Mr Justice Harbottle
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Sheridan Le Fanu
J. Sheridan Le Fanu (1814–1873) was an Irish writer who helped develop the ghost story genre in the nineteenth century. Born to a family of writers, Le Fanu released his first works in 1838 in Dublin University Magazine, which he would go on to edit and publish in 1861. Some of Le Fanu’s most famous Victorian Gothic works include Carmilla, Uncle Silas, and In a Glass Darkly. His writing has inspired other great authors of horror and thriller literature such as Bram Stoker and M. R. James.
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Mr Justice Harbottle - Sheridan Le Fanu
Sheridan Le Fanu
Mr Justice Harbottle
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066425142
Table of Contents
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
In a Glass Darkly - chap head 4.pngCHAPTER I.
Table of Contents
THE JUDGE'S HOUSE.
THIRTY years ago, an elderly man, to whom I paid quarterly a small annuity charged on some property of mine, came on the quarter-day to receive it. He was a dry, sad, quiet man, who had known better days, and had always maintained an unexceptionable character. No better authority could be imagined for a ghost story.
He told me one, though with a manifest reluctance; he was drawn into the narration by his choosing to explain what I should not have remarked, that he had called two days earlier than that week after the strict day of payment, which he had usually allowed to elapse. His reason was a sudden determination to change his lodgings, and the consequent necessity of paying his rent a little before it was due.
He lodged in a dark street in Westminster, in a spacious old house, very warm, being wainscoted from top to bottom, and furnished with no undue abundance of windows, and those fitted with thick sashes and small panes.
This house was, as the bills upon the windows testified, offered to be sold or let. But no one seemed to care to look at it.
A thin matron, in rusty black silk, very taciturn, with large, steady, alarmed eyes, that seemed to look in your face, to read what you might have seen in the dark rooms and passages through which you had passed, was in charge of it, with a solitary 'maid-of-all-work' under her command. My poor friend had taken lodgings in this house, on account of their extraordinary cheapness. He had occupied them for nearly a year without the slightest disturbance, and was the only tenant, under rent, in the house. He had two rooms; a sitting-room, and a bedroom with a closet opening from it, in which he kept his books and papers locked up. He had gone to his bed, having also locked the outer door. Unable to sleep, he had lighted a candle, and after having read for a time, had laid the book beside him. He heard the old clock at the stair-head strike one; and very shortly after, to his alarm, he saw the closet-door, which he thought he had locked, open stealthily, and a slight dark man, particularly sinister, and somewhere about fifty, dressed in mourning of a very antique fashion, such a suit as we see in Hogarth, entered the room on tip-toe. He was followed by an elder man, stout, and blotched with scurvy, and whose features, faxed as a corpse's, were stamped with dreadful force with a character of sensuality and villany.
This old man wore a flowered-silk dressing-gown and ruffles, and he remarked a gold ring on his finger, and on his head a cap of velvet, such as, in the days of perukes, gentlemen wore in undress.
This direful old man carried in his ringed and ruffled hand a coil of rope; and these two figures crossed the floor diagonally, passing the foot of his bed, from the closet-door at the farther end of the room, at the left, near the window, to the door opening upon the lobby, close to the beds head, at his right
He did not attempt