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Clarkesworld Magazine Issue 168: Clarkesworld Magazine
Clarkesworld Magazine Issue 168: Clarkesworld Magazine
Clarkesworld Magazine Issue 168: Clarkesworld Magazine
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Clarkesworld Magazine Issue 168: Clarkesworld Magazine

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Clarkesworld is a Hugo and World Fantasy Award-winning science fiction and fantasy magazine. Each month we bring you a mix of fiction, articles, interviews and art. Our September 2020 issue (#168) contains:

  • Original fiction by Lavie Tidhar ("Blue And Blue And Blue And Pink"), G. D. Angier ("What Remains of Maya Sankovy"), Arula Ratnakar ("Lone Puppeteer of a Sleeping City"), Isabel Lee ("Certainty"), R. P. Sand ("Ask the Fireflies"), Nin Harris ("Every Plumage, Every Beak"), and Keishi Kajifune ("The Book Reader").
  • Non-fiction by Carrie Sessarego, interviews with Sheila Williams and Scott Andrews, and an editorial by Neil Clarke.
LanguageEnglish
Release dateSep 1, 2020
ISBN9781642360639
Clarkesworld Magazine Issue 168: Clarkesworld Magazine
Author

Neil Clarke

Neil Clarke (neil-clarke.com) is the multi-award-winning editor of Clarkesworld Magazine and over a dozen anthologies. A eleven-time finalist and the 2022/2023 winner of the Hugo Award for Best Editor Short Form, he is also the three-time winner of the Chesley Award for Best Art Director. In 2019, Clarke received the SFWA Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community. He currently lives in New Jersey with his wife and two sons

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    Clarkesworld Magazine Issue 168 - Neil Clarke

    Clarkesworld Magazine

    Issue 168

    Table of Contents

    Blue And Blue And Blue And Pink

    by Lavie Tidhar

    What Remains of Maya Sankovy

    by G. D. Angier

    Lone Puppeteer of a Sleeping City

    by Arula Ratnakar

    Certainty

    by Isabel Lee

    Ask the Fireflies

    by R. P. Sand

    Every Plumage, Every Beak

    by Nin Harris

    The Book Reader

    by Keishi Kajifune

    The Moon’s a Balloon: Hot Air Balloons and Airships in Speculative Fiction

    by Carrie Sessarego

    Dinosaurs and Metaphors: A Conversation with Sheila Williams

    by Arley Sorg

    The Heart of the Story: A Conversation with Scott H. Andrews

    by Arley Sorg

    Editor’s Desk: Warning, May Contain Marketing

    by Neil Clarke

    51

    Art by Rodion Shaldo

    *

    © Clarkesworld Magazine, 2020

    www.clarkesworldmagazine.com

    Blue And Blue And Blue And Pink

    Lavie Tidhar

    Purple clouds roiled on the horizon and the old Cessna Centurion came in low and fast, riding the tailwind. Giorgio, on the ground and looking up, took shelter behind a crude half-shed of corrugated iron and lit a cigarette with a Zippo he’d once bought in the Talat Sao back in Vientiane. It was supposedly owned by a downed Air America pilot during the Secret War.

    He stared at the plane coming in from the border. Smoke was coming out of the engine and half a wing looked like it’d been strafed, and Giorgio wondered who it was flying it. One of the Israelis, maybe.

    The plane, trailing smoke, dove down low as it lined up to the landing strip. All the pilots came out to watch. The Cessna struggled in the air, then righted, the engine whine louder now. The Cessna hit the strip with a bump and Giorgio coughed smoke, but then it came down safely and coasted the rest of the way and came to a halt.

    Everyone cheered.

    The pilot—Avi, or Eli, or one of those—took off his belt and fell out of the open door. He looked dazed.

    Pink! he said. Blue and blue and blue and pink!

    The ground crew opened the hoses then. Avi—that was his name, Giorgio was almost sure it was that—rolled on the ground as the laced water hit him. Giorgio took a drag on his cigarette. Avi screamed. The other pilots, having been through this exact routine too many times before, lost interest and drifted off. Avi’s two buddies waited anxiously until the jets of water stopped and the pilot stopped screaming. They ran over to him and helped him up.

