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The Longer Poems - Volume 1 - Puritan To Restoration: “Bold knaves thrive without one grain of sense, But good men starve for want of impudence.”
The Longer Poems - Volume 1 - Puritan To Restoration: “Bold knaves thrive without one grain of sense, But good men starve for want of impudence.”
The Longer Poems - Volume 1 - Puritan To Restoration: “Bold knaves thrive without one grain of sense, But good men starve for want of impudence.”
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The Longer Poems - Volume 1 - Puritan To Restoration: “Bold knaves thrive without one grain of sense, But good men starve for want of impudence.”

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John Dryden was born on the 19th August 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. Over the course of his career he made an immense contribution to literary life, so much so that the Restoration Age is also known as the Age Of Dryden. He was educated at Westminster and Trinity College Cambridge. In 1654 he graduated from Trinity but a short while later his Father died leaving him a little land and with it an income but unfortunately not enough to live on. He returned to London during the Protectorate and at Cromwell’s funeral on November 23rd 1658 he walked in a procession with the Puritan Poets. That same year he published his first major poem, Heroique Stanzas (1658), a restrained eulogy on Cromwell's death. In 1660 he celebrated the Restoration of the monarchy and the return of Charles II with Astraea Redux, an authentic royalist panegyric. In this work the interregnum is a time of anarchy, and Charles is seen as the restorer of peace and order. With this Dryden established himself as the leading poet of the day and with it came his allegiance to the new government. On December 1st 1663 he married Lady Elizabeth Howard who was to bear him three sons. He also began to write plays now that theatres had re-opened after the Puritan ban. In 1665 the Great Plague of London ensured that all London theatres were closed again. Dryden retreated to Wiltshire. The next year the Great Fire of London swept through London. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the events of 1666; the English defeat of the Dutch naval fleet and the Great Fire of London. It was a modern epic in pentameter quatrains that established him as the preeminent poet of his generation. By 1668 he was the Poet Laureate and had also contracted to write 3 plays a year for the King’s Company. This was for many years to now become the main source of his income and of course his Restoration Comedies are almost without peer. Dryden’s career remains a glorious example of English culture and for many he is as revered as Shakespeare. Dryden died on 12 May 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later

LanguageEnglish
Release dateJun 19, 2014
ISBN9781783942008
The Longer Poems - Volume 1 - Puritan To Restoration: “Bold knaves thrive without one grain of sense, But good men starve for want of impudence.”
Author

John Dryden

John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668.  Vinton A. Dearing, editor of the California Dryden edition, is Professor of English at the University of California, Los Angeles.

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    The Longer Poems - Volume 1 - Puritan To Restoration - John Dryden

    The Longer Poems of John Dryden

    Volume 1 -Puritan to Restoration

    John Dryden was born on the 19th August 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire.  Over the course of his career he made an immense contribution to literary life, so much so that the Restoration Age is also known as the Age Of Dryden.

    He was educated at Westminster and Trinity College Cambridge. In 1654 he graduated from Trinity but a short while later his Father died leaving him a little land and with it an income but unfortunately not enough to live on.

    He returned to London during the Protectorate and at Cromwell’s funeral on November 23rd 1658 he walked in a procession with the Puritan Poets.

    That same year he published his first major poem, Heroique Stanzas (1658), a restrained eulogy on Cromwell's death. In 1660 he celebrated the Restoration of the monarchy and the return of Charles II with Astraea Redux, an authentic royalist panegyric. In this work the interregnum is a time of anarchy, and Charles is seen as the restorer of peace and order.

    With this Dryden established himself as the leading poet of the day and with it came his allegiance to the new government.

    On December 1st 1663 he married Lady Elizabeth Howard who was to bear him three sons.

    He also began to write plays now that theatres had re-opened after the Puritan ban.

    In 1665 the Great Plague of London ensured that all London theatres were closed again.  Dryden retreated to Wiltshire.  The next year the Great Fire of London swept through London. 

    In 1667, he published Annus Mirabilis, a lengthy historical poem which described the events of 1666; the English defeat of the Dutch naval fleet and the Great Fire of London. It was a modern epic in pentameter quatrains that established him as the preeminent poet of his generation.

    By 1668 he was the Poet Laureate and had also contracted to write 3 plays a year for the King’s Company.  This was for many years to now become the main source of his income and of course his Restoration Comedies are almost without peer. 

