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Escape Plans
Escape Plans
Escape Plans
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Escape Plans

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Escape Plans is a collection of 19 mind-bending and adrenaline-fueled stories from the award-winning author of THE PHAROS OBJECTIVE, BLINDSPOTS and CRESCENT LAKE. Ranging from dark fantasy and horror to mystery, science fiction and suspense, in these tales you'll encounter a chilling cure for cancer, a demonic GPS device and a ghost marriage to a jealous and deadly bride; here you'll find alternate quantum histories, underwater zombies and a basement serving as a time portal; you'll experience environmental disasters on a galactic scale, meet a man who can erase lives with the stroke of a marker, practice ancient arts of divination—with frightening consequences, and visit a grim future set against humanity's last days. Emotional, terrifying and thought-provoking, make your plans to escape today.

 

Praise for David Sakmyster:

 

"Beyond unusual… so original, readers will not want to skip even one word. -Suspense Magazine

 

"This is a book I wish I'd written—great premise—great imagination!" -M.J. Rose, international bestselling author of The Reincarnationist

"…combines expertly researched historical mysteries with compelling modern characters, intriguing plot twists, and breathless pacing." —William Dietrich, author of BLOOD OF THE REICH

 

"A phenomenal read, rich with historical detail and full of tension and suspense from page one.  It'll grab you, guaranteed!" –Nate Kenyon, author of The Bone Factory

 

 "Fascinating characters, eventful settings and an exciting plot..." –The Historical Novels Review

LanguageEnglish
Release dateApr 13, 2021
ISBN9798201082154
Escape Plans

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    Escape Plans - David Sakmyster

    Dedication

    All of these stories, my personal dreams, never would have been exposed to the world outside my mind if not for the support and contributions of the following editors. My apologies if I’ve unintentionally left anyone out, but my thanks goes out to: Kevin J. Anderson, Lois Gresh, Brett Alexander Savory, Wendy Delmater, Nanci Kalanta, Paula Guran, Christopher Cevasco, Patrick Swenson, Misty Gersley and Bailey Hunter.

    Stories, like conjuring tricks, are invented because history is inadequate for our dreams. –Steven Millhauser

    Ladders

    One of my favorite stories, Ladders was published in issue #33 of ChiZine. I love the Big Apple, but after a few days I’m always at a saturation point, overwhelmed by the crowds and congestion and longing for open space or simply an unbroken view of the sky. That feeling was the genesis of this allegorical tale about an inescapable city and a population so desperate to escape that they turn to the only direction left... 

    ––––––––

    When the body slammed into the pavement right in front of Charles Lang, splattering bone and muscle and exploding in a grisly mess that even cracked the concrete street, his first thought wasn’t that he’d just narrowly escaped being killed; instead he was struck by a Newtonian apple-dropping-Eureka moment: a flash of insight as to how he might prevent these increasingly commonplace falls—prevent them, and also get rich in the process.

    The problem, after all, began with the ladders.

    * * *

    But ‘ladders’ was a misnomer. Lang would rarely find such conventional structures: garden-variety ladders that opened at an angle and were built for safety. Those sorts could only take a climber so far. More often, the ladders were simply haphazard collections of things set atop other things, assemblages constructed on the city’s rooftops for just one purpose: to realize a height greater than that allowed by building codes.

    The city’s residents climbed these ladders in order to see something of the sky, to peek at the mythical horizon or just glimpse the unremembered heavens; to see something of real clouds, wispy and dreamlike, and to stare at the burning sun until they wept with joy and forgot all about their lives below.

    And that’s why they needed someone like Charles Lang. Someone down on his luck, someone desperate—someone with a little vision and drive. Someone also, who wasn’t afraid of heights. Apart from that, he was nothing special. Simply in the right place at the right time.

    It had happened to Newton, and now it was happening to Lang.

    * * *

    He invented the position and became the first—and so far only—Retriever. Changing times call for changing professions, and entrepreneurs with a little foresight can blaze new trails. It’s a dangerous job, but the money’s good—fantastic in fact, and it’s saved him from sleeping in urine-soaked alleys and freezing all night in the worst food lines. Relatives and loved ones will always pay top dollar for someone who will risk their neck to bring back poor mom or grandpa, or little Timmy. But for Lang, it isn’t all about the cold hard cash. There are other perks.

