The Popol Vuh Illustrated
By RYAN MOORHEN
()
About this ebook
There is no document of greater importance to the study of the pre-Columbian mythology of America than the "Popol Vuh." It is the chief source of our knowledge of the mythology of the Kiché people of Central America, and it is further of considerable comparative value when studied in conjunction with the mythology of the Nahuatlacâ, or Mexican peoples. This interesting text, the recovery of which forms one of the most romantic episodes in the history of American bibliography, was written by a Christianised native of Guatemala sometime in the seventeenth century, and was copied in the Kiché language, in which it was originally written, by a monk of the Order of Predicadores, one Francisco Ximenes, who also added a Spanish translation and scholia.
RYAN MOORHEN
Ryan Moorhen, now identified as a Biblical Archaeologist, Independent Assyriologist, Semitic and Cuneiform manuscripts researcher and enthusiast of all things ancient, made his first visit to the middle-east whilst serving in Iraq. It was during that difficult time he became enthralled in the origins of civilization. Upon his return he embarked on his now long career in Theological Studies, carving his niche in Sumerian Theology and proving the connections between the Sumerian origins of civilization and Theological studies of Worldwide cultures.
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The Popol Vuh Illustrated - RYAN MOORHEN
RYAN MOORHEN
DTTV PUBLICATIONS
AMSTERDAM
ABRIDGED VERSION BY
Ryan Moorhen
All Rights Reserved.
INTRODUCTION - THE POPOL VUH DEMYSTIED
There is no document of greater importance to studying America's pre-Columbian mythology than the Popol Vuh.
It is the chief source of our knowledge of the mythology of the Kiché people of Central America, and it is further of considerable comparative value when studied in conjunction with the mythology of the Nahuatlacâ, or Mexican peoples. This interesting text, the recovery of which forms one of the most romantic episodes in the history of American bibliography, was written by a Christianised native of Guatemala sometime in the seventeenth century, and was copied in the Kiché language, in which it was originally written, by a monk of the Order of Predicadores, one Francisco Ximenes. He also added a Spanish translation and scholia.
The Abbé Brasseur de Bourbourg, a profound student of American archaeology and languages (whose euhemeristic interpretations of the Mexican myths are as worthless as the priceless materials he unearthed are valuable), deplored, in a letter to the Duc de Valmy, the supposed loss of the Popol Vuh,
which he was aware had been made use of early in the nineteenth century by a certain Don Felix Cabrera. Dr. C. Scherzer, an Austrian scholar, thus made aware of its value, paid a visit to the Republic of Guatemala in 1854 or 1855 and successfully tracing the missing manuscript in the University of San library Carlos in the city of Guatemala. Afterward, it was ascertained that its scholiast, Ximenes, had deposited it in the library of his convent at Chichicastenango, whence it passed to the San Carlos library in 1830.
Scherzer at once made a copy of the Spanish translation of the manuscript, which he published at Vienna in 1856 under the title of Las Historias del origen de los Indios de Guatemala, par el R. P. F. Francisco Ximenes.
The Abbé Brasseur also took a copy of the original, which he published at Paris in 1861, with the title Vuh Popol: Le Livre Sacré de Quichés, et les Mythes de l’Antiquité Américaine.
In this work, the Kiché original and Abbe's French translation are set forth. Unfortunately, both the Spanish and the French translations leave much to be desired so far as their accuracy is concerned, and they are rendered of little use because of the misleading notes which accompany them.
The name Popol Vuh
signifies Record of the Community,
and its literal translation is Book of the Mat,
from the Kiché word pop
or popol,
a mat or rug of woven rushes or bark on which the entire family sat, and vuh
or uuh,
paper or book, from uoch
to write. The Popol Vuh
is an example of a world-wide genre—a type of annals of which the first portion is pure mythology, which gradually shades off into pure history, evolving from
The hero-myths of a saga to the recital of the deeds of authentic personages. It may be classed with the Heimskringla of Snorre, the Danish History of Saxo-Grammaticus, the Chinese History in the Five Books, the Japanese Nihongi,
and, so far,, as its fourth book is concerned, it somewhat resembles the Pictish Chronicle.
The language in which the Popol Vuh
was written, was, as has been said, the Kiché, a dialect of the great Maya-Kiché tongue spoken at the time of the Conquest from the borders of Mexico on the north to those of the present State of Nicaragua on the south; but whereas the Mayan was spoken in Yucatan proper, and the State of Chiapas, the Kiché was the tongue of the peoples of that part of Central America now occupied by the States of Guatemala, Honduras and San [8]Salvador, where the natives still use it. It is different from the Nahuatl, the language of the people of Anahuac or Mexico, both regarding its origin and structure, and it is affinities with other American tongues are even less distinct than those between the Slavonic and Teutonic groups.
Of this tongue, the Popol Vuh
is practically the only monument; at all events, the only work by a native of the district was used. A cognate dialect, the Cakchiquel, produced the Annals
of that people,