First Looks and Beyond: The Collected Poems of Ted Kotcheff Vol 2
By Ted Korcheff
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About this ebook
and vigor that permeates the first, whether the subject be grief at his
Father's death, his youthful friendship with pro wrestler Sky Hi Lee, his
chat with a turkey vulture, or the mystery of the disappearing honey bee.
Ted Korcheff
As a distinguished director Ted Kotcheff needs no introduction. His canon of work includes a wide range of genres. From fi lms such as FUN WITH DICK AND JANE and WEEKEND AT BERNIE'S to the dark poetry of WAKE IN FRIGHT. Two of his fi lms have been named Cannes classics, receiving the ultimate accolade of the fi lm making world. In a parallel incarnation, in fulfillment of a lifelong dream, Ted Kotcheff made his debut on the literary stage in 2011 with the publication of THE COLLECTED POEMS.
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First Looks and Beyond - Ted Korcheff
Contents
First Looks
First Words
The Ballad Of Sky Hi Lee
To Euterpe, Muse of Music
Turkey, An Encounter
Booby
The Pine Tree
Time And Alchemy
Farewell To A Friend
Grief
Waves
Epiphany
Numen
The Bee Chronicles
The Bee Chronicles
The Bee Chronicles
The Bee Chronicles
The Bee Chronicles
A Song
For my dear friend, Francis
What is a friend? A single soul dwelling in two bodies
.
I would like to thank the following people:
Francis Chapman, who has been my editor for my two volumes of verse.
He reads my poetry with a profound understanding and perspicacity.
His suggestions are always to the point and compelling.
He has made invaluable contributions to each of the poems.
I know that he expends an enormous amount of time doing this and my gratitude to him is boundless.
And thanks again to Dylan Sheridan for his extraordinary original design work for the cover and within.
And finally, my beloved wife, Laifun.
I don't know sometimes, if I could go on without her encouragement and unflagging support. Thank you, my soul mate.
Pic1.jpgFirst Looks
I close my aged eyes,
And there it is, no surprise,
The yellow wooden house
On Sydenham Street,
The yawning door and window trim
Of peeling chocolate brown,
All floating upside down.
On the ramshackle porch,
My aproned mother, screaming, weeping,
Her sister’s arm supporting,
And through the handrail peeping,
Eyes large with fright,
My baby cousin, Rudolf,
All on their heads,
Feet glued to the downside up veranda floor.
My mother thought I was no more.
I, a tyke, had toddled
Onto the horse-appled road,
When round the corner,
From Ontario Street,
Came a black Model A.
It never slowed.
Wham! I went flying!
Then straightaway
The Ford rode over
Where I lay
With demoniac wheels,
Front and back,
Howling squeals,
Leg bones crack,
The jeering enthronement
Of Happenstance.
After the assault,
I lay still as debris
On the black asphalt.
A deathly hush.
Uncle Stavro raised
The limp remains,
Its shattered legs, tire stained,
Protruding gristle and bone,
My mother unmoving,
Turned to stone.
My lifeless head,
Loosely lolling,
Hung backward
Over Stavro’s arm.
The sisters’ voices rose to heaven
With Slavic lamentation
Of funereal pain.
Roused from the dead,
Eyelids fluttered in my inverted head;
A strange first sighting:
A world overturned,
Straw-yellow home,
Pear-blossomed tree,
My barking Scottish collie
My keening family,
Downside up,
Upside down,
All topsy turvily.
Flowers and grass up