    Dryden’s career remains a glorious example of English culture and for many he is as revered as Shakespeare.

    Dryden died on 12 May 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later

    Index Of Contents

    A Poem upon the Death of His Late Highness, Oliver, Lord Protector of England, Scotland, and Ireland [Heroick Stanza’s]

    Astræa Redux.

    Annus Mirablis

    John Dryden – A Short Biography

    John Dryden – A Concise Bibliography

    A Poem Upon the Death of His Late Highness, Oliver, Lord Protector of England, Scotland, and Ireland [Heroick Stanza’s]

    Consecrated to the Memory of His Highness,

    Written after the Celebrating of His Funeral.

    I

    And now ’tis time; for their officious haste,

    Who would before have born him to the Sky,

    Like eager Romans e’er all Rites were past,

    Did let too soon the sacred Eagle fly.

    II

    Though our best Notes are Treason to his Fame,        

    Join’d with the loud Applause of publick Voice,

    Since Heaven, what Praise we offer to his Name,

    Hath render’d too Authentick by its Choice.

    III

    Though in his Praise no Arts can liberal be,

    Since they, whose Muses have the highest flown,        

    Add not to his Immortal Memory;

    But do an Act of Friendship to their own.

    IV

    Yet ’tis our Duty and our Interest too,

    Such Monuments as we can build, to raise;

    Lest all the World prevent what we shou’d do,        

    And claim a Title in him by their Praise.

    V

    How shall I then begin, or where conclude,

    To draw a Fame so truly Circular?

    For in a Round, what Order can be shew’d,

    Where all the Parts so equal perfect are?        

    VI

    His Grandeur he derived from Heav’n alone,

    For he was great, e’er Fortune made him so;

    And Wars, like Mists that rise against the Sun,

    Made him but greater seem, not greater grow.

    VII

    No borrow’d Bays his Temples did adorn,        

    But to our Crown he did fresh Jewels bring;

    Nor was his Vertue poison’d, soon as born,

    With the too early Thoughts of being King.

    VIII

    Fortune (that easie Mistress of the Young,

    But to her ancient Servants coy and hard)        

    Him, at that Age, her Favourites ranked among,

    When she her best-lov’d Pompey did discard.

    IX

    He, private, marked the Faults of others Sway,

    And set as Sea-marks for himself to shun;

    Not like rash Monarchs, who their Youth betray        

    By Acts their Age too late wou’d wish undone.

    X

    And yet Dominion was not his Design;

    We owe that Blessing not to him, but Heav’n,

    Which to fair Acts unsought Rewards did join,

    Rewards that less to him, than us, were giv’n.        

    XI

    Our former Chiefs, like Sticklers of the War,

    First sought t’ inflame the Parties, then to poise:

    The Quarrel lov’d, but did the Cause abhor,

    And did not strike to hurt, but make a noise.

    XII

    War, our Consumption, was their gainful Trade;        

    We inward bled, whilst they prolong’d our Pain;

    He fought to end our Fighting, and assay’d

    To stench the Blood by breathing of the Vein.

    XIII

    Swift and resistless through the Land he pass’d,

    Like that bold Greek, who did the East subdue;        

    And made to Battels such Heroick Haste,

    As if on Wings of Victory he flew.

    XIV

    He fought, secure of Fortune, as of fame;

    Till by new Maps, the Island might be shown,

    Of Conquests, which he strew’d where-e’er he came,        

    Thick as the Galaxy with Stars is sown.

    XV

    His palms, tho under Weights they did not stand,

    Still thriv’d; no Winter could his Laurels fade:

    Heaven in his Portraict shew’d a Work-man’s Hand

    And drew it perfect, yet without a Shade.        

    XVI

    Peace was the Prize of all his Toil and Care,

    Which War had banish’d and did now restore:

    Bolognia’s walls thus mounted in the Air,

    To seat themselves more surely than before.

    XVII

    Her Safety, rescued Ireland, to him owes;        

    And treacherous Scotland, to no Int’rest true,

    Yet bless’d that Fate which did his Arms dispose,

    Her Land to civilize, as to subdue.

    XVIII

    Nor was he like those Stars which only shine,

    When to pale Mariners they Storms portend:        

    He had his calmer Influence,

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