7 best short stories by Kate Chopin
By Kate Chopin and August Nemo
()
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Kate Chopin
Kate Chopin, born Katherine O'Flaherty (1850-1904), was an American writer of short stories and novels based in Louisiana. Chopin is best known for her novel The Awakening, and for her short story collections, Bayou Folk (1894) and A Night in Acadie (1897). Of French and Irish descent, her work depicted the various ethnic groups of Louisiana, especially of Creoles, with sensitivity and wit, and featured vivid descriptions of the natural environment there. After her husband died in 1882 and left her $42,000 in debt, Chopin took up writing to support her family of six children. Though popular, her serious literary qualities were overlooked in her day, and she is now seen as an important early American feminist writer.
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7 best short stories by Kate Chopin - Kate Chopin
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In twentieth century , feminist literature was introduced by a few independent daring women. Among them writers Kate Chopin holds a high stature. She was an American novelist and short stories writer.
Kate Chopin was born on February 8, 1850 in St. Louis, Missouri and given the birth name Katherine O’Flaherty. Her father was an Irish immigrant businessman and mother belonged to a French community. Most of her siblings died before crossing twenties. Subsequent to her father’s demise, she became close to her maternal family. She also became a voracious reader, fulfilling her appetite with religious allegories, fairy tales, classics and contemporary novels and poetry.
She got married to Oscar Chopin when she was 20 and had six children. Her husband died twelve years after their marriage and left her in great debt. She moved in with her kids in her mother’s house, who also died the following years. Losing two of the closest relations in such a brief time, left Chopin in unbearable anguish and depression. Her doctor and a family friend suggested her to pour her depressed and suffocated feelings in writing which could also become a source of income for her. In 1890s she began her writing career with articles, short storiesThere was a recurring thematic pattern in her stories. Her stories mostly focused on marriage and conventions of the society. The characters were shown stuck between choices; to do as expected of them from society or follow the path of their heart’s utmost desire. And usually they chose latter, defying the norms of their society. Chopin was very casual and confident in discussing sensitive issues such as, women’s desire of independence and their sexual urges. She incorporated all these themes in her final novel The Awakening published at the end of nineteenth century. The female protagonist in the book was shown to be involved in an adulterous affair which went against the conventional stories written at that time. The novel garnered scandalous status for its highly controversial subject matter. It was not received positively because it was written ahead of its time when feminism was not part of mainstream American society. and translation of works other authors .
The brash criticism for her novel discouraged Kate Chopin so much so that she reverted to short story writing. She penned only seven short stories from 1900 to 1904. She was reported to have suffered a stroke that resulted in her death on August 22, 1904. The idea of women’s individual and sexual independence was not regarded as absurd and scandalous notions in the years that followed her demise. Her writings were posthumously recognized and applauded for its bold content.
A Respectable Woman
Mrs. Baroda was a