King Arthur's Raid On Hell and Other Poems
By G. R. Grove
4.5/5
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Reviews for King Arthur's Raid On Hell and Other Poems
8 ratings3 reviews
- Rating: 4 out of 5 stars4/5In the introduction to King Arthur's Raid, Grove explains that these poems were written to be sung, out loud, in the manner of bardic poetry from the Middle Ages. Specifically, many of them are attempts to recreate the sound of Medieval Welsh poetry.Not having any prior experience with Medieval Welsh poetry - or really, Middle Age era bardic traditions - I couldn't say how accurately Grove accomplishes that goal. My ignorance aside, Raid on Hell is a good choice to curl up with under a favourite blanket, and let yourself get lost in. Many of the poems are interwoven, as characters and allusions repeat or stories are told from multiple sides. The title poem is an epic, reminiscent of Beowulf (my reference point for poems-as-oral-history) and was satisfying in a way I rarely find in poetry.I think I would have enjoyed this collection even more if I could have listened to it in audio book form. The rhythms of the poems are apparent even from silent reading in front of the computer screen, and if Grove ever releases an audio book version, I would purchase it in an instant.
- Rating: 5 out of 5 stars5/5I adore this book! As I was reading, I felt as if I was transported to some ancient hall with a roaring fire and a talented bard spinning tales for me, instead of in front of my computer.
- Rating: 4 out of 5 stars4/5Guernen Sang It: King Arthur’s Raid on Hell and other poems.This is a delightful volume of songs. I am not well informed about poetry in general, and medieval Welsh poetry in particular, and I found these pieces quite accessible. Here are several poetic forms I don’t recognize, but the structure is apparent in the presence of regular rhymes and a familiar rhythm. It would be a great pleasure to hear these pieces sung. My favourite poem from this collection, based on how it sounds and how it feels to read aloud, is “When Comes Winter.” There are a lot of kinesthetic images in this poem. A sample: “hearth-fire homely heat is throwing/ blazing brightly burning high” The imagery is dense through the whole poem, and it sounds pleasant to say it out loud.“King Arthur’s Raid on Hell” tells an adventure story. I don’t usually like to read that style of poem, but this one I finished. The poem pulled me in with its rhythm, and once I started reading, it was easier to keep reading than to tear myself away. It is not necessary to be a scholar in order to understand the stories contained in these songs, but I found myself tempted to look up some of the names out of curiosity about what that would add to the story. The inexperienced reader will find much to enjoy in this collection.
Book preview
King Arthur's Raid On Hell and Other Poems - G. R. Grove
King Arthur’s Raid On Hell
and Other Poems
Third Edition
Copyright © 2014 G. R. Grove
All rights reserved.
ISBN: 978-1-312-69834-5
Introduction
Most of these poems are, in one way or another, SCA (Society for Creative Anachronism) poems – either poems written for or about people in the two Kingdoms (West and Outlands) where I have so far lived and played, or poems about persons or events in the SCA period (approximately 600-1600 AD). The West Kingdom poems were written in 1995-1997, when I lived in the Barony of Earngyld (mundanely Juneau, Alaska). The Outlands poems were written from 1998 through November 2000 in the Barony of Caerthe (Denver, Colorado). The Welsh poems overlap the Outlands poems in time, but are separated from them by their different content; some were written for the Colorado Welsh Society, others for competitions.
Most of these poems are written in period forms, or approximations of period forms – one of my on-going quests being a search for ways of reproducing the sound and feel of medieval Welsh poetry in modern English! And yet, because the bardic art I practice is a performance art, these are in a larger sense not my poems at all, but merely pale imitations – poems preserved on paper. Until I can come and sing the real poems to you, I hope you will enjoy the substitutes.
-- Guernen Cimarguid / G. R. Grove
A.S. XXXVI / AD 2006
Songs of the Far North
(1995-1997)
Telyn’s Song
I have been Raven, I have been Bear,
I have been North Wind singing in trees,
I am the Singer, I am the Voice,
from the Beginning I was and will be.
I sing in the spring, I sing in the fall,
I sing in the darkness and in the day.
I travel the earth from north to the south,
from east to the west I follow my way.
I am the Harp that sings in the hall,
I am Bard and teller of truth.
I speak the name from which we arise;
mine is the knowledge, mine is the proof.
I am the stars from summer skies,
I am the Northern Lights in the dark.
I am the rain and the snow that flies,
I am the ashes, I am the spark.
I am the rising, brightening sun,
I am the waning, setting moon.
I am the sea and the tides that turn,
I am the marsh and the crying loon.
I am the stones that stand through time,
I am the days and the years that pass,
I am the lantern, I am the light,
I am the dark that comes at last.
I am the balance, I am the point,
I sit within the Revolving Caer,
mine is the Chair that will never change,
mine is the Song that will never tire.
I went with Raven, I went with Bear,
I went with North Wind singing in trees.
I am the Singer, I am the Song,
from the Beginning I was and will be.
The Hunting of the Boar of Dunadd
Listen well and hear me tell
how once in a distant land
I hunted a wild and savage beast
and brought my quarry to stand,
how once in a far-off April
along the coast of the Gael
I hunted the Boar of Dalriads
and lived to tell the tale!
The stronghold of Dalriada old
still stands unto this day.
Dunádd
still they call it
and it lies along the way
that winds ‘twixt lochs and mountains
on its way to the islanded north –
a hump-backed hill on a marshy plain,
from which there once went forth
on horse and foot and chariot fine
a warrior race and bold –
from Ireland green across the sea
they came, this land to hold.
Full many a year had I heard tell
of Dunadd’s former fame,
and so at last a friend and I
on pilgrimage there came
and as we stood below the hill
thus cautionéd were we:
from Dunadd’s mighty past there still
survive these relicts three:
within the highest court but one,
a footprint carved in stone
where once the King of Dunadd stood
to have confirmed his throne;
a rock-cut basin deep, once filled
with water, blood, or air;
and somewhere near upon that hill –
the Boar of Dunadd’s lair!
Now this last wonder gave