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Life Through the Third Eye
Life Through the Third Eye
Life Through the Third Eye
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Life Through the Third Eye

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This magical book leads directly into the deep sides of our hearts. With the poet and the wise man as heroes in a long and astonishing journey, we reach the edge of all of lifes questions through the perception of the third eye.
Their journey begins in the Middle East, when the teller, in his lost moment, trails along. The three characters cross the world to seek for the truth, from the land of freedom (USA), the city of times and arts (London), and the country filled with contradictions (India). So within this adventure, they move from war to love, aspects of religion, and the discovery of lifes meaning. All of which are viewed by the wise man, who meditates daily, and the poet, who translates his surroundings into powerful verses.
LanguageEnglish
Release dateOct 6, 2015
ISBN9781490763095
Life Through the Third Eye
Author

Adel Khozam

Adel Khozam is a poet and a writer from Dubai, UAE. Through his unique style in writing, Khozam combines poetry and spirituality to create an in-depth meaning of life, giving a new perspective on wisdom through the use of magical words. Throughout his career, Adel has published four poetry collections, one novel, and one inspirational book. In addition, many of his works have been translated in several languages.

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    Life Through the Third Eye - Adel Khozam

    © Copyright 2015 Translated by Juzer Fakhri.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written prior permission of the author.

    isbn: 978-1-4907-6308-8 (sc)

    isbn: 978-1-4907-6577-8 (hc)

    isbn: 978-1-4907-6309-5 (e)

    Library of Congress Control Number: 2015916332

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    Any people depicted in stock imagery provided by Thinkstock are models,

    and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    Trafford rev. 01/13/2016

    22970.png www.trafford.com

    North America & international

    toll-free: 1 888 232 4444 (USA & Canada)

    fax: 812 355 4082

    Contents

    Acknowledgments

    Chapter 1 Love And War In The Blind’s Circus

    The Songs Of The Desert

    The Eye Of The Poet

    In The Path Of The Sun

    The Bow Of Wisdom

    Take Me

    The Bridge

    Memories

    Entering The City

    The Return

    Songs Of The Beggar

    A Story Of Love

    The Game Of Time

    The Letters Of Your Name

    Relating With The Absolute

    Refection

    The Circus Of Life

    The Poets Of Football

    The Playground Of Existence

    Television

    The Poet In War

    Self-Betrayal

    The Silence Of The Idol

    Rivers

    The Book Of Water

    A Holistic View Of Life

    Lessons Of The Abyss

    The Imaginary Reader

    Three Poets

    The Reflections Of Understanding

    Cosmic Ordinance

    Take The Book

    The Songs Of Life

    Freedom

    The Lesson Of The Ocean

    Madness

    Ships

    Opposites

    Chapter 2 The Big Loss In The Land Of Freedom

    New Year’s Eve

    Gentle Destruction

    Between Two Arches

    The Pleasure Of Life

    Homelessness

    You And Me …

    Playing With The Devil

    Playing With The Truth

    The Three Forms Of Pain

    Opposite Faces …

    One Day For Love Is Not Enough …

    Poem For Valentine’s Day

    The Shadow Of The Truth

    The Joy Of Existence

    Three Doors

    The Dictionary Of Chairs

    Masks And Mirrors

    Departure

    How The Poem Embalms You

    The Turning

    New Year

    Chapter 3 Hunting Time In The River Of Ink

    Clouds

    The Chest Of Puzzles

    The Storm And The Serenity

    Birds

    The Path Of My Beloved

    Kisses

    The Clock

    The Seven Stages Of Creativity

    Open Awareness

    The Absolute

    If Only I Could Find Your Soul

    The Ablution Of Light

    Inadvertence

    Face Me With Your Heart

    Beauty With Beauty

    Training The Senses

    The Inner Critic

    Rehearsal

    The Wise Anger

    The Fourth Eye

    Playing With Imagination

    Abduction

    In The Wind

    Chapter 4 End Of Words And The Beginning Of Mirrors

    Adherence

    On Behalf Of Spring

    Slabs

    About The Revolution

    The Cloak Of Perplexity

    How They Are Filled With The Question

    The Treasure And The Slice Of Bread

    Ascent

    Displacement

    The Uncommon And The Astonishing

    The Tree Of Reality

    The Rhythm Of Love

    The Concert Of Starvation

    The Moon Of The Word

    Inner Ignorance

    The Imaginary Man

    Isolation

    Happiness

    Thought

    The Poetic Perspective Of Existence

    Rotation/Revolution

    Night: The Curtain Of Seclusion

    The Last Door Of Freedom

    Acknowledgments

    If mercy could speak or if it bore a human form, I verily would say, That would be my mother.