    In retrieving these poor saps who have ascended so high that they’ve gotten themselves stuck like the proverbial cat up a tree, he’s not just performing a service. He’s also escaping the city for the better part of every day, breathing in the sweet air of the translucent sky far, far above the grimy streets, the exhaust fumes and the reek of sewage, trash, rot and decay.

    It is his one guilty vice. It’s intense, erotic even, when the wind is just right, and the air so fragrant, and the ladders shudder just so. He enjoys every second of it, despite the risks, despite the reception when he gets up there—just like the firemen of old, suffering the scratching and clawing of the unwilling and ungrateful.

    Like Ben Fullmer.

    Ben’s an example of a disturbing new trend: climbers who latch themselves to the top rungs. Twine, rope, handcuffs—anything that can bind. Secured, as if they know he’s coming for them. Defiant bastards. They’re content to just hang there with all the others, individual thorns in the city’s brittle crown. These climbers, wet in the driving rain, embrace their ladders, and it’s as if they’re caught in an infinite moment of rapture. Nothing can shake them loose or even make them blink. Nothing, of course, except for Lang coming to retrieve them.

    While he’s up there cutting Ben Fullmer loose, trying to avoid the man’s kicking feet and snapping teeth, Lang finds himself drawn to the stark vision of all that mortality amidst the infinite space above: a sea of wobbling, half-dead men, women and children as far as the eye can see. Climbing, grasping, holding on with bruised and swollen fingers.

    Some of them, he knows, will need his services soon. Their relatives will call and plead, So-and-so went up our ladder two days ago and hasn’t come down. I’d go up, but I’m afraid, and he’s too heavy... On and on it went. He usually tuned out their bullshit excuses—and readied his own.

    Because sometimes he came back without his targets. If they were already dead—just hanging there with mouths open in a crooked smile, their eyes wide and glazed, staring up, always up despite the angle of their drooping necks—then sometimes he’d just cut them down and let them fall where they may.

    Obviously it wouldn’t hurt them any, and as long as no one was in their path it was the safest way to get them down. Safest for him, that was, and definitely easier than lugging dead weight and trying to keep his balance at the same time.

    Occupational hazard, it might be pointed out, but still—he created this position, so he could make the rules. If they’re dead, he drops them. Simple as that.

    Then, like Ben, there are others—not quite dead, but Lang wishes he could just cut them loose and give them a shove all the same. They seem to have a death-wish anyway. Why not grant it?

    But he doesn’t yield to such unprofessional temptations. He cuts this man loose—no easy task as Lang has to balance his legs between the rungs and use bolt cutters to snap off Ben’s handcuffs, then grab the man and somehow pull him down without the both of them slipping to their deaths. At the bottom, Ben’s still struggling, trying to break free and race back to the ladder.

    But Ben’s brothers are on the roof. They hold him back while Lang ‘cleans up.’ He breaks down the ladder using a hammer. He just whacks the base connectors a few times and the whole thing comes down. These people were by no means professional architects.

    Of course, another ladder will probably take its place by next week. Repeat clients were a large part of Lang’s income.

    Afterwards, he has one of Ben’s brothers sign the invoice, pay the bill and close out the tab, and then he’s off to the next assignment.

    As luck would have it, he doesn’t have far to go: only two buildings over. The electric company called this one in. More often than family or neighbors, most of Lang’s referrals came from desperate bill collectors. A newly-married couple ascended together three weeks ago and haven’t been seen since.

    Lang shakes his head, but this too is not a first.

    * * *

    As the elevator takes him to the next rooftop, and as static crackles over speakers that once played soothing music, he thinks about this situation, this phenomenon that’s so widespread, yet so disregarded.

