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No Footprints on the Carpet: My Forty-Three Years in Hollywood
No Footprints on the Carpet: My Forty-Three Years in Hollywood
No Footprints on the Carpet: My Forty-Three Years in Hollywood
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No Footprints on the Carpet: My Forty-Three Years in Hollywood

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This is an autobiographical account of the wonderful people I have met in the movie industry. The book is about my youth and how I evolved in the Hollywood film industry transportation department—the people I have worked with and the actors I have driven, from May West to James Stewart, among others.
LanguageEnglish
PublisherXlibris US
Release dateJun 21, 2019
ISBN9781796042290
No Footprints on the Carpet: My Forty-Three Years in Hollywood
Author

Tony Brazas

Tony Brazas was born in Ludington Michigan to parents in the restaurant business. To escape the winter cold they would travel to California to be with his older sister who was an actress then later a house wife. He got the movie bug from her and her friends. after five years at college he would find his calling at Universal studios and for the next forty three years the rest is history.

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    Book preview

    No Footprints on the Carpet - Tony Brazas

    Copyright © 2019 by Tony Brazas. 793358

    ISBN:    978-1-7960-4230-6 (sc)

                  978-1-7960-4229-0 (e)

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Rev. date: 08/15/2019

    Xlibris

    1-888-795-4274

    www.Xlibris.com

    Contents

    Acknowledgement:

    1

    2

    3

    4

    5

    6

    7

    8

    9

    10

    11

    12

    He wears a mask and his face grows to fit it.

    —George Orwell

    We are what we pretend to be so we must be careful about what we pretend to be.

    —Kurt Vonnegut

    Acknowledgement:

    (1) Confess that I have intentionally omitted the people and the films that were not particularly fun to work on.

    (2)Jeff Bridges

    Eliot Cates

    Kim Ruha

    During my 43 years in Hollywood i wish to thank the following:

    Elliot Cates

    All the transportation members of local 399

    The actors and crew from the following movies and television shows i’ve worked on.

    Mccloud, the rockford files, starsky and hutch, matlock, diagnosis murder

    Highway to heaven, little house on the prarie, washington behind closed

    Doors, roots, elvis, w.c.and me, all the papazian hirsch projects,

    The fabulous baker boys, models inc. Phenomenon,michael, she’s so lovely

    Face off, the generals daughter, what women want, seabiscuit, k pax

    Iron man, the amateurs, a dog year, the open road, tron legacy

    The mentalist, superstore, homecoming and all the projects that i have

    Forgotten.

    Nbc, cbs, abc-disney, amazon

    19355.png 1 19357.png

    A few years ago, when I considered writing about my career in the film industry, the last sentence of James Joyce’s autobiographical work A Portrait of the Artist as a Young Man kept running through my mind. At the end of his boyhood saga he states, I go to encounter…the reality of experience and forge in the smithy of my soul the uncreated conscience of my race.

    Strange how the power of those words have stayed with me all these years. Many thanks to my class entitled Introduction to English Literature, when I was a student at Notre Dame Prep School in Sherman Oaks, C alifornia.

    Although my life as a driver for countless celebrities throughout the past four decades has not been as profound as forging the conscience of my race, my story is the reality of experience forged by my encounters with movie stars, producers, and directors, who in many ways reflected the varying conscience of their generation.

    Very briefly I can summarize my childhood in Custer, Michigan as the typical flicks and flecks of growing up in a small town. To this day when I think of Michigan I think mosquitoes. When I think of California I think no mosquitoes. I guess that says it all with one exception. I have remained a loyal Tigers, Pistons, and Lions fan my whole life. In 1965 my parents, Tony and Antoinette (Toni) Brazas, moved to Sherman Oaks, California to be close to my sister Delores (21 years my senior) who was in Hollywood, seeking a career as an actress. My brother Joe, who was ten years older than I, was serving in the United States Army so it was just my parents and me, residing at 4901 Tyrone Street. My father opened a restaurant named Toni’s after my mother on Ventura Boulevard and Sunnyslope, where he served sandwiches, fried chicken and short ribs. The structure is still there today, but now it is a sushi restaurant known as Bizen.

    I was thirteen years old when we moved and as I mentioned earlier I attended Notre Dame Prep School. My real education, however, began with a crush on Doris Day, who frequented our restaurant. She loved my dad’s fried chicken and came in at least once a week for carry out. She always made a point of saying hi to me when I was helping my dad out. More importantly, I met Dick Gautier, who played Heimi on the television show Get Smart. When I expressed an interest in television and film, Dick invited me to visit the Goldwyn Studios off Formosa Avenue and that’s when everything really began.

    Many days I would take the bus with my studio pass in hand, enter the main gate of Goldwyn Studios as if I was an important film star and watch the filming of Get Smart and Hogan’s Heroes. I enjoyed watching Bob Crane and John Banner rehearse their scenes the most. They very often had to do take after take because they would crack-up the entire crew along with themselves in scene after scene. No one seemed to care, even the director, because the end product of all their screwing around was so good once they managed to get a final take. On other days I viewed the filming of Gomer Pyle. In my youthful naïveté I was excited when Jim Nabors took an interest in me by encouraging me to sit on his lap. One day I even got the opportunity to rehearse lines with Larry Storch, famous later for F Troop, who was a guest star on the show.

    My sister Delores’ house on Oakfield Drive in Sherman Oaks was four doors from the soon-to-be-famous Clint Eastwood. Clint’s wife Maggie and my sister became friends and I enjoyed the Eastwood’s company when they were dinner guests at our house many

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