    I traversed upon her like a green leaf on a gently flowing river, and it protected me from stones that came along the way of my delicate days of childhood. I drank honey from her openings until my mouth was filled with her sweetness. I used to climb her back, which bowed before me like a bridge so that I could cross over toward the light shining in the large swath of intellectual enlightenment. I held on to the strands of her flowing hair with my small fingers, cautious of not falling down while she held on to me and carried me with her through the showers of rain and tribulations of time. All wounds heal and disappear upon her touch; all tears dry up when she smiles in my face or kisses me to sleep. And me? I am that wretch who fell time and again amidst the holes of ignorance while she lifted me up time and again to make me survive the challenges of life.

    If affection had two eyes and a smiling face, I verily would say, That would be my mother. She is the tree under the shadows of which I played safely without fear. I did not care about my provision—from where would it come and how—because she always extended her branches to feed me her fruits. She fed me from the bosom of this earth with such love that would keep me going. I love her soil whenever I roam about in the jungles or whenever my feet land in stranger lands. My mother is manifest in those towns that ooze of affection whenever the clouds of hopelessness hover above my head and rusted fences and rods besiege me and my wings fail me. I left her side to explore the world and discover the treasures and crowns of kings and emperors, but then a realization occurred—all the gold in this world and all its glory do not equal a small moment of wallowing in her ample lap of love.

    If generosity had a modest hand, I verily would say, That would be the hand of my mother! She bathed me in the streams of her two eyes to enable me to glimpse creation with such a sweet voice and songs along the way. She fed me small morsels of words—letter by letter—until the whole poem became my greeting whenever I passed through ways of turmoil. She covered me with the clothes of contentment so that when I wore them and walked, the winds did not dare to bite me with their fiery fangs. My mother! She has the generosity of the whole world in her fists, and in her arteries is the place of prayer.

    If personified life had a pulsating heart for sustaining its own essence, I verily would say, That would be the heart of my mother. Each of her beats resonates with the reverberation of this existence, which then attains equilibrium through its own gleeful reaction to that throbbing, lively heart. I playfully throw my head onto her breasts, and I see the way life draws itself up in compatibility and accordance with love and in a celebration that continues in perpetuity. The partisans of cowardice inquire of me while they quiver in the chest of intimidation, Where do you rest and sleep in such peace? And I reply, In the heart of my mother. The dead and destroyed ask me, How do you recuperate with the long years of regret towing behind you? Indeed, how do you manage to swim with such exuberance in the gardens of immunity? I reply, I survive through the heartbeats of my mother’s heart.

    If all the birds of this world gathered and chirped in a single sweet voice, I verily would say, That would be the voice of my mother. She used to be central to my imagination when she used to sing lullabies and bid me to sleep in my cradle after feeding me with my sustenance. The noise of my crying would diffuse as soon as she began to sing in her eternal voice of motherly love. Then when I grew up in all my fancy and imprudence and as I stumbled toward loss and forfeiture, her prayers would ascend toward the sky in the form of her sweet voice and descend unto earth in the form of an angel who would clean the thorns from my path. Had she not been there, I would have never been able to clean my path alone until I reached the end of that path securely. I swear upon truth that it is not rare when I am standing at the extreme margin of life that I hear her calling out to me, Come!

    Carefully I tread upon the rope of life.

    I hold my mother in one palm while the whole world is in the other.

    While I sing and hum

    And ruffle the two wings made of her feathers,

    My mother, she is my moon and my sun.

    Chapter 1

    Love and War in the Blind’s Circus

    This happened one summer.

    Full of thirst, I reached a village whose inhabitants had died of hunger. I knocked and pounded at the doors and openings but did not receive anything but silence.