    People prefer to ignore what goes on over their heads. But sometimes he’ll catch whispered speculations on the street. Some argue that the climbers’ efforts would be better served if they were to go sideways—that in time, if they continued in one direction, they should reach an eventual border and beyond the city’s edge should be what their collective history calls Open Space. Green fields. Lush valleys, jungles even. Perhaps a sandy beach upon a nameless ocean’s shore. Waves and waves of unbroken blue stretching as far as their eyes could see, meeting somewhere and melding with a violet-turquoise sky.

    But all such explorative attempts have failed. Valiant pioneers instead lose themselves and years of their lives in the twisting maze of shadow-infested alleys. They are turned around again and again and discover the same familiar haunts, the same scolding neon signs, torn-up streets and rubble-strewn sidewalks. Endless detours lead to dead-ends. Again and again they come upon ragged street vendors, congested avenues filled with dark suits, black umbrellas and blank faces that move from one shelter to the next, dodging rain, each other and the occasional falling body. Dented, rusted cabs inch forward in time-frozen gridlock.

    And so, after such painful failures, they have no other choice. They go Up.

    Lang wonders if this predilection might be due to some remnant in our genetic makeup, as if there were truth to the old myths that we were stardust, seeded in Earth’s primordial youth. We took root as single-celled life-forms struggling to ascend out of the radioactive sludge, to perceive something beyond our limited biospheres, just as our sea-dwelling ancestors struggled and evolved and finally broke free of the sea and filled their lungs and tasted the airy world above.

    Nothing has changed. Single-minded organisms, vaguely unsatisfied with their lot, unwilling merely to exist, to live and trudge back and forth to work, to ascend and descend their hive-like homes and workstations, to numbly go about their days. Still hoping to evolve, they poke their heads out from the miasma of their predicament.

    Only now, it’s gotten so much harder to do that. The city holds them back. Holds them tight.

    * * *

    Lang has no family. No friends. He used to have a girlfriend. Sally. Dark complexion. One eye green, the other blue; hair as black as oil simmering on hot pavement. Always had a distant, dreamy look on her face, and more often than not he’d catch her furtively glancing up, as if she could possibly glimpse something lurking in the narrow gaps between the steel and brick towers.

    She missed a date one Saturday. Never returned his calls. He assumed she had broken it off, maybe moved in with someone else. Another week went by, and finally he went to her apartment where the landlord, concerned about the rent, was only too happy to let him in. When Lang couldn’t find her, he went to the roof and saw the ladder, a crude, barely-sustainable concoction of rotting wood, bent nails and scrap metal.

    Sally was his first retrieval.

    She was also the first corpse he ever brought down. She hadn’t meant to latch herself to the top. Instead, the edge of her scarf had somehow caught on a protruding nail, and Lang found her hanging by her neck, arms and legs swaying in the wind, oily-black hair whipping and lashing at her face; those bi-colored eyes open toward the sky and her lips rigid in a smile, celebrating her victory over the spinning, jealous ground below.

    Now, as he strides across the gravel-strewn rooftop, dodging bent satellite dishes and clogged vents, making his way toward the lone ladder, he hopes this isn’t one of those days where there’s a double-dose of death waiting for him up there. At the base of the surprisingly solid-looking structure, he peers up and barely makes out the two tiny forms at the ladder’s dizzying apex.

    Here we go again, he thinks, slinging his pack over his shoulder and starting up the ladder.

    * * *

    As he climbs, he has a lot of time to think.

    Lately, the job seems too daunting. So many ladders. More and more each day. He’s beginning to find multiple climbers on each one now. Two, three, four. Not enough raw materials to build more ladders. Not enough rooftops for everyone.

    His mailbox is jammed with orders; his answering machine routinely runs out of space for new messages. He can’t respond to everyone. He thinks about getting a partner or a secretary, but doesn’t trust anyone in this city enough to share such responsibility. And anyway, thus far no one else has volunteered. His wait list is getting longer, and he knows that for most of these clients, it will be too late by the time he gets there. Bringing down a decomposing corpse—or dropping one at the feet of their relatives—doesn’t encourage them to pay their bill.

    Then, sometimes there are accidents before he can even get there. Too much weight at the top, pitching the entire thing off balance. People walking on the street hundreds of feet below are often struck dead without warning.

