Speaking in Tongues
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About this ebook
Speaking in Tongues should come as a welcome surprise to English-language readers, as it not only opens new doors, but also presents exciting technical challenges. H.C. ten Berge is a master of many genres, but poetry informs all of his writing. In this generous new selection of poems and poem-sequences translated into English - his fir
H.C. ten Berge
H.C. ten Berge was born in 1938 in Alkmaar, the Netherlands. One of Holland's most important poets, he is the author of a large body of work that includes not only poetry but also novels, novellas, essays and translations. Apart from translating from modern languages, he collected and translated poetry and myths of the Aztecs, Inuit, Eastern Siberian Peoples and First Nations of the Pacific Northwest. He has received many awards for his work, including the most important and prestigious oeuvre prize in the Netherlands, the P.C. Hooft Award.
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Speaking in Tongues - H.C. ten Berge
Poems from Materia Prima
An Initiation
The White Shaman (I)
1
Flying in over the Sont,
over dark bowls of Finnish lakes.
Boarding the kayak
of the departed.
Drifting on the waters
between taiga and tundra.
Purging eye and ear
in emptiness and expanse.
Feeding on berries, on cap
and scent of the divine mushroom.
Dreaming the dream
of the eternal present.
As an arctic bear
retiring into snowblind drunkeness again.
2
Melting seven snow flakes on the tongue
in waning afternoon light.
Crawling into his tent
when the sleepy sun sinks behind the woodlands.
Lying on a bed of leaves
fanning the smouldering fire of birch bark.
Spying on the white-blue Pole Star
through the smoke hole.
Watching in pure joy the heavenly nail
and shining navel of the universe.
Leaving the tent on all fours
for the distant swoosh of a wingbeat.
To stand eye to eye with the white wolves
of a brief dawn.
3 Initiation
The Great Mother flies
between Ural and Altai.
To grow rigid between her feathers and sleep
the death sleep of the shaman.
Her throat is a drum,
her throat becomes his vulnerable voice.
From the drum: raw cackling of reindeer-koryaks,
the hoofbeat, the rolling call of Yakuts on horseback.
Snow is on his lips,
foam covers the ground.
From her breast the birch tree grows
and the sleeper shelters in its upper branches.
A beak pecks at his groin,
an eagle feather trembles in the wind.
4
To wound oneself to be reborn
unharmed and clear.
Roughly toppled out of the egg
by the waving mother who flies away.
The first snow has fallen; a fresh game trail
leads from the forest’s edge to here.
Oh children of Nanook
he returns with his song.
Nails of ice stand in the cortex of knowing.
The lips are cold but the tongue is purified.
Who brings light? Who healing?
He has been carried around the world seven times.
His hair, like a hat,
is pierced with a flight feather.
5 First song of the shaman
‘Slender she is, small like a baby bear,
she shakes her black braids like wings,
her calico smock
is hanging from a branch.
In the breathing house of skin and wood
my cosmic axle churns deep inside her womb.
Nipples taut, skin in bloom,
snow rubbed into a blush on her thighs.
Oh, look like a mouse
through the eye of the tent!
How Nanook’s daughter as snow goddess still rocks,
softly humming under my fur.
Tempting scent of eternal present, now that
seven days have proven to be seven years already.’
6
Mirage of cities, fleeting props
in the empty chaos of the steppe.
Living with few signs
embodying his total lostness:
Pole Star, Pleiades, the hunt
of the hounds, swift as arrows.
Weakened by resin, hash and millions
of mosquitoes, he slides down the tree.
He imagines
disappearing into the other tree,
concludes
that both have vanished.
Next to the shaman the scrawny hunter; behind them
the woman who, on her haunches in the grass, drops a thirsty cub.
7
Oh brothers and sisters, the blossoming of the imagination
is taking a long time.
It’s not easy to speak
the snow language of the Samoyeds
nor is it easy to attach an image
of restrained emotion
to secret or domestic violence,
the rasping bombast of a civilization.
The white shaman becomes a crippled leper
who traverses colonies with his shrill rattle.
The game trail disturbed,
the fruit bud poisoned.
Who has dismantled
which innate power –
The Other Sleep
The White Shaman (II)
1
Grey light, late swans in a straight flight
along the thin outlines of retreating mountains.
Having come on the celestial horse from Fergana
and now on the edge of frozen marshes.
To the south the road that branches off on the autumnal tableland:
image of vapour around mounted nomads,
the flash of a train, red and dusty, breaking from the mountain flanks –
and low, in the western basin, the yellow yolk of the sun.
Brought by guides, ill-practiced but well
equipped, I sit on moss among skinny birches.
I poke in the ash of an ancient fireplace;
wet nostrils, eyebrows bristly with frost.
Too late an early snow hare gets wind
of the preying fox.
2
Here regarded as a fool
there excluded as a grimface
I claim to know of nothing else
than what is or was created by my hand;
having remained ignorant through thinking,
in everything a novice who unlearns
and then attempts again
to start a fire of damp wood.
Creaking, moaning, nevertheless
digging into dreams for ancestral forms:
Roasted the hare after all! but then with spit
as angle bar carried tentward
by curious hunters (who had heard a rumour
that the tsar was murdered long ago).
3
That’s going to be something when the revolution
of the estranged breaks out in the city!
Although recovered, the body falters
in immense emptiness
and obscene silence fells the spirit
like a birch;
oh cool womb-like earth,
even the pliable spear of the slow
and distant sun chafes your skin here like a pebble
skipping over water.
The cold of ages keeps the earth’s crust
in summer and winter sedated –
only death gets through to her;
the rustling of rats swells in the shrubs.
4
Troubled, in his tent on the mount
lies the stubborn sucker from the west
who only sleeps to find
the essence of sleep,
who, thinking of sunken lives
slowly sinks down into the dark tidal forest below.
The sopping wet plains solidify,
the growing frost opens up the marshes;
fur hunters shoot him awake: dragged along
into which present? did they hit upon an ancient
catch in the bog? (Dead mammoths still bear