    I sat down sorrowfully, resting my back against a rock, when the rock suddenly trundled, and a spring of water erupted from beneath it. As I bent down to drink, I saw two people standing above my head as if they had been standing there since ages past.

    One was the poet, and the other was the wise man—two men similar in essence but conflicting in appearance.

    Said the wise man, You are thirsty and in search of meaning and shall remain so forever.

    Said the poet, Beauty and nothing else shall quench your thirst.

    Upon saying these lines, both of them proceeded to leave without even sipping a single drop of that stream while I stood there in extreme astonishment. Quickly I filled up my flask and followed them, cutting across places and time together. I have not and shall never regret this journey. Toward the end of it, I was able to conceive that man dies due to the starvation for meaning and conception when they are alive and thriving upon ignorance.

    Describing the poet and the wise man is beyond my realm, and I can only provide a brief introduction of these eminent personalities, which is as follows:

    The poet taps frequently on his paper, attempting to extract deeper meanings hidden away in the whiteness and beauty of the fair virgin. Inadvertently while doing so, he is able to abrade upon a concept lying dormant and dislocated on the bedstead of the past and create a new meaning out of this newfound material despite it being as it is since time immemorial. Line after line, the poet transforms into a surgeon, and as the old meanings bleed when their skins are pulled off, they are replaced by new blood and skin—different from what they were before. And this is the production of new meanings and concepts—like a snake ready to strike and bid welcome to life. It becomes qualified to consume and awaken the hunger of researchers and critics who shall study the newly formed beauty of the words and the splendor of the meanings and concepts. The poet still strikes and taps on his paper until his eyes go white and his ink dries up. The poet transforms them into multiple words that roam about in this existence for eternity.

    The wise man has left society asunder and embraced isolation in the endeavor of rediscovering his five senses. Firstly, the eyes shall comprehend the concrete world in abstractness. For example, the door shall become an indication of man’s journey of life—wherein he alternates between entering and exiting or merely standing at a threshold—while the focus of this thought shall be the large wooden gate of the concrete world that is present at the entrance of a city. The wise man shall continue to delve deeper into the reality of the concept of the door. Was it created to be or remain open or closed? In his solitude, the wise man shall conceive that what the ears hear is not relevant; rather, it is that which touches and lingers in the conscious that matters. Whatever we touch or taste in our imagination affects our senses to the fullest. While there are countless things that we smell, touch, or taste in our daily lives, they do not affect us at all except superficially and physically.

    At a point in the journey between the concept of meaning and the question of reality, the poet and the wise man came face-to-face, looking at each other with frowning and empty expressions while laughing merrily inside their imaginations because they had finally realized that thoughts are constant while materials are in cycles of continual change even if they are rock solid. The senses are in a state of deceit since what they perceive is only the apparent exterior while the reality is lying deep inside—dormant until someone takes the effort to extract it from the depths of meaning and reason and the layers of dead ignorance; this is done to achieve the beautiful treasure of the quintessence of life, which appears to the wise man as an empty, gigantic ball despite it being apparently full! On the other hand, the poet perceives it to be a huge, heavy sphere full of words and letters; if organized and put into a good shape by a courageous man, its motion would be harmonious and rhythmic. But if, for instance, the poet would no longer exist, then this circle of words would snap. Its ink would leak and flow all across the concepts and meanings—blinding them. Then the wise man would be unable to penetrate the exterior appearance and reach the depths of those meanings that the poet has expounded upon. He might misunderstand the truth and remain oblivious to reality. As though he would consider and describe the eyes of a woman as arrows piercing the heart when in reality, they are blind—the properties of a broken heart.

    The wise man and the poet diverge at the end of this road with conflicting viewpoints regarding the correct understanding of reality. The former carries his question with turmoil in his mind, while the latter meanders around and carries his piece of paper, which still remains white. Eventually, they meet again on a crossroad, laughing while neither of them is aware if they are meeting or dispersing.

    The Songs of the Desert

    We walked in the vastness of the desert for half a day, and neither of them spoke a word throughout. I was amazed by the ability of the wise man to walk briskly even on the snug, soft sand while he sought the support of his walking stick, and the poet, even though he was much younger and powerful, struggled and stumbled whenever we climbed a dune or descended from one. Before sunset, we took refuge below a half-dead tree and stationed ourselves below it, tired.

