The Space-Eaters
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Frank Belknap Long
Frank Belknap Long Jr. (April 27, 1901 – January 3, 1994) was an American writer of horror fiction, fantasy, science fiction, poetry, gothic romance, comic books, and non-fiction. Though his writing career spanned seven decades, he is best known for his horror and science fiction short stories, including contributions to the Cthulhu Mythos alongside his friend, H. P. Lovecraft. During his life, Long received the World Fantasy Award for Life Achievement (at the 1978 World Fantasy Convention), the Bram Stoker Award for Lifetime Achievement (in 1987, from the Horror Writers Association), and the First Fandom Hall of Fame Award (1977).
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The Space-Eaters - Frank Belknap Long
Frank Belknap Long
The Space-Eaters
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066428518
Table of Contents
Cover
Titlepage
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The horror came to Partridgeville in a blind fog.
All that afternoon thick vapors from the sea had swirled and eddied about the farm, and the room in which we sat swam with moisture. The fog ascended in spirals from beneath the door, and its long, moist fingers caressed my hair until it dripped. The square-paned windows were coated with a thick, dewlike moisture; the air was heavy and dank and unbelievably cold.
I stared gloomily at my friend. He had turned his back to the window and was writing furiously. He was a tall, slim man with a slight stoop and abnormally broad shoulders. In profile his face was impressive. He had an extremely broad forehead, long nose, and slightly protuberant chin—a strong, sensitive face which suggested a wildly imaginative nature held in restraint by a skeptical and truly extraordinary intellect. My friend wrote short stories. He wrote to please himself, in defiance of contemporary taste, and his tales were unusual. They would have delighted Poe; they would have delighted Hawthorne, or Ambrose Bierce, or Villiers de l'Isle-Adam. They were studies of abnormal men, abnormal beasts, abnormal plants. He wrote of remote realms of imagination and horror, and the colors, sounds, and odors which he dared to evoke were never seen, heard, or smelt on the familiar side of the moon. He projected his creations against mind-chilling backgrounds. They stalked through tall and lonely forests, over ragged mountains, and slithered down the stairs of ancient houses, and between the piles of rotting black wharves.
One of his tales, The House of the Worm,
had induced a young student at a Midwestern university to seek refuge in an enormous redbrick building where everyone approved of his sitting on the floor and shouting at the top of his voice: Lo, my beloved is fairer than all the lilies among the lilies in the lily garden.
Another, The Defilers,
had brought him precisely one hundred and ten letters of indignation from local readers when it appeared in the Partridgeville Gazette.
As I continued to stare at him he suddenly stopped writing and shook his head. I can't do it,
he said. I should have to invent a new language. And yet I can comprehend the thing emotionally, intuitively, if you will. If I could only convey it in a sentence somehow—the strange crawling of its fleshless spirit!
Is it some new horror?
I asked.
He shook his head. It is not new to me. I have known and felt it for years—a horror utterly beyond anything your prosaic brain can conceive.
Thank you,
I said.
All human brains are prosaic,
he elaborated. I meant no offense. It is the shadowy terrors that lurk behind and above them that are mysterious and awful. Our little brains—what can they know of vampire-like entities which may lurk in dimensions higher than our own, or beyond the universe of stars? I think sometimes they lodge in our heads, and our brains feel them, but when they stretch out tentacles to probe and explore us, we go screaming mad.
He was staring at me steadily now.
"But you can't