Clouds and Sunshine

By Sarah Lee Brown Fleming and Mint Editions

Clouds and Sunshine (1920) is a collection of poems by Sarah Lee Brown Fleming. Published during the Harlem Renaissance, Clouds and Sunshine is a powerful work of poetry exploring themes of faith, racial identity, loss, and love in twentieth century America. Recognized as a leading advocate for the advancement of Black girls and women throughout her life, Fleming is a writer whose voice never falters from the task at hand: telling the story of her people. Separated into three sections, Clouds and Sunshine shows Flemings prowess as a lyric poet of the Romantic persuasion, a dialect poet in the tradition of Paul Laurence Dunbar, and a groundbreaking political writer who observed the experiences of Black Americans while recording and examining her own. In “Tuskegee,” she offers an ode to the iconic institution founded by Booker T. Washington in Alabama: “On thy consecrated ground / Is carved a wondrous story, / Out of chaos, Washington / Raised this place to glory.” In “The Black Man’s Hope,” located in the section titled “Race Poems,” Fleming condemns the politics of the United States, which promises so much to white Americans while betraying time and again a people it never meant to recognize as citizens: “I hear the talk of the white man’s hope / In the ring and at the poll, / But never a word of the black man’s hope / Do I hear as time doth roll. // Bowed with the weight which slavery left / Upon his chattled frame, / No star of hope comes into view / The weight is still the same.” In two brief stanzas, Fleming effectively condemns the emptiness offered with every election cycle. Far from despairing, she makes a powerful case for resistance while telling a terrible truth: prejudice is a manmade thing, and only targeted action can undo it. This edition of Sara Lee Brown Fleming’s Clouds and Sunshine is a classic work of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

• Language: English
• Publisher: Mint Editions
• Release date: May 28, 2021
• ISBN: 9781513288109

Sarah Lee Brown Fleming

Sarah Lee Brown Fleming (1876-1963) was an African American poet, novelist, educator, and activist. Born in Charleston, South Carolina, Fleming was raised in Brooklyn, where she would become the school system’s first Black teacher. In 1902, she married Richard Stedman Fleming, a pioneering African American dentist with whom she would raise a son and a daughter. In addition to her work as a teacher, Fleming was a founder of the New Haven’s Women’s Civic League and the Phillis Wheatley Home for Girls. A lifelong advocate for Black girls and women, she received honors and awards from the United States Congress and the National Association of Negro Business and Professional Women’s Club. She also published works of literature, including Hope’s Highway: A Novel (1918) and Clouds and Sunshine (1920), a collection of poems.

Book preview

DOROTHEA

The stars in Heaven now shine with a fuller, gladder light,

My days no longer seem a long and dreary night;

Since thou dost love me dear, all things seem more than bright,

Dorothea, Dorothea, my own Dorothea.

If griefs and sorrows come, they do not pierce so deep,

If tears bedim my eyes they are the bitter-sweet,

If death doth part us here, I know somewhere we’ll meet,

Dorothea, Dorothea, my own Dorothea.

And e’en though death does come, I’ll always see thy face,

Thy hand within my own I ever will embrace,

Remembrance of thee in my soul will have a place.

Dorothea, Dorothea, my own Dorothea.

TUSKEGEE

Sacred spot on which thou art,

O school of industry.

Thou art doing well thy part

To aid humanity.

On thy consecrated ground

Is carved a wondrous story,

Out of chaos, Washington

Raised this place to glory.

The world has made a beaten track

Unto thy very door,—

A fountain on the desert sands

Thou art for evermore.

DEATH

The spirit out of it hath flown,

And left the body all alone,

So after all, what is this clay,

Which we so cherish, can you say?

Look on this form now still in death,

The force is gone which we call breath;

The faculties, yes, every one,

Have stopped their use, with spirit gone.

O death, thou art so grim and drear,

What awful silence thou doth wear.

And thou must visit ev’ry one,—

Yes, every being ’neath the sun.

O, death, thou art a woeful state,

All mankind well doth thee berate,—

Because we know not what awaits

Beyond thy grey, mysterious gates.

Ah