    The wise man said the following:

    O Desert, the soft and gentle skin of the earth.

    The winds blow to wipe away the footsteps of those who traversed upon your back to unknown places and bury their secrets within the folds of your sand, writing the biographies of cessations with their erasers and not caring about the concepts of time and place. Those who live in the desert and swim through its vast oceans know that each inscription, be it engraved by hot iron or fire, shall undoubtedly be erased. They also know that any attempt to stand one’s ground in a moving and blowing sea of sand shall not result in anything but drowning. For this reason, the Bedouins invented the eternal travel songs of the desert, which flow like waves upon the water and stand up courageously to the haughtiness and adamancy of the winds. They sing along while following the path of the moon when it rises in the bow of the sky and sheds its silver all over the sand dunes. Those who live the nomadic life know well that the destination of those who wait in the holes of time is nothing but death. They are the ones whose legs have shifted from beneath them despite them being in place, whose eyes were accustomed to tall and fancy buildings, whose skins were never touched by anything other than fine and luxurious linens, and who lived behind closed and locked doors of glass that prevented humans from entering them.

    O Desert, your face is one that is inundated with wrinkles when the first wind blows in the morning. It becomes smooth again at noon, overlaid with the shine of mirages and empty of the freckles of sand that had been left behind by the nightly storytellers chatting around fires during your pure and clean nights. They, the storytellers, drum along the melodies of songs that fizzle away into the night without echoes and without anyone knowing where the stories of the gathered men and their tales of love travel to. But those who reside and extract their souls from the sands have discovered that all directions are the same at the time of the sun reaching the middle of the sky. There is no difference between the comer and goer. The earth remains a big point of embarkation making no distinction between those who ascended the dunes of yesterday and those who climb upon them today. All ways lead up to the desolate maze of unanswered questions that traps its victim till his death—from which he had absconded for long.

    O Desert, you smile in the face of the sun while it rises haughtily, throwing its rays around and unloading its baggage upon your waves while its rays extend to the unexplored swaths of desert land. The wildflowers follow the sun, taking in their share of light before they face withering and decay on account of drought. While you, O Desert, take pride in your share of gold that can be seen till the horizon and upon the goods and their carriers to the astonishment of the eyes that have made their bearers thirsty. They keep on searching for the literal meaning of the word raml [sand] in the dictionaries but cannot find any except naqaa [purity]. They turn the pages of the sands only to find concealed indications in the exhibits of vicissitude. Whenever a shadow elongates and then contracts or whenever a new object appears in place of an old one, it bears testimony that nothing is permanent in the desert except its essence, which envelops the secret of this existence.

    O Desert, the light, feather-like cloud moves slowly across until it lets its drops loose on your smooth cheeks, but the drops are quickly scattered away by the uncompromising wind. Then comes a bigger, heavier cloud above your bosom to empty its load over you and quench the thirst built up over the years due to the dry spells that are the bases on whose foundations lie the conclusions of those who research upon the philosophy of the gushing source of water. The water appeared in the heart of the desert like a gigantic eye—an eye that would close its lid in the time of drought only to open in full glory whenever the arm of rain slid over its eyelid. Amazingly, the desert is scraped by water while its meanings and conceptualizations are drenched by the crowd of clouds far off in the horizon that is joined by the setting of the sun and the absence of its fiery rays.

    The poet then recited the following:

    I love the tree, the indication of life.

    I love the desert, the indication of life’s tribulations.

    And I love the water to the extent of drowning in its sweetness and perishing.

    The Eye of the Poet

    We took a nap of approximately two or three hours.

    I opened my eyes only to see thousands of stars evident, as though embedded, in the desert sky. The poet and the wise man were already up and engaged in a conversation incomprehensible to me. A silence intruded their talk, which then resumed and delved completely into the sky.

