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The Other Side of The Moon: Selected Poems from 2000-2012
The Other Side of The Moon: Selected Poems from 2000-2012
The Other Side of The Moon: Selected Poems from 2000-2012
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The Other Side of The Moon: Selected Poems from 2000-2012

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Dr. Mohl's poems are based on various observations, feelings, and life experiences. His poems reflect an interest in politics, music, science, modern day angst, health and human behavior. Dr. Mohl sees poetry as a word painting of life and the times in which we live. These poems express our hopes, fears, and frailties.

LanguageEnglish
Release dateOct 8, 2020
ISBN9781953584526
The Other Side of The Moon: Selected Poems from 2000-2012
Author

Dr. Allan Mohl

Dr. Mohl is a licensed clinical social worker who has a Ph. D in health and human services. He has an office in Dobbs Ferry, New York. Dr. Mohl is a poet, musician and a psychotherapist who has written hundred of poems, many of which have appeared in various anthologies and on the internet under Poetry.com. Dr. Mohl is a member of poetry nation and the Hudson River Writers Center located in Westchester, New York. In 2009, Dr. Mohl was inducted into the Westchester County Senior Citizen Hall of Fame, in 2017 through 2018, he was a recipient of the Albert Nelson Marcus Lifetime Achievement Award. Dr. Mohl is married and lives with his wife in Ossining, New York. He has three adult children and six grandchildren.

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    The Other Side of The Moon - Dr. Allan Mohl

    Acknowledgements

    I wish to give special thanks to Renée Gaines for her

    help in editing and typing my poems. Without her assistance,

    The Other Side of the Moon: Selected Poems from 2000-2012

    would not have evolved.

    Contents

    Acknowledgements

    A Synthesis of Music and Poetry at the Apollo

    The Eternal Rhythm of Surf on Sand

    The Struggle to Learn

    The Veterans’ Home

    A Brief Sermon

    Do You Remember George Sanders?

    Seeger

    Remembering Michael

    Welcome to the New Millennium

    America Was Born in Violence

    A 9/11 Vignette

    Fragments of a Lost Culture

    Indifference

    A Painting by Picasso

    Some Thoughts on St. Petersburg, Russia

    Living in a Goldfish Bowl

    Politkovskaya

    There Is Something About Middle America

    All the Lonely People

    A Visit to the Berkshires

    Images

    Road Kill

    The Madness Continues

    Life Goes On

    A Visit with the Dalai Lama

    To Stay in the Moment

    Hitting the Iceberg

    The Lamentation of a Neurotic

    Earthquake in Gujarat

    Food for the Rich

    A Father-Son Relationship

    Birth and Death:

    A Never-Ending Process

    If Death Must Arrive

    Reflection on Old Age

    Reflections on the Ultimate Journey

    The Obsession

    A Tribute to Taylor and King

    To Abort the Journey

    Surrounded by Ghosts

    A Message of Hope

    Loss of Mattie Stepanek

    The Last Act

    Memoriam to Janice Joplin

    A Rare Moment in Time and Space

    Reflection on Time

    A Suicide at Ground Zero

    War Without End

    Ode to the Gulf-2010

    Despair

    Pearl Harbor and Beyond

    Tulsa, Oklahoma-1921

    The End of a Dream

    Reflections on a Film

    The Tap Dancer

    The Ticking Clock

    The Quest

    The God Father

    The Need to Take Revenge

    The Illusion

    Adagio and the Armageddon Call

    Writer’s Block

    Staying in the Now

    What Will Be Our Legacy from the Year 2007?

    The Past and the Future

    Where Have You Gone, Joe DiMaggio?

    A Synthesis of Music and Poetry at the Apollo

    On a stage within the great historic Apollo theatre,

    a black vocalist sings a Langston Hughes poem arranged for music.

    Its first line is What happens to a dream deferred?

    And there is a black saxophone guy

    who really knows how to blow that thing,

    while the vocalist really knows how to sing.

    And the stage is dark except for the white light

    that spotlights the vocalist and the guy who plays the sax

    while the mostly white audience sits really quiet and uptight.

    And the combo is awesome and the music is cool.

    But remember this is the Apollo

    and great moments have been the rule.

    In contrast to the lines, "What happens to a dream deferred?

    Does it dry up like a raisin in the sun?

    Or fester like a sore–and then run?"

    Many dreams and icons have evolved

    within those faded walls of silver and gold

    where the music and voices were usually bold.

    While outside those theatre walls,

    the inequities of race have continued to unfold.

    The

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