
Imperium Press was founded in 2018 to supply students and laymen with works in the history of rightist thought. If these works are available at all in modern editions, they are rarely ever available in editions that place them where they belong: outside the liberal weltanschauung. Imperium Press’ mission is to provide right thinkers with authoritative editions of the works that make up their own canon. These editions include introductions and commentary which place these canonical works squarely within the context of tradition, reaction, and counter-Enlightenment thought—the only context in which they can be properly understood.
Contents
Preface
Ballads Weird and Wonderful
The Wife of Usher’s Well
The Queen of Elfland’s Nourice
The Demon Lover
The Great Sealchie of Sule Skerrie
Alison Gross
A Lyke-Wake Dirge
The Twa Corbies
Kemp Owyne
The Falcon
Sweet William’s Ghost
Young Benjie
Edward, Edward
The Elfin Knight
True Thomas
The Cruel Mother
Tamlane
Lord Thomas and Fair Annet
The Croodlin’ Doo
The Water o’ Wearie’s Well
The Wee, Wee Man
Hugh of Lincoln
The Mermaid
Clerk Colvill
Sir Roland
Willy’s Lady
Glossary of Common Terms
Preface
The
scope of this book is sufficiently indicated by its title. The quality of the illustrations is not so patent, and for this reason I venture to claim attention from readers and critics in this introductory note.
Naturally, this is not a general collection of legendary ballads, and the slightly hackneyed themes of love and romance, so well known to us all, have not been touched upon in a volume intended only to deal with the weird and wonderful. Elves and fairies, demons and witches run riot through these pages and dance through the pictures. Here we have a revel of the bizarre, the whimsical, the extraordinary. Ballads of this type have a peculiar flavour of their own, which can be neither defined nor imitated, and they are, therefore, easily separable from the others. The subjects, moreover, are so strictly limited in number that it is thought the present collection contains typical specimens of all the best ballads of this character. They have not been taken from any single source, but many different versions have been consulted, and it is hoped that the resulting compilation gives the best obtainable.
Such a selection, it is believed, has not previously been published, but it was suggested as being peculiarly adapted to the genius of the artist of The Arcadian Calendar and The New Inferno. The result has more than justified the editor’s expectations.
An artist who is not limited to the actual things of life, whose fancy is not confined within the limits of a green field or a marble column—who, indeed, can see visions—whose inner life is not of our life but of a strange occult devising, is impelled irresistibly towards the supernatural (though the word supernatural in connection with art should not be held only as indicating conditions above or below nature, but completely outside of and distinct from nature). Perhaps it is a lack of recognition of these several circumstances that causes us to condemn as morbid and decadent things which we are not in a position to judge. The word decadent is at once the most misused and the most overworked word in the English language. Any design that is not conventional, any picture that does not make an instant appeal by its prettiness—and that mere obvious prettiness the eye can take in completely at a glance—is liable to be misrepresented as