Glory in the Margins: Sunday Poems
By Nikki Grimes
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About this ebook
New York Times bestselling author and poet Nikki Grimes explains, “A study of scripture reveals that Jesus spent a lot of time with people in the margins. As an African American, I live in the margins, and I can tell you that it's a place most of us would rather not be. And yet, I know there is always glory to be found in the margins because of the Lord’s presence in, and with us. As Poet Laureate of my Grace Brethren Church in Southern California, it’s my job to distill the heart of the weekly sermon into a poem. I dive into each week’s chosen scripture, viewing it from my own perspective as Black, as woman, as poet, always a little left of center, and looking for the glory to be found in the margins of life, and of the text. Of course, those of us who live in the margins are not what anyone expects, and the very notion that God might speak through us, through me, may seem a bit wild. But he does. ‘I will pour out my spirit on all flesh,’ said the Lord. God’s busy in the hearts of all who call on him.”
Glory in the Margins is published under Paraclete Press's Iron Pen imprint. In the book of Job, a suffering man pours out his anguish to his Maker. From the depths of his pain, he reveals a trust in God's goodness that is stronger than his despair, giving humanity some of the most beautiful and poetic verses of all time. Paraclete's Iron Pen imprint is inspired by this spirit of unvarnished honesty and tenacious hope.
Nikki Grimes
New York Times bestselling author Nikki Grimes is the recipient of the 2016 Virginia Hamilton Literary Award and the 2006 NCTE Award for Excellence in Poetry for Children. Her distinguished works include ALA Notable book What is Goodbye?, Coretta Scott King Award winner Bronx Masquerade, and Coretta Scott King Author Honor books Jazmin's Notebook, Talkin' About Bessie, Dark Sons, The Road to Paris, and Words with Wings. Creator of the popular Meet Danitra Brown, Ms. Grimes lives in California.
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Glory in the Margins - Nikki Grimes
PREFACE
When was the last time you heard the words poem and pulpit in the same sentence? Likely as not, your answer would be never. Yet, if you’ve spent any time steeped in Scripture, you know that the Bible is rich in poetry, that poetry is one of its staples. You would never know that, though, judging from how rarely poetry makes its way into weekly worship services—unless you attend a small Brethren in Christ church in Riverside, California. The fellowship in question is Madison Street Church, and I am its Poet Laureate. For several years at Madison, I have had the opportunity to marry my poetry and my faith in worship. The poems in this collection were culled from those years, but Madison is not where my journey in creating poetry for worship began.
In 1978, I moved to Stockholm, Sweden, where I lived for six years. There, I became part of the international fellowship of Immanuel, a Swedish Covenant Church. Immanuel was easily the most diverse body I have ever belonged to, bringing together believers from as many as twenty different countries on any given Sunday. Even more unusual, however, was the way in which the leadership of our church embraced all forms of art in the worship services. Where most religious institutions employ music and decorative visual art, Immanuel threw open the doors to dance, drama, contemporary visual art, and poetry as well. If you had an artistic gift, room was made for it, and so it was Immanuel that first allowed me to bring poetry into Sunday worship.
My very first exploration of Scripture through poetry was the story of the Christ child told from the perspective of Mary. In a suite of poems that carried through the Advent season, I climbed into the skin of the young girl found in Luke’s Gospel and felt the heart-stopping terror, awe, and finally, overwhelming peace of the Gabriel encounter. I contemplated the likely rejection of Joseph, her betrothed, imagined the stinging whispers of gossips who would, no doubt, question the timing of this pregnancy, and more. In so doing, I felt, in a visceral way, how monumental a thing it was for Mary to say yes to God in that moment, and to keep saying yes to him throughout the hard months and years that would follow. And as I brought my revelations to the congregation through poetry, their eyes were opened too. Listeners found themselves able to enter this sacred Scripture, this oh-so-familiar story, in a fresh, new way. And they liked it. As for me? I was hungry to do more.
As a person of faith with a reverence for the Holy Word of God, I also understand that God welcomes, and even invites, the honest questions of his children, and so I come to the Word with an open heart, bringing my questions with me. As I climb into the skins of the men and women I encounter in Scripture, I try to look at the world through their eyes, asking the hard questions of God that they must have asked, seeking the same solace, wisdom, inspiration, and guidance they must have sought. Of course, I am bringing my twenty-first-century experiences and sensibilities along for the ride, and so I also look for connections between ancient Scripture and the daily realities of my own lived experiences. That means, I’m sometimes referencing daily headlines and happenstances, alongside the words and experiences of Abram and Sarai, Saul and David, Mary and Martha, Paul and Luke. And as I do so, I ask God to guide me, to shine light on those nuggets of truth he would have me share with his people. The Sabbath is his, after all. The pulpit is the place for his Shekinah glory, not mine. Bathing this work in prayer keeps me clear on that point.
Now, after years of doing this work, I’ve selected 100 of these poems to share with you. I’ve arranged them in a thirteen-month cycle, moving from January to January. Ninety-eight of the 100 were prompted by specific Scriptures, which are referenced at each poem’s end. I love the way January is both an ending and a beginning, and so I chose to use poems from that month to bookend this