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Chicken Feet: Poems
Chicken Feet: Poems
Chicken Feet: Poems
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Chicken Feet: Poems

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carry me away,

beyond the cusp

of the hemisphere,

all the way back

to the start of time

-------------

The start of time and the start of poetry are very tightly entwined. Whether you

subscribe to a big bang or the touch of a creator, either event yields images at

once breathtaking and diffi cult to describe, in other words poems.


Still, we try our best. From the most renowned poet to the youngest schoolchild,

we are all searching for meaning. And in those few fl eeting moments when we

feel like perhaps weve unearthed some small explanatory fragment, our instincts

are the sameto take up a pen and share what weve discovered with those

we know and love.


This collection is my attempt to share the few small truths Ive stumbled upon

during my journey from here to wherever Im headed

LanguageEnglish
PublisheriUniverse
Release dateJul 8, 2016
ISBN9781491797716
Chicken Feet: Poems
Author

Brian Kenneth Swain

BRIAN KENNETH SWAIN is the author of nine previous books, including the novels World Hunger, Alone in the Light, and Sistina; the poetry collections Secret Places, My America, and Chicken Feet; the essay collection The Curious Habits of Man; the short story collection The Book of Names; and the children’s book Hegel and Hobbes Have an Adventure. Brian is a graduate of Columbia University and The Wharton School. He grew up in Brunswick, Maine and now lives in San Antonio with his black chow chows Maya and Loki.

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    Book preview

    Chicken Feet - Brian Kenneth Swain

    © 2016 Brian Kenneth Swain.

    All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical articles and reviews.

    iUniverse

    1663 Liberty Drive

    Bloomington, IN 47403

    www.iuniverse.com

    1-800-Authors (1-800-288-4677)

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    ISBN: 978-1-4917-9769-3 (sc)

    ISBN: 978-1-4917-9770-9 (hc)

    ISBN: 978-1-4917-9771-6 (e)

    Library of Congress Control Number: 2016909561

    iUniverse rev. date:  07/08/2016

    Contents

    Introduction

    Something New

    Shoebox

    Mrs. Peters Reviews Billy’s ⁴th Grade English Comp Essay

    African Gray

    The Growing Season

    Thursday

    Lobstah (The Reckoning)

    Ronald’s Metaphors Fail to Get the Job Done

    Witness Trees

    Skipping Stones at Cook’s Harbor

    Found Poem

    Stopped

    Some Assembly Required

    Yves Klein Blue

    Sniper

    Footprints in Light Snow

    Cut

    SAT Question #117

    Only a Minute or Two

    Tidal Pool

    The Mason

    Nine

    The Arc of the Day

    The Night the Mountain Moved

    Hummingbird

    The Imminence of Rain

    The Bones of Trees

    The Perfect Stone

    Don’t Make Me Stop This Car

    The Storyteller of Kathmandu

    The Judge

    Taunting

    Reflections upon Hearing for the First Time the 206-Rank, 11623-Pipe Aeolian-Skinner Organ in the Mormon Tabernacle

    Oon Sherkoniferous Paliodon

    She Wants to Heal the Earth

    A Space of His Own

    The Final Performance

    Watermelon Pickles

    Alone in Center

    Poem for POETRY

    You, under Different Circumstances

    The Curious Case of Ezekiel Hanover

    Maine Street

    Could I Write a Poem If I Were Blind?

    How to Properly Fold a Fitted Sheet

    The Strange Tale of Jeremiah McClintock

    Running

    The Gull

    Revenge of the Sesquipedalian

    Infidel

    Things You Can Hear If You Just Shut the Hell Up and Listen

    South Road

    Stripping Paint

    On the Troubling Tendency of Certain Drivers to Travel Great Distances with Their Turn Signals On

    Christmas for One

    Taken Aback

    Summer in the South Houston, Texas—August 17, 1959

    Visiting Hours

    Clarence the Rooster Suffers a Crisis of Confidence upon Waking Two Hours after the Dawn

    The Footbridge

    In Search of Lady Slippers

    After Midnight at the Million Dollar Saloon

    A Postmodern Tragedy in Three Parts

    Thoughts on Having Already Lived Longer Than My Father

    Damned If You Do

    Breakfast in Des Moines

    Little White Lies

    Grandpa the Philosopher

    I Am Charlie Brown

    Into the Sun

    Crutch

    The Green Room

    Not Nearly Enough

    Wishful Thinking

    Peepers

    Dementia

    Beauty in Emptiness

    Breathless

    Poem Lost in a Dense Wood

    In One Way, at Least, the Heart Is Like a Box

    The Morning after the Party at Which I Had Intended to Bid My Frailties Goodbye

    A Random Collection of Multisyllabic Words Which, Though Lacking Apparent Association, Nonetheless Sound Pleasing When Juxtaposed

    The Crackles of the Night World

    Skipping Stones

    This book is dedicated to all of you who have ever shared your poems with me. I herewith return the favor.

    awts1.png

    I decided that it was not wisdom that enabled poets to write their poetry, but a kind of instinct or inspiration, such as you find in seers and prophets who deliver all their sublime messages without knowing in the least what they mean.

    Socrates

    awts1.png

    Introduction

    It’s not exactly accepted wisdom that a poetry collection requires, or even necessarily benefits from, a prose introduction. Still, here we are. I’ve written it and apparently you’re reading it, so we both may as well make the most of the situation. I suppose if one is going to go to the trouble of writing a poetry introduction, the best way to provide some value from the experience is to expound a bit on the poems in the collection, if not individually then at least in some aggregate sense. And, of course, it wouldn’t be a proper poetry book introduction if I didn’t also pontificate at least a bit on the state of poetry in general.

    Anyone who writes, regardless of whether it’s poetry, fiction, or essays, will at some point be asked when he started writing and why. For me it was midway through high school, and, to the best of my recollection, my inspiration was the modicum of encouragement I received

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