    Decontaminated, the guy who passed for ground crew foreman said. He stowed away the hose and he and his team went to the cargo hold and began off-loading the contraband. Giorgio put out his cigarette and went to join the other pilots in the sole shack that served as bar and tuck shop.

    Did you hear about Johnny Luck? Sam Cheng said, passing him a bottle. Giorgio twisted off the cap and took a swig. The beer was cold, at least.

    No, he said. What about him?

    Came in three, four days ago from a run, got deloused and everything, but he must have been careless on the other side. Started showing yesterday morning. He’s in the isolation tent.

    Shit, Giorgio said.

    Yeah. Me and some of the boys are going over there later, sing him out. You should come.

    I . . . alright.

    Giorgio downed the rest of his beer and tossed the bottle onto the heap with the others. He didn’t want to go see Johnny Luck.

    How many does that make now? he said.

    Sam Cheng shrugged. Five the past month.

    Shit.

    It’s the job. It’s why we get the danger pay. And who else is going to hire us? American Airlines? This is the only job that’s going. You know this, Giorgio.

    It’s a shit job.

    But it’s flying.

    He handed him another beer. Giorgio nodded.

    It’s still flying, he said.

    There were twelve of them outside the isolation tent that evening.

    Enough for a minyan, one of the Israelis said. Giorgio looked at him blankly.

    Johnny Luck was inside the tent. Giorgio tried to remember what he knew about him. Not much. Recent arrival, one of the oldest at twenty-seven. No one on the squad expected to make it to thirty. Not if they stayed. He thought Johnny was South African. There were a lot of South Africans running missions over the line.

    Ready, boys? Chaplain Buzz said. He wasn’t really a chaplain, but before he became a pilot, he went to seminary school.

    They started singing Danny Boy. The pipes were calling across the night and inside the isolation tent Johnny Luck was slowly, well—whatever it was that happened after you were exposed, it was happening to Johnny Luck.

    After the song they all raised a drink for Johnny, and then they poured some on the ground outside the tent. Then they drifted off. Someone started a campfire and someone else strummed a guitar. Giorgio lay under the mosquito net in his tent and tried to sleep. He’d run, what, nineteen, twenty missions over the line, easy? Never had a problem. Always observed the protocols. Never been exposed.

    But everyone’s luck runs out sooner or later.

    Giorgio fell asleep. In his dream he was back home in his parents’ farmhouse. Vines grew over the pergola columns and roof and bunches of grapes hung down, purple and green. He reached up and plucked a grape and put it in his mouth and it tasted blue and blue and blue and pink. His mother came out of the kitchen where she had been cooking and saw him.

    Giorgio! she said. She wiped her hands on her apron. This was very strange to Giorgio, since he grew up in a small flat, not on a farm, and his mother never cooked.

    His mother looked at him curiously.

    How much you’ve grown! she said.

    Mama, he said. He went to her. She looked good. But hadn’t she died in the last major outbreak, five years ago? And she was never this large or this homey. His mother was thin as a rake and smoked long menthol cigarettes and worked in accounts. You look good, he said.

    Come give Mama a hug, she said. She put her arms around him. It felt good to be held by his mother.

    Snuggly-wuggly, she said, nuzzling him close. Snuggly-wuggly-woozy-woo.

    No, no, Giorgio said. No, mother.

    Mother was turning blue.

    Snuggle! she cried. Her arms lengthened, wrapped around him. Blue and blue and blue and pink.

    Giorgio woke into early dawn. He was drenched in sweat and his teeth were clenched tight, and there was a bad taste in his mouth. Mosquitoes buzzed outside the net, and in the distance someone was still playing the damn guitar.

    Giorgio took a sip of warm water and gurgled and spat it out on the ground. He stole out of the tent into the rising sun. The sun rose over the line, on the other side. Some of the other pilots were already awake and about. Nothing came from the isolation tent. Over at the tuck shop, Sam Cheng was frying eggs.

    Giorgio ambled over and got a burrito. Sam poured him a coffee, which he brewed in a giant can that once housed pickles. He said it gave the coffee a kick. The coffee was vile, but it was the only coffee around, so Giorgio drank it.