    He sees it more and more. The rains never fully wash such gore away. They’re falling faster than he can retrieve them. Sometimes he’ll save one or two on a given ladder, only to lose the third.

    Sometimes they see him coming, and before he can get there—they jump.

    Sometimes, he has to admit, he just wants to push them.

    A few more rungs and he can see Mr. and Mrs. Ronald Kowalski latched together with a bungee cord.

    Once again, he’s too late.

    But this time, something stops him from immediately cutting them down and letting them fall.

    More and more at these moments, he finds himself longing for that sense of freedom he sees in their vacant eyes. More and more he fights the urge to push them away and secure himself in their place. He could bring wood and nails and hardware. Build this ladder higher, sturdier.

    Perch himself and then defend this spot from all the jilted sky-lovers who are bound to follow. He needs to get farther from the city, beyond its ever-extending reach. He has to stay above the others—all his neighbors with the same idea.

    Maybe someday, just maybe, he’ll try it out. See what all the fuss is about.

    He looks at this couple’s strange smiles—all teeth—and then bids them goodbye, releasing them into the whipping, hungry winds. And then he’s left holding the cords and staring at the top rung and all that infinite space beyond. A gleaming rim of gold bravely protrudes over the city’s swaying periphery, and a patch of mesmerizing blue peeks between the jumbled barrier of ladders in his way. Just a glimpse of all this, and he’s still thinking about maybe.

    Maybe...

    Maybe that someday is today.

    * * *

    Later.

    Minutes? Days? Weeks?—his arms numb and his face nearly frozen, he discovers an unexpected irony.

    These ladders? They’re really not providing any escape. When you think about it, they’re made of the same stuff as the buildings—wood and brick and steel.

    No one can really, truly get away. Some might attempt to stray, might even risk a modest glance at something Other, but in the end, there’s no true escape.

    Even as Lang stares, the sky narrows and the vision fades amidst the sounds of hammer-blows, drills and the clamoring of construction. He hangs his head. He knows this is why we fail. It’s why we fall. It’s why, in the end, our lives ebb away with the realization that the higher we climb, the more we extend the city’s reach.

    We’re still building the city. Making it bigger, taller, higher. We’ll never see the horizon. Never see the ocean, or the sun, or the stars. All we’ll see are the other ladders ascending right along with us—this ghastly multitude, this infinite collection, each trying to out-climb the other.

    There’s just too much going on between the roof and the sky.

    Still, it’s better up than down. Any step up, away from the earth and toward the heavens, is still an improvement, even if it’s only illusory. Lang continues to dream about staying on the ladder. Remaining on this top rung until some other bright-eyed city-dweller steals his idea and comes up to retrieve him. With a smile on his face and a spring in his step, some nameless Joe might show up any minute and drag him down, expecting a reward.

    But right now, Lang’s the only one doing the job. He’s got a monopoly, and surely that’s a good thing, something to look forward to; something to live for.

    Responsibility.

    So he trudges down, and once back on the rooftop, he steps over the broken bodies, the mashed corpses still locked in a loving embrace.

    And he fishes out his cluttered notebook and checks his list of clients. He finds the address for his next job, and with a last, wistful glance up the ladder, he gets back to work.

    Five Star Review

    Dealing with a loved one who has cancer puts you in a different class of people. The thoughts, feeling and emotions are like nothing you’ve ever had to go through. And writers of course deal with things in different ways. My coping mechanism involved creating a story incorporating everything I’d been experiencing: fear, guilt, helplessness and finally...hope. Obviously one of my most personal stories, Five Star Review was published in the magnificent anthology, Dark Fusions, in 2013.

    ––––––––

    Five-Star review on this one, Celia said, glancing from her iPhone and pointing past the rapidly swishing wiper blades. ‘One of Toronto’s best-kept secrets!’

    I looked out through the raging downpour and wondered if maybe we should just let this secret stay hidden. Set back on the edge of the property, shielded from the sky’s torments by a pair of maple trees with sagging branches and leaves wet with crimson tears, stood an uninviting two-story cobblestone restaurant with black windows, broken roof tiles and hanging gutters.

    Sure you want to do this? I asked. We can always just get to our hotel, order room service...

