The Lucky Star
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About this ebook
To prolong the inevitable, a king attempts to preserve a painter’s life when he discovers, through his astrological chart, that their fates are suddenly intertwined. The monarch is forced to keep him alive for his own personal reasons. King Ouf is a powerful leader with a weakness for astrology, myths and superstition. During a reading, it is revealed that he is spiritually linked to a traveling painter named Lazuli. If any harm comes to Lazuli, the same fate will befall the king. Therefore, King Ouf declares that when he dies, his astrologer Siroco must also be killed. In an attempt at self-preservation, both men work tirelessly to keep Lazuli alive. Originally composed by Brookfield and Caryll, The Lucky Star was later revised by Helen Lenoir. It’s a witty comedy known for its intricate plot and memorable music. Following its debut, the opera ran for more than 140 performances at London’s Savoy Theatre. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Lucky Star is both modern and readable.
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Ivan Caryll
Charles H. Brookfield (1857–1913), Ivan Caryll (1861–1921) and Helen Lenoir (1852–1913) were major contributors to nineteenth and twentieth century theater. Brookfield was an English playwright who grew up under the influence of his novelist mother and her notable friends. Meanwhile, Caryll was a Belgian composer who studied music at both the Liège Conservatoire and Paris Conservatoire. Lenoir was the Scottish wife of Richard D'Oyly Carte best known for her work with the D'Oyly Carte Opera Company. Together, these three talents would collaborate on the English opera, The Lucky Star which debuted in 1899.
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Book preview
The Lucky Star - Ivan Caryll
Act I
SCENE.—A public square R.I.E. Set observatory with practicable balcony on which mounted telescope stands. Front profile of observatory only on the stage. Sign over door, reading, Siroco, Astronomer Royal. Your fortune told while you wait.
L.I.E. profile front of Inn. Sign of a red dragon over door. Practicable balcony to Inn also. Set tree R.C. banked up with grass mats. Profile houses R. and L.H. Back drop landscape with water effect. At rise of curtain day is just breaking, and as the scene progresses sunrise effect and change to broad daylight. Citizens are discovered.
CHORUS.
(words by Adrian Ross)
MEN: Night is done, but it is not day,
Only a twilight, quiet and grey,
Brightening slowly, far away—
Far away.
Light winds rustle in the bough and brake,
Little ripples run up the lake—
Waken, day of May, awake!
Now awake!
(Sunrise effect, girls coming in bearing garlands and baskets of flowers)
GIRLS: Spring’s in the air,
Winter is ended;
Blossoms unclose,
Golden and rose!
Blossoms we bear,
Scented and splendid,
Worthy to bring
Unto our King!
ALL: Hail to the day
Festal and famous,
Day when he smiled
First as a child!
Loyalty may
Rightly inflame us,
Bidding us sing,
Hail to our King!
Cancan enters L., from Inn.
CANCAN: Now the king that we are under, with a fal la la!
With a skill at which we wonder, with a fal la la!
Has provided recreation for the yearly jubilation,
ALL: Singing fal lal, fal lal, lirra lirra lay!
CANCAN: There are conjuror and tumbler, with a fal la la!
And some actors for the humbler, with a fal la la!
But the special institution is the yearly execution,
ALL: With a fal lal, fal lal, lirra lirra lay!
CANCAN: So we celebrate the season of the year,
When our monarch condescended to appear,
Gaily voicing our rejoicing
Thus, in thorough-going thunderous cheer!
ALL: So we celebrate