    He grimaced.

    Bad dream? Sam said sympathetically.

    Bad coffee, Giorgio said.

    Sure, boss. Whatever you say.

    A plume of dust rose in the distance. Giorgio watched it come closer and soon heard the sound of the engine. The jeep came into the pilots’ encampment and stopped, and the woman from the company stepped out. She wore field boots that were more expensive than Giorgio’s plane. She had goggles on and a face and nose mask, and she wore gloves. The ground crew foreman came over and they spoke briefly, then the foreman nodded. Another plume of dust came across the horizon and soon one of the company’s big unmarked trucks arrived and the ground crew started off-loading contraband and loading the stuff the pilots brought back on their runs in its place.

    The woman walked over to the tuck shop. She looked at the hand-chalked menu, at Sam Cheng, and at the coffee. If she made a face it was behind her mask. She nodded to Giorgio.

    Pilot?

    Aha.

    Got a job for you.

    Why me?

    You’re present.

    Giorgio nodded. What’s the run, he said.

    She motioned for him to come. The ground crew had unloaded all the contraband off the big truck. Giorgio saw that the isolation tent was down. A sealed plastic box the size and length of a coffin sat by the waiting truck. He felt a little queasy at the sight.

    Knew him? the woman from the company said.

    A little.

    Alright. She handed him a chart in her gloved hand. Giorgio took it. He frowned. The flight path was longer than he’d expected.

    A deep dive? he said.

    The woman from the company shrugged.

    I’ll have to take on extra fuel, Giorgio said.

    The woman from the company shrugged.

    What am I taking? he asked her.

    The usual.

    Alright.

    It’s a bonus flight, she said, apparently taking pity on him. Double the usual pay. When you get back.

    Implied in her tone was that failure to return would just save the company costs.

    Alright.

    She nodded. Get to it, then, she said.

    The ground crew loaded Johnny Luck’s coffin onto the truck with the rest of the contraband the pilots brought in from beyond the line. Giorgio didn’t know who the company really was, or why it was still trading over the line, when no one should have been crossing the line for any reason. The whole place was under quarantine.

    Giorgio went to his plane. The ground crew had already loaded the cargo. Giorgio said, I need extra fuel.

    The foreman said, Already done.

    The foreman never said very much. He was a company man. Like the woman from the company he wore goggles and a face mask, though unlike hers, his boots weren’t worth shit.

    Alright.

    See you, Giorgio.

    Did he know the foreman’s name?

    Yeah, see you, he said. He climbed into the cockpit. Did the check. Started the engine. Taxied to the runway. Saw that one plane had already taken off, ahead of him. Starting early that morning.

    He took to the air. This was the best part. The moment the wheels left the ground and the whole improbable thing happened, of leaving the earth and rising into the skies. The airfield grew small below, tents and parked airplanes and the company truck. Bad coffee and bad dreams.

    He climbed and then eased the stick until he was flying at a fixed altitude. He looked down. Fields and small rivers and clumps of houses here and there. Roads. He checked the compass and the map, but he didn’t really need to.

    As he approached the line, he dropped down low. He flew over grassy hills and old abandoned roads. Once he thought he saw a patrol convoy and skirted ’round them. Then he was over the line, with no discernible change on the ground below.

    He followed a river for a little while until it reached a fording and a small abandoned mill, and then he flew northeasterly for a while. He rose high again. From the skies the world over the line looked the same as on the other side. He saw roads and he saw houses and once he passed a small town, though no one walked in the streets and the playgrounds were abandoned. But he could sense eyes in the windows, and he knew people still lived there.

    Carl, he thought. That was the foreman’s name.

    The sky was very blue and blue and blue, with only a blush of pink on the horizon. Giorgio passed over a small village and turned northeasterly again. He didn’t recognize the land below anymore; this was outside of the regular route the smugglers took. A crackling of static came on his headphones.

     . . . Everywhere . . .  a male voice said in panic.

    Giorgio turned the dial, trying to dislodge the moronic voices that kept coming up on the old VHF.

