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Let the Rain Listen for Me
Let the Rain Listen for Me
Let the Rain Listen for Me
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Let the Rain Listen for Me

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Poems are about our lives and how they fleetingly unfold - a swaying rope bridge from one culture to another, one person to another. The work of manifesting the sound and feeling of what happens, often from a place of no language, forms the ground from which I write.

How often have I sat on my doorstep, coffee cup in hand, thinking of other women doing the very same thing across the world. We live in the same universe, though most of us will never meet except through words. Words have the power to sculpt the very deepest response to this strange, exquisite and terrible journey of life, witness what is here, give shape to what is to come, what may never come.

I hope this book will find and touch your life as your unknown presence touches mine.
LanguageEnglish
PublisherXlibris US
Release dateJul 1, 2014
ISBN9781499043938
Let the Rain Listen for Me

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    Book preview

    Let the Rain Listen for Me - Noel Canin

    Fantasy Apples

    For Laure-Anne

    If by just a thought

    one could summon up that one man

    whose call is instant knowledge,

    and he would be there,

    manifestly unsurprised,

    framed by certain pictures and potted plants,

    and no time (ever come never go)

    would bind forms leaping

    and bounding

    one surge through,

    for the time of singing has come

    and all is laugh

    and wildly tender.

    If by just a thought

    apple trees and fantasies

    were innocent of rape -

    But the doors have given way,

    The old surge is violated,

    never quite recaptured

    when summoned up by just a thought,

    never quite recognized -

    though the pictures and the potted plants

    are the same -

    and some woman’s time of singing

    has always come.

    Caw

    For Edna

    Caw Caw

    he said.

    Sound.

    It was just before Ginsberg came,

    to sit there calling about his mother’s eyes.

    Sound,

    he said.

    I didn’t want to remember

    another hospital bed,

    recall brown eyes -

    but listen for sound,

    as he said,

    Caw Caw.

    Salt writhe of seaweed -

    Ulysses upon the beach -

    Recall a film,

    metallic motion of cameras,

    grains of sand

    giving way at the water’s edge

    and Eliot’s sea-girls.

    Faber and Faber thin,

    the crackle of paper in memory.

    Always the waves

    crushing liquid

    against the rocks,

    and shells later on at home.

    The brown table,

    and ships sailing past the veranda

    to England.

    Museum Conjury

    The hour hangs motionless at the Tel Aviv Museum.

    House of fragments

    stilled into representation.

    Statue. Painting. Tapestry.

    Left with those first fingers,

    that old labor,

    another air transported.

    Outside, two squares.

    A large upper square

    and an inner rectangle below.

    She crosses to look over the wall.

    Two earthen seats are sunken in concrete.

    Vacant, they face each other beneath a seal of glass:

    The grave of eternal dialog at the Tel Aviv Museum.

    Beneath the glass, moisture gathers,

    falls globe by globe to the

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