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Dusting the Glass
Dusting the Glass
Dusting the Glass
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Dusting the Glass

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In Dusting the Glass, Nancy Kaye
Dobson trains a compassionate gaze
upon often unglamorous protagonists
or uncomfortable subjects. Precise
language and startling imagery evoke
the subtle significances of everyday
existenceof youth and aging,
regrets and revelations, dreams and
disillusionmentwhile the spaces
between images allow us to personalize
them with our own recall. Thus, we
are simultaneously drawn into both
the poems themselves and our own
memories, and we then must, as the
author has done, confront them and
wrest meaning from them. In any
case, to read these poems, we must
be undaunted by what we might find,
as Dobson must have been when she
stared these always human and often
haunting images directly in the face.
LanguageEnglish
PublisherXlibris US
Release dateApr 12, 2011
ISBN9781456875831
Dusting the Glass
Author

Nancy Kaye Dobson

A native Californian, Nancy Kaye Dobson began writing at the age of fifteen and won her first writing award a year later. While an undergraduate at Cal Poly State University in San Luis Obispo, she accumulated several more awards for writing, including the prestigious Academy of American Poets Prize. Her writing has previously been published in Byzantium, Cal Poly’s annual literary journal as well as The Sun Magazine. Ms. Dobson has also been invited to read at several poetry festivals at colleges and universities throughout California. Currently, she lives with her family in Northern California where she teaches high school English.

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    Book preview

    Dusting the Glass - Nancy Kaye Dobson

    Copyright © 2011 by Nancy Kaye Dobson.

    Library of Congress Control Number:   2011903110

    ISBN: Hardcover    978-1-4568-7582-4

    ISBN: Softcover      978-1-4568-7581-7

    ISBN: Ebook            978-1-4568-7583-1

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    This book was printed in the United States of America.

    To order additional copies of this book, contact:

    Xlibris Corporation

    1-888-795-4274

    www.Xlibris.com

    Orders@Xlibris.com

    93629

    Contents

    Inheritance

    Day at the Fair

    Choking the Sky

    Gravity

    Just One

    Avila Sunset

    Counting Pennies

    Last Note

    Pumpkinhead

    Rival

    Sylvia

    Kyushu, December 1971

    Box of Winter

    That first hour

    Daughter

    Get this down

    Chroma

    Latitudes

    Those Girls

    How a Leaf falls

    from the Tree

    Valley of Shadows

    ’45

    Bonnie’s Last Breath

    Cow’s Diamond

    Letter to Francoise

    Nora

    Suicide in Life Magazine

    War Bride

    Fresh Rain

    Transient

    Michelangelo

    Loose Ends

    Restless Evolution

    No Socks for a Martyr

    Bring me a flood

    Drinking Dust

    Restless

    Invited

    Prey

    Crawling In

    Rachel

    After Ruby

    The truth about dying

    Reunion Station

    Face It

    Cloudline

    Borrowed Beauty

    naked

    Inheritance

    I kneel down sometimes, distracted,

    to look in the driftwood box of my life,

    not sure what I will find—valued treasures,

    old brassy jewelry and gunmetal coins,

    plastic shards of buttons and toys,

    ink-stained documents—bus tickets, birthday cards,

    and children’s reports on armadillos and South Dakota,

    pitiful remnants of helium hopes,

    pictures of people I no longer know,

    a dusty world of enormous gifts waiting

    for a potential owner to come along.

    That’s when the whisperings lift up

    like half-inhaled smoke in a Midwestern bar,

    a Greek chorus in an epic tragedy

    full of undressed advice and silken musings.

    I hesitate—things have always been best for me

    when I’ve left that one word unspoken

    like the moment right before Romeo’s glance

    found a young, anonymous Juliet-

    how different things could have been.

    I could breathe in, let the voices envelop me,

    or collapse like a fallen sparrow,

    and shuddering into silence, turn away.

    I am full of a thousand mistakes,

    stapled together, adorned with dirty bandaids

    that conceal half-healed knicks

    left by a pen that scratches me open

    like a rusty blade. It wants too much-

    the hungry throat of a bird,

    dazzling, plump arms of the sun

    that reach for the fair-skinned.

    No, it’s not satisfied until I put myself,

    not some prettier pseudonym, on this page.

    The unsaid words are familiar to me-

    nourishing as a thick, yellow salve

    or night cream on cracked heels.

    Like secret lives that spin inside me,

    I let them rule the asylum,

    let rain make a salty memory

    of each word’s pregnant moment,

    let them seep untouched into the ground,

    bury them in the mud without ceremony.

    I know they long to dance wildly

    on the agile tongue of a sorceress,

    one who can tempt snowflakes down-

    graceful and eloquent vowels of ice

    falling into your open ears.

    This is the moment, the chorus whispers

    with a crash of cymbals,

    not the familiar glow and hiss

    of a reoccurring 4 a.m. dream,

    the moment to take the orphaned words

    into my rusty hands

    like an overgrown plant I must tend to-

    patiently clear away shriveled leaves,

    pruning and clipping, as I examine tiny buds

    beginning to emerge, beat by beat,

    from the dark tunnel of the branch’s safety,

    until the living embers have space to breathe,

    open and unfurl themselves, writhe

    and twist like fraying ribbons in the wind,

    and all the world—every sharp corner

    and rounded edge smooth off my tongue,

    rises like a salvaged barge-coming back to life,

    as it’s pulled, dripping and heaving

    from a dark sea.

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