     . . . Overwhelmed . . .  A woman’s voice this time. Giorgio turned the dial.

    Mama loves you, Giorgio, a woman’s voice said very clearly in his ear. He gritted his teeth. In life his mother barely showed her emotions, mostly she was disappointed in him, his hair that had been too long, his choice of girlfriends, his choice of career. Giorgio, it’s me, love, can you hear me, over?

    Over and out, Giorgio muttered. There was no point trying to turn off the radio. The voices came on regardless, this side of the line.

    He dove low, spotting the target in the distance. A white farmhouse just like the one in his dream, and a dirt track running parallel to it, which he’d have to use for landing.

    The attack came fast and sudden on his right. He felt the thud of multiple impacts against the belly of the plane. He banked sharply left and then right, trying to dodge them. He looked down, saw muted shadows in the vegetation and arrows flying into the sky. He rose and the arrows reached the upmost point of their trajectory and fell back down to the ground with a strange, forlorn grace.

    The farmhouse grew close. Giorgio glided, looking it over, but he could see no movement. An old truck stood next to the farmhouse and crates had been left haphazardly on the ground.

    Giorgio wondered if he should just go back. But then he wouldn’t be paid, and would have to take on the cost of the extra fuel besides. So, he went down for a landing.

    The dirt strip was straight and flat, surprisingly so, and the plane landed smoothly. Giorgio turned the plane around for takeoff and taxied near the drop point, then stilled the engine. He sat in the cockpit for a moment, looking, but nothing moved, and everything seemed peaceful. He put on his standard-issue surgical mask and gloves and climbed down from the cockpit.

    The sky was very clear, and the sun was warm. Empty snail shells lay on the ground under a clump of gerberas. Giorgio walked slowly to the farmhouse.

    The cargo was waiting for him on the tarmac. He noticed some of the lids on the boxes were ajar and the contents caught the sun. They glinted like gold.

    Hello? Giorgio called. Hello?

    Nobody answered. Giorgio shrugged.

    Alright, he said.

    He went back to the plane and began off-loading the shipment of contraband by himself. It wasn’t unusual to never see anyone. It was better this way. It was hot, though.

    He took down boxes of useless stuff—toilet paper, soap, board games, toys, stuff the company picked up in bulk for pennies on the other side. He stacked the boxes against the white stone of the farmhouse. The walls were crawling with ivy.

    Giorgio went back to the cockpit. He picked up his bottle of water and took a long swig. Then he went back to work.

    The return contraband was heavy. He figured it was old gold coins, pieces of jewelry, stuff like that, which was of no further use on this side of the line. It didn’t matter to Giorgio. It was only when he was lifting the final crate, straining against the weight of it, that he heard the fuzzy.

    Hug? the fuzzy said hopefully.

    Giorgio put down the crate. The fuzzy was blue and blue and blue and pink, with large curious eyes and a round, cuddly shape. It stood in the sunlight less than two meters away, blinking.

    Hug! the fuzzy said.

    Giorgio took a careful step back, and then another. The fuzzy didn’t move any closer, but it looked hurt at Giorgio’s retreat.

    Snuggle-wuggle? the fuzzy said. It blinked again.

    Giorgio knew he should get away from the fuzzy, but somehow he didn’t take another step back. He stared at it. Back when he was four or so his mother bought him one just like this one. He loved it and fell asleep with it every night and took it with him everywhere he went.

    Huggy-bugs, the fuzzy said pleadingly.

    No, no, Giorgio said.

    The fuzzy hopped in place. Then, somehow, it was too close to Giorgio, even though Giorgio didn’t see it make the leap across the distance. Now it was too close. Giorgio felt warm foolish love suffuse him.

    Huggy-wugs, he said.

    The fuzzy felt warm and natural in his arms. He held him close, remembering that odd sensation when you loved something so much you wanted to just squeeze it and squeeze it harder. But the fuzzy didn’t mind. The fuzzy was soft and pliable and endlessly huggable. Its huge eyes stared lovingly into Giorgio’s.

    Snuggle-wuggle, it said. It nuzzled Giorgio’s neck and buried its face in the crook of his shoulder.

    Giorgio got back

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