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Absurd Short Plays: American Theatre in the Twenty-First Century
Absurd Short Plays: American Theatre in the Twenty-First Century
Absurd Short Plays: American Theatre in the Twenty-First Century
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Absurd Short Plays: American Theatre in the Twenty-First Century

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Future Publishing House Anthology: Volume 1, Book One

The first eBook installment of this series brings four short plays to your device. American Theatre in The Twenty-First Century is a collection of absurd, symbolic, and poetic short plays.

In Book One of Volume 1, four absurd short plays are presented for your enjoyment. These plays are easy to read, and they are performance ready. This eBook includes a brand-new introduction by editor Shaun Vain, with special never-before-seen commentary from each playwright.

Learn more about each of the plays in this electronic collection:
- Dylan Kinnett's Party Planet is about a space expedition with surprise twists and turns.
- Melanie Coffey's Easy as Pie is a witty commentary on US politics.
- Cake Day by Alexander Scally is a farce in three scenes that takes place in an office.
- Love, Lust, Lyrics & Stamps by Matt Brown and Andre Thespies is a melodrama that takes place during the Cold War.

LanguageEnglish
Release dateMar 25, 2021
ISBN9781953818300
Absurd Short Plays: American Theatre in the Twenty-First Century

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    Book preview

    Absurd Short Plays - Dylan Kinnett

    Absurd Short Plays

    Selections From American Theatre in the Twenty-First Century

    Future Publishing House Anthology Series: Volume 1, Book One

    Thank you for supporting the artists behind this project. This book is not for resale. Please do not share this file. Instead, visit Future Publishing House or a distributor to show your support; proceeds are shared among contributors and support future publications.

    All rights reserved. Original copyrights retained by contributors. Cover design by Kiirstn Pagan. Compilation and introduction are properties of Future Publishing House (Copyright 2020).

    No portion of this book may be reproduced, performed, or distributed in any form without written permission from the publisher. For all permissions, contact Future Publishing House.

    American Theatre in the Twenty-First Century is available in print, paperback and hardcover. Contact the publisher to order in bulk.

    ISBN: 978-1-953818-30-0

    Library of Congress Control Number: 2020922358

    Publisher’s Cataloging-in-Publication-Data

    10 9 8 7 6 FPH e 4 3 2 1 Digital first edition. 03 15 25 24 23 22 21

    A Future Publishing House Publication —Baltimore, Maryland

    This book is a work of fiction. Any similarities to persons living, dead, or imaginary are coincidental.

    Look for more from Future Publishing House Anthology Series.

    TABLE OF CONTENTS

    Introduction

    Cake Day by Alexander Scally

    Party Planet by Dylan Kinnett

    A Scene From Easy as Pie by Melanie Coffey

    Love, Lust, Lyrics & Stamps by Matt Brown & Andre Thespies

    Biographical Information

    Performance Rights

    Introduction

    by Shaun Vain, editor

    Due to the amount of strength it takes to resist breaking all devices and forms set forth by our predecessors, it sure is difficult to keep absurdist philosophy at bay for long enough time to write down the ideas that seemingly crumble, creep, and crash from an abyss of nothingness and everything, and the dread & hope of the human spirit is infinitely interspersed between words, spaces of breathing, and glorious punctuating feelings of emotion.

    For those inundated with knowledge of theatre history in mid-nineteenth century Europe and America (i.e. Theatre of the Absurd as founded in Paris), we’re well aware of the work of Beckett, Ionesco, Camus, and their contemporaries. But what does it mean to write absurdist theatre today?

    Melanie Coffey, author of two plays featured in our first anthology, shares her insight on writing theatre in this day and age:

    I find it quite difficult to write absurdist theater these days living in a world where the most absurd and comical events have become our normal reality - not just our current political climate, but events like a press conference that would have been deemed too ridiculous to be a Veep episode.

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