The Dybbuk (S. Anski) - Theater Play
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"The Dybbuk" original play by S. Ansky (1863 – 1920) a.k.a Shloyme Zanvl Rappoport. Adapted in English by David Serero. One of the most important Yiddish story and play of all time.
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Reviews for The Dybbuk (S. Anski) - Theater Play
2 ratings2 reviews
- Rating: 1 out of 5 stars1/5This version leaves out the ending, there is a fourth act.
2 people found this helpful
- Rating: 2 out of 5 stars2/5Decent translation, but it does not include the full play.
1 person found this helpful
Book preview
The Dybbuk (S. Anski) - Theater Play - Schlomo Ansky
THE DYBBUK
The Play
By S. Ansky (1863 – 1920)
(a.k.a Shloyme Zanvl Rappoport)
Adapted by David Serero
CHARACTERS
Reb* Sender of Brinnits
Leye, his daughter
Frade, her aged nurse
Guttel
Bassia Leye’s friends
Menashe, Leye’s bridegroom
Nakhman, his father
Reb Mendel, Menashe’s tutor
The Messenger
Reb Azrielke of Miropolye, a Ysaddik (a Hassidic master or sage)
Mikhol, his gabbai (a lay assistant)
Reb Shimshon, the Rabbi of Miropolye
First Judge
Second Judge
Meyer, Shammes (caretaker) of the synagogue in Brinnits Khonnon
Hennakh Student’s at the Yeshiva (Talmudical academy) in Brinnits
Asher
First Batlon **
Second Batlon
Third Batlon
First Hassid
Second Hassid
Third Hassid
An Elderly Woman
A Wedding Guest (Specially invited, by custom, because he is a stranger)
A Hunchback poor men
A Man on Crutches
A Woman with a Limp
A Woman with One Arm
A Blind Woman poor women
A Tall Pale Young Woman
A Young Woman Carrying a Child
Hassidim, Yeshiva Students, Prosperous Householders, Shopkeepers, Wedding Guests, Paupers, Children
Acts I and II take place in Brinnits, Acts III and IV in Miropolye. Three months elapse between the first two acts, three days between the second and third, half a day between the third and the fourth.
ACT I
(Total darkness. Before the curtain rises, a subdued mystic singing is heard, as if from afar.)
Wherefore, Wherefore
Did the soul
From it exalted height
Fall into abysmal depths?
Within the fall the power lies
To rise again.
(The curtain rises slowly. A wooden synagogue, very old, with blackened walls. The ceiling rests on two wooden posts. An old brass chandelier hangs from the middle of the ceiling, over the bima,* which is covered with a dark cloth. High on the rear wall are the small windows looking out of the women’s gallery. A long bench stands along the wall, in front of the bench, a long wooden table cluttered with books. On the table, two tallow candle-ends burn in clay candlesticks. The candles are lower than the piles of books. To the left of the bench and table, a narrow door leading to a room for private study. In the corner, a bookcase. Wall right: in the middle, the Holy Ark; to the left of that the cantor’s reading stand on which a heavy wax memorial candle is burning. Two windows on either side of the Ark. Benches along the entire wall, in front of them several reading stands. Wall left: a large tile oven. Near it, a bench. In front of the bench, a long table also cluttered with books. A wash basin with a towel on a ring. A wide door to the street. Past the door, a chest, above which a Perpetual Light burns in its niche. HENNAKH, deeply engrossed in a book, sits before a reading stand near the cantor’s desk. Around the table at the rear wall, five or six Yeshiva students, slumped over in various attitudes of weariness, sit and chant from the Gemara with a dreamy melody. At the bima, MEYER, bent over, stands sorting the bags containing prayer shawls and phylacteries. Around the table at wall left, First, Second, and Third Batlonim sit singing, gazing into space, wholly last in dreams. The Messenger lies on the bench