Hope Matters
By Lee Maracle, Columpa Bobb and Tania Carter
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About this ebook
Maracle states that the book, "is also about the journey of myself and my two daughters." During their youth, Bobb and Carter wrote poetry with their mother, and eventually they all decided that one day they would write a book together. This book is the result of that dream.
Written collaboratively by all three women, the poems in Hope Matters blend their voices together into a shared song of hope and reconciliation.
Lee Maracle
Lee Maracle is an author and critic born in Vancouver. A prolific First Nations writer and expert on First Nations culture and history, Lee Maracle is an influential Aboriginal voice in Canadian postcolonial criticism.
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Book preview
Hope Matters - Lee Maracle
FIRST EDITION
Copyright © 2019 by Lee Maracle, Columpa Bobb and Tania Carter
ALL RIGHTS RESERVED
No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publisher.
The production of this book was made possible through the generous assistance of the Canada Council for the Arts and the Ontario Arts Council. Book*hug Press also acknowledges the support of the Government of Canada through the Canada Book Fund and the Government of Ontario through the Ontario Book Publishing Tax Credit and the Ontario Book Fund.
Logos: Canada Council, Government of Canada, Ontario Arts CouncilBook*hug Press acknowledges the land on which it operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island, and we are grateful to have the opportunity to work on this land.
Library and Archives Canada Cataloguing in Publication
Title: Hope matters / Lee Maracle, Columpa Bobb, Tania Carter.
Names: Maracle, Lee, author. | Bobb, Columpa, 1971– author. | Carter, Tania, 1970– author.
Description: First edition. | Poems.
Identifiers: Canadiana (print) 20190088982 | Canadiana (ebook) 20190088990
ISBN 9781771664974 (softcover)
ISBN 9781771664981 (HTML)
ISBN 9781771664998 (PDF)
ISBN 9781771665001 (Kindle)
Classification: LCC PS8576.A6175 H67 2019 | DDC C811/.54—dc23
Contents
Copyright
preface
hope matters
chapter 1: raven created romance
I Am Older Now
The Beginning of the World
When the Sun Refuses to Give the Sky to Rain
Baskets
Raven Created Romance
Almost
Reflections of Love Through Broken Glass
The Morning We Became Fire
Lusty
Still
Odds and Ends of Life in a Pocket
Paxim
Ah, But I Fell
Love From Nothing
Salmon Dance
Winter’s Night
The Walk Home
chapter 2: After the Sorry Clears Who Will Pay For the Headstones
Genocide
Raven Whispers
Ta’ah They’re Coming Closer
Tiny Child
Never Again for Anyone
Bartender
Crazed, Not Crazy
Night Skies
I Fall Away
After the Sorry Clears Who Will Pay For the Headstones
After the Sorry Clears Who Will Pay For the Headstones
Church and Spate
Chapter 3: how the vigil against humanity is built
Decolonization
I Intend For You to Hear Me
Justice Is an Ember
Metal
Breath Slips
Behind My Eye
Blind Justice
Pearls
Neglected
How the Vigil Against Humanity Is Built
chapter 4: children of the pyre
Decolonial Love
Fantastic Memories
Swimming Across the Inlet
There Is a Cloud—Rumours
Flutes Fan Fire Songs
Dreamscapes
If I Had the Tears to Ache
I Am Not 18
Love
Agates
Disembody
Honesty Is a Thorny Rose
Keep
Children of the Pyre
chapter 5: the last bastion
Time
Street Angel
Never
Horses
My Ghost
After Listening to Doug Nepinak’s Death Song
Take Back the Night
Sharma
Unafraid
Trayvon Is Gone
The Last Bastion
Si’yam (Uncle Len)
chapter 6: nuclear Embrace
Sky World
Nuclear Embrace
Cyber Spaces
Earth
Toronto Rivers
Ocean Poem
Tempered Glass
Broken Glass
Cry to the Bark-stripped Moon
ii
Beneath Moonbeams
Who Burned The Moonlight Out?
Crocus Winks
Crimson
Grey Smoke Is Ruinous
My Roots Are Bleeding
Minnows
Butterflies and Violins
Untitled
Between Mouthfuls of Midnight and Dawn
Acknowledgements
About the Authors
colophon
preface
As I worked on the Truth and Reconciliation Commission, the stories of the victimization of women and the separate, but related, impact the residential schools had on their lives as women, as lovers, as wives, as mothers, as aunties, as grandmothers, leaders and Elders resonated. They suffered not only because of their Indigenous identity but also, and perhaps primarily, because of their gender. They suffered at the hands of men not only while in the schools but also in the years following. Not only did they suffer in those ways, but their daughters and granddaughters also suffered because of the negative stereotyping perpetrated in those schools and in the public schools and institutions of our society. There was a depth to their victimization that placed them in a unique category because of their gender, and yet there was an element of resistance, and indeed of hope, to their survival that also called out for recognition and understanding.
The stories related to that victimization, resistance and hope called out for a special public review, and gave rise to a special Call to Action in the TRC Report to look into the cases and causes of the Missing and Murdered Indigenous Women and Girls of Canada. It was not lost on us that the issue was one that has massive international implications surrounding it, and knowing it would only help the world to begin to come to terms with what to do about it.
What has struck me over the years is that despite the unique impact of this history, it has been women who have strived to hold families, communities and their nations together.
I suspect there is an aspect to femaleness that most men will never understand that holds strongly to the belief that with each day of survival, with each bout of love and, with each newborn child, there is renewal.
There is life.
There is hope.
I sense that in the words here.
Senator Murray Sinclair
Ottawa, February 2019
hope matters
Hope lives inside the artist: