The Proper Pugilist: Essays on the Milling Art
By Roger Zotti
()
About this ebook
Roger Zotti
A longtime boxing fan, Roger Zotti and his wife live in Preston, Connecticut, along with their creative dog. He taught in a Connecticut prison for twenty years, retiring in 1993.He is a regular contributor to the International Boxing Research Organization Journal and the Resident. Roger Zotti graduated from eastern Connecticut College in 1966. In 1971, he received his master's degree from Wesleyan University.
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The Proper Pugilist - Roger Zotti
Copyright © 2015 by Roger Zotti.
ISBN: Softcover 978-1-5144-1707-2
eBook 978-1-5144-1706-5
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Rev. date: 12/23/2015
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Contents
Author’s Note
Acknowledgements
Preface
Introduction
Rocky And The Joe Louis Look-Alike
The Legend Of Billy Miske
My First Professional Fight
Thanks, Uncle Cheech
Fistic And Film Comebacks
Thirteen Seconds
Ring (August 1951)
Diamond’s Fearless Heart
Uncle Cheech Talks Abeetz
Cut And Shoot
The Milling Art
Toledo Slaughter
Gentleman Jack
Dempsey According To Roger Kahn
Don’t Crowd The Champ
Stanley The Man
The Proper Pugilist
Revisiting Kaletsky, Silver, And Vitale
Where Have You Gone, Court Sheppard?
Sonny’s Visit
Did Harry Save Rocky?
Joe And Terrible Tony
Long Overdue
Sources
To Maryann, Tom, Leslie, Katja, Roy, Tee, Ryan, Tillie, and Jake.
Boxing is the most basic and fundamental of all sports and its records will never be without their nobler aspects.
Gene Tunney
I don’t train. The way I look at it is if you train, you’re going to be in condition to go more rounds. If you go more rounds you’re going to have to sustain more punishment. So it’s not worth it for me to train … I don’t have the ability to inflict pain on contenders or potential contenders without the use of foul tactics.
Bruce The Mouse
Strauss
A young man, Rocky Marciano, knocked the old man [Joe Louis] out … An old man’s dream ended. A young man’s vision of the future opened wide. Young men have visions, old men have dreams. But the place for old men to dream is beside the fire.
Red Smith
I’m a prizefighter. I’m like Willie Pep. Willie Pep never liked taking punches.
Charlotte Rampling (Broadchurch/ second season)
Joe Louis was the most beautiful fighting machine I have ever seen.
Ernest Hemingway
Author’s Note
In Portrait inside My Head, Phillip Lopate’s latest collection of critical and personal essays, he says that the shagginess
of the essay form—its discontinuous forms of consciousness
—fascinates him. Well, it fascinates me, too, which is why the essays in The Proper Pugilist are shaggy.
I wrote The Proper Pugilist because I wanted to share my thoughts on what George Plimpton, in Shadow Box: An Amateur in the Ring, calls that strange but interesting fraternity—that of the world of boxing.
Also, I wanted to express my ideas about the sport and its courageous participants.
Sit back and read, remember and enjoy!
Acknowledgements
Many thanks to my wife Maryann and Rick Kaletsky for their editorial assistance; to Phil Carney for suggesting the book’s title and writing the introduction; and to Dan Cuoco, editor, director, and publisher of the International Boxing Research Organization Journal (IBRO) for his assistance.
Preface
On September 22, 1927, at Soldier Field, Chicago, former heavyweight champion Jack Dempsey, behind on the officials’ scorecards, knocks down world heavyweight champion Gene Tunney in the seventh round.
In Tunney’s article, The Long Count,
he admits that he never glimpsed that savage left hook which Jack swung on my jaw. Getting hit is commonplace, but not seeing it coming really injured my pride. I was always cocksure about my eyesight in the ring … The blow was the second in that series of seven that put me on the canvas for the first time in my life.
Dempsey rests against the ropes not far from the floored Tunney. Seconds pass. During this time referee Dave Barry shouts at Dempsey: Go to a neutral corner, Jack! A neutral corner!
Finally Dempsey obeys.
Barry doesn’t pick up timekeeper Paul Beeler’s count, which has reached four. Instead, he begins his own. Because of Dempsey’s stubbornness, hot-headedness, or confusion (maybe all three), Tunney has about four extra seconds to recover.
Could I, in that space of time, have got up and carried on as I did?
Tunney writes in My Fights with Jack Dempsey.
I’m quite sure I could have. When I regained consciousness after the brief period of black-out, I felt I could have jumped up immediately and matched my legs against Jack’s just as I did.
So, back on his feet, Tunney retreats. Dempsey can’t catch him. His legs are so heavy that he couldn’t move with any agility at all, and I was able to hit him virtually at will. He was almost helpless when the final bell rang—sticking it out with stubborn courage.
Introduction
Poised to strike,
Thus does engage—
The proper pugilist
—amaze
With skills, wrought of desire,
The body moves—
The soul afire
And like the mongoose
With the cobra
The end result
Proves truly sober
Philip W. Carney
Rocky and the Joe Louis Look-alike
Change
In The Real Rockys: A History of the Golden Age of Italian Americans in Boxing 1900-1950, Rolando Vitale writes about Rocky Marciano’s name change. Al Weill, Rocky’s manager, recommended the change because the fighter’s surname, Marchegiano, had been carved up repeatedly in the local and national press.
According to Vitale, Weill said let’s try Rocky Mack. It’s easy to remember. Easy to spell. Easy to pronounce. But it didn’t sound Italian enough for Rocky. Then Weill proposed Rocky March. Easy and simple. That wasn’t Italian enough for Rocky, either.
Listening to the conversation was a Rhode Island promoter, who suggested removing the letters H and E and G: What’s left, he said, is M-A-R-C-I-A-N-O.
Rocky nodded. Though it sounded Italian, Rocky’s biggest worry was his father: Would he approve of the name change?
Defeats and Victory
As an amateur Rocky was defeated four times. In 1946, fighting under his real name, he lost to Henry Lester, an experienced amateur heavyweight. In the opening session Lester jabbed Rocky, overweight and sluggish, silly. In round two Rocky, angry and frustrated, kneed Lester in the balls and was disqualified.
In his dressing room after the fight, he told his brother Peter that he’d never again be out of shape for a fight. He never was.
Another defeat came on March 2, 1948, in a Golden Gloves bout at the Ridgewood Grove Arena in Brooklyn, New York, where Rocky, now fighting as Rocky Marciano, fought highly touted heavyweight Coley Wallace. After Rocky battered Wallace for three rounds, his handlers and fans were certain he earned the decision. Not so! The verdict went to Wallace. Rocky’s supporters were irate. Some even threatened the officials.
Writing for The Lowell News, sports editor John F. Kearney called the decision one of the most putrid … handed down from a Golden Gloves tournament ring anywhere—and this writer has been watching boxing bouts since Jack Benny owned a Maxwell …
As a professional Marciano went undefeated in forty-nine fights. Only Don Mogard, Ted Lowry (twice), Willis Applegate, Roland LaStarza, and Ezzard Charles went the distance with him. (In other words, 87.5 per cent of his opponents went nighty-night before their accustomed bedtime.)
W.C. Heinz begins Brockton’s Boy,
his piece about the impact of Marciano’s victory over Jersey Joe Walcott on the shoe manufacturing city of Brockton, Massachusetts, like this: "On September 23, 1927 … Mr. Fred Denly. . . succeeded in bringing to bloom a two-headed dahlia. Twenty-five years later, to the very day, Mr. Rocco Marchegiano, of 168 Dover Street, same city, distinguished himself in