Khanemuism: Anthology of Poems, Speeches, and Lyrics
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About this ebook
KHANEMUISM will roller coaster you through many episodes in life and the lives of its diverse characters, both famous and ordinary, both criminal and law abiding with its complex challenges and dramas, all directed to entertain, inform and hopefully, to get the conversation started.
Welcome to the world of KHANEMUISM
Robert L. Woods
After embarking on a transformative creative writing journey nine years ago, Robert L. Woods has evolved to a level of looking at every aspect of the world through a poetic lens with the aim of delving below the surface, revealing its many meanings and significance in relation to our human predicament. He is a passionately powerful spoken-word poet in addition to being an articulate and captivating speaker in Toastmasters International, using his impressive baritone voice to add to his stage presence. He has performed introductions for a couple of rap groups in the Bay Area and most notably is the introduction voice on a video honoring the late Dr. Leon Goldman, father of Senator Dianne Feinstein, at the Moscone Center in 2008. Woods is sensitive to the complex racial/ethnic struggles and conflicts, as well as geopolitical and corporate injustice affecting the economic plight of the masses in the United States and abroad. He meticulously and poetically uses his pen to illuminate these sensitive subjects for his readers in satire, poem, and prose.
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Khanemuism - Robert L. Woods
© 2020 Robert L. Woods ‘Khanemu’. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 01/20/2020
ISBN: 978-1-7283-4346-4 (sc)
ISBN: 978-1-7283-4345-7 (e)
Any people depicted in stock imagery provided by Getty Images are models,
and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Contents
Acknowledgements
Dedication
Introduction
Chapter 1 The Power of Maxims
Chapter 2 Eternal Quest For Love
Chapter 3 The Socio-Political Realm (Urban Elements)
Chapter 4 The Eloquent Speaker
Chapter 5 For The Love Of Family
Chapter 6 Struggles And Triumphs
Chapter 7 The Sacredness Of Eulogies
About the Author
The Esoteric Definition of the Three Symbols
(front cover)
(1) The eye represents intuitive knowledge of one’s self; symbolizing consciousness and the awareness of the essence of one’s self and its relation to the material and spiritual realities of being. One travels blindly if one does not see and comprehend the twofold realities of life in relation to self.
(2) The pyramid represents the dual nature of the self at the base with opposite sides, gradually transcending toward oneness at the crown. During our lives we struggle against our dual-natured tendencies (e.g., good/bad, love/hate, kindness/cruelty, knowledge/ignorance, self-control/lack of self-control).
(3) The ankh cross refers to life in the form of a human being.
(a) the above portion (the shen ring) means eternity, feminine principal, womb, magnetically charged;
(b) the cross: that which is temporal, time-space principal, phallic principal electrically charged;
(c) the ankh middle portion (knot) holds the two principals together, eternal-temporal, immortal-mortal, spirit-body, creating the human body.
The meaning of Khanemu
Meaning of khanemu (pronounced ka-nee-moo), original spelling khnemu, is the aspect of god amun/amen, as the creator of men. He sits at the potter’s wheel, fashioning the form of all things in creation. It also means to join, build, or unite.
Acknowledgements
T O MY BELOVED mom, Bessie M. Cruse: thank you for loving me endlessly. Eternal peace be unto you.
To Mr. Wylie M. Woods: you passed on to me your greatest gift: your baritone voice. I love you, Dad!
My deepest appreciation to my sister, Brenda, and brother-in-law, Mr. Arvell Charles: come sunshine or storm, your love never wavered. I am so indebted to you.
To Mr. Jonathan C. Woods: may your entrepreneurial skills and musical talents take you to heights unknown. I love you, son.
To my cousins Regina and Ethel, and my dear Aunt Mavis: I’ll never forget and will always cherish your needed love and support.
To Mr. Yves Howard, author of The Universal Power and Greatness of Woman and Her Rulership (Cary Press Books, 2018), your technical advice has been invaluable.
Dedication
T HIS LITERARY PIECE is dedicated, in this land of freedom and opportunity …
To those whose ancestors came to the native shores of America shackled in chains of brutal bondage, who are black and gifted by nature yet are maligned, marginalized, despised, hunted down, caricatured, and discriminated against because of the abundance of melanin in their skin.
To those who fight, despite the curtailing of civil liberties, constant undermining of constitutional civil rights, ongoing right-wing-inspired enactments of voter suppression, ever-grinding gears of gentrification, and urban displacement of communities of color. To those caught in the racist vice grip of the war on communities of color masquerading as a war on drugs, backed by the corporate prison industrial complex and their elected yes-men officials.
To those bullied, lied about, demonized, and mocked by a wannabe fascist, racist, xenophobic, misogynistic president paying homage to the very national anthem whose aim was to perpetuate their chattel enslavement and condemn their human quest for freedom.
And to a very special group of patriotic advocates—fiercely battling for sociopolitical, religious, and ethnic equality—still possessing the audacity to rise and thrive, because America void of diversity, without the representation of people of color, is America absent a soul.
To you I say: Khanemu.
Introduction
L ET ME EXPLAIN my motivation behind writing this book. Around the fall of 2007, about eleven years prior to my introduction to creative writing, an interesting lady whom I will never forget (though whose name escapes me) solicited my services as a freelance photographer to take a series of photographs promoting her hypnotherapy website.
During our initial session, she complimented the forcefulness of my baritone voice but quickly followed up with some advice. You have a nice voice, Mr. Woods, but learn how to write. For if you learn the art of writing, you can write your ticket to anywhere you want.
Based on that encounter, and others of a similar nature, I believe some people we encounter can speak to our lives, regarding our abilities, as well as on our actions and behaviors through an intuitive, analytical, or critical approach, either warning or encouraging us in ways that can crystalize into reality. I believe this woman’s encouraging words accomplished exactly that. Until that photograph session with her, I had not written anything in a creative manner, certainly nothing expressing my thoughts and ideas in a detailed manner.
This book, consisting of eclectic works of poetry, lyrics, and speeches is what became my reality. Khanemuism is the result of a ten-year quest to relate to the world through my words as joy, pain, sorrow, intellectualism, or love. Khanemuism is my creative lens into many subjects, including longing for love, celebrating the closeness of family, castigating the vices of political corruption, exposing urban crime, condemning poverty and economic deprivation, celebrating the power of sex and romance, shedding light on various religious institutions, and achieving self-empowerment through inspirational speeches.
Every subject, issue, and vice in our society and the world at large is open to explore, to exploit, and to ponder upon in Khanemuism. Whether you agree or disagree, you will find lyrics referencing celebrities, political figures, criminals, religious figures, as well as ordinary people.
Khanemuism also deals with sensitive and controversial subjects such as police shootings of black men, sex scandals, wars and genocide, and racism and gang violence.
Not surprising, for instance, is the ever-occurring vice of racism in America. Many African Americans and a number of whites thought (mistakenly) that with the election of this nation’s first black president, America was finally moving toward a post-racist society, only to be faced with the naked truth: a white backlash that quickly moved from implied to verbal to a full steam of locomotive momentum, as witnessed in scores of black men being gunned down by white police officers. This is still happening without any real adverse consequences, whether the offense was legal or criminal.
With the recent uptick of whites calling the police on black Americans for engaging in everyday activities—like barbequing in parks, relaxing into their own homes, shopping in stores, or selling bottled water. Consider, for instance, the young black woman from my native city of Oakland who was sadistically attacked, her throat slit from behind by a white, knife-wielding transient man on the MacArthur BART station platform, with law enforcement and the media reluctant to label it as racially motivated.
The