    I then heard the poet say the following:

    When the darkness intensifies, the star of good fortune sends out signals at a time when the sky is shining bright with the presences of stars. The world then smiles upon a fortunate soul who sees everything around him in abundant radiance due to the manifestation of love inside him. In similar fashion is the poet, who leaps in utter merriment upon seeing the star of poetry indicating to him a call that he answers by following the light of that star that has imprinted its reflection on his soul. He follows the magical illuminations of letters that lure him into the world of meanings and conceptions, trailing behind their wanderings as though they are the mirrors of existence. He feels as though the words and phrases carry the image of this universe on a small piece of paper. As though this small piece of paper has extended to envelop in itself all that existence has to offer with just a single sentence as its reductase! In that magical moment when the poet begins to inscribe those earlier words, a new life springs into presence—a life full of new meanings. The words and letters of it flutter back to life, opening a new path in our conscious awareness of life.

    So when good fortune becomes a shining star and the star then smiles with its beautiful face in the worldly sky, the poet does not remain a silent bystander. Rather, he cruises within the world of thoughts, spreading his gold in every nook and corner of thoughts long neglected and making them gleam in such manners that others perceive them to be melodies created to be sung with the sweet voices of women. Only if man was to be privileged enough to perceive life through the eyes of the poet, the world would be much more beautiful and merciful than what it is today. Firstly, the word of war would transform into the word of love [H R B (war) would transform into H B (love) just by eliminating the letter R from the former]. And then the moon would appear as a nightly chime of love for the world. Indeed, the hearts would now melt with compassion when before they were hardened by fear and blinded by ignorance. The oceans would see ships of yearning and desire anchoring in their final port of destination. With poetry and poetry alone can adamancy be alleviated, and thorns can bloom into flowers, and the train of remorse becomes redundant and never reaches its intended stations.

    The wise man now responded the following:

    The poet is haunted by fear while his eyes are open and interpreting all that they see.

    Retorted the poet,

    Yes, man enters life through the gates of fear. Deceived by the mysteries of existence, he flounders helplessly in the sands of obscurity. The mysteries force him to dig into the vacuum of existence in search of those mirrors that would reflect in them the realities of what they see. Alas! One who does not perceive this world through the eyes of a poet shall be left with reflections that shall demonstrate nothing but masks of confusion—one laden upon another. He shall remain with a superficially limited awareness of his own reality. Mankind, in fact, struggles to find and discover its inner reality. It strives to unearth the form that inhabits its inner self and pervades like a wave inside its body. The form then banks itself in the vast expanse of the mind and becomes a voice—an inner calling—that is heard as the day passes. Yes, we hear that voice but are unaware of its origin.

    This voice is formless and abstract. Its being is of the purest quintessence contained in its depths—an embodiment without form, but we are able to see it. And for us to view it in its perfect form, it is necessary for us to cleanse our intellect from husks that have accumulated in it. Upon cleaning it, we shall see and realize that all existence has been contained and is reflected in it. This plane of reflection—this mirror—is just like the white page in the hands of the poet that is subsequently filled with newly created meanings and concepts that transcend into and accept the forms that we can see through the eyes of our intellect. This is how we reach the origin of meanings. Only through the realization of the meanings hidden in the existence that surrounds us can we say that we truly enjoy our existence. The essence of this existence cannot be understood in its entirety by any but the poet. It is he who plays the music of silence—the tunes of which pervade through concrete objects and turn afresh after they wither. He is the one who, if the world becomes miserly, creates palaces in its spaces of such magnificence that miracles can be seen peeking from their balconies.

    Do both of you know how was the poet born in this world?

    He was jogging through his tracks and through herds of cattle and habitats of the wild predators. Unperturbed, he glanced toward the sky and fixated his eyes on a star and named it the Tryst of Dawn. When his eyes were filled by the full moon, he realized that whatever light that exists is in fact a reflection of a heart—if the heart is pure. For this reason, he scribbled a name on the walls that the people could not decipher. He wrote words and phrases on the forehead of existence that turned into stars that shine bright when darkness intensifies and enlightens the hearts and intellects of the passersby.

    The night had set in. The wise man carefully put away his walking stick, and the poet folded his paper while I made a pillow of my flask, which was now filled with words of wisdom; and we slept.

    In the Path of the Sun

    The break of dawn woke me up, and I found myself glancing at the poet and the wise man atop a hillock as they gazed at the pervading sunrays in complete silence and great awe. I hurried toward

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