    She gave me a look, eyes spilling with desperation. Please, this might be our last time.

    Don’t say that.

    You know what I mean. At least six months. The words made an effort to mimic hopefulness, but only came out sounding hollow.

    Sorry, I just...I’m trying to keep your mind off of what’s coming, and it just seems everywhere we go, I fail.

    It’ll be fine, she said. Park this thing, and let’s get a nice bottle of wine, a great meal, and enjoy our night.

    Minutes later, we moved through a cozy lobby, following the sound of soft piano music on our way to the main dining area. After rounding the corner we saw a blind man, his cane propped against the bench behind him while he tenderly fingered the ivory keys of an ancient piano.

    Celia squeezed my hand in a vise-like grip as we walked by, and before I could think about it I found myself digging into my front pocket and pulling out a two-dollar coin, then dropping it into the empty fishbowl. The blind man’s fingers faltered for just a second when he heard the sound. His head inclined toward us and a weathered smile crossed his cracked lips as he nodded his thanks. I then noticed the circular hole and plastic seal in the center of his throat.

    I turned to Celia, whispering, What’s the name of this freak show?

    She jabbed me in the side as we stepped through a doorway into the somber glow of a narrow chamber, packed with tables yet still intimate and I had to admit, a little charming. A hostess stand was set to our left, beside a rounded bar where a dour-faced man in a black vest stood like a statue in front of a meager collection of bottles. Three other couples were already seated, staring blankly at menus propped before their faces. I couldn’t help but notice that at least one person in each pair seemed sickly: pale, hunched over and almost skeletal.

    Don’t stare, Celia scolded after clearing her throat. She let go of my hand, and as we waited for the hostess who was at the other side of the room, seating another couple, she checked her iPhone again. "It’s called Stage Four. Great reviews. Listen to this one. ‘Decadent food, impeccable atmosphere...’"

    I raised an eyebrow, glancing around. It’s certainly clean. I give it that much.

    "‘...friendly service and unbeatable prices. A romantic culinary experience at an irresistible price.’"

    Shrugging, I offered a wan smile to the hostess—a matriarchal woman dressed in a loose-fitting black gown.

    She studied Celia for an uncomfortably long time, and it seemed her eyes were drawn to my wife’s belly. For a terror-stricken minute, I almost believed she could see through the skin and muscle, right through to her ovaries, and it was as if she not only saw everything so clearly, but savored the sight of the growing mass that threatened Celia’s life, a living parasitical thing that would soon be blasted with six cycles of potent chemotherapy for its trouble, just as soon as this—our last little getaway—was over and we returned to the real world.

    Right this way, the hostess said with razor-thin lips that parted to reveal tobacco-stained teeth, far too close together.

    As she led us away, someone took hold of my arm.

    I stopped, and my right hand, which had been holding Celia’s again, slipped free and hung outstretched in the air. She turned back, mouth open, but the hostess had her arm around Celia’s back, and kept moving her along.

    Excuse me, sir, said a low voice just above a mumble, the words spoken with the same beat as the heavy notes played blindly on the piano in the other room.

    Over my shoulder, there looking down on me, his huge head caught in the glare of the ceiling light, stood the tallest man I’d ever seen. He was dressed in a black suit with sleeves three inches too short. His hair was all white, with complimentary bushy eyebrows; and his eyes were a pale gray reminding me of a thin sheet of ice over crumbling pavement.

    What? I managed, fighting the frost exuding from those eyes.

    You need to come with me for a moment, sir. This way please.

    I blinked, glancing around. I’m sorry. Who are you?

    The skin on his cheeks pulled back and teeth the color of the hostess’s grinned at me. I’m the manager. Please, come this way, there’s something you need to see before you sit down.

    He started moving toward the back, to a shadowy hallway.

    I don’t... I started, but he was pulling me with him. Helplessly, I looked to Celia, about to wrench my arm free and run to her, take her and get the hell out of this place, five-star review or not, but then I saw her sitting, the old woman kneeling beside her, patting her arm. Celia was nodding and smiling, gazing at the woman with tears in her eyes.

    This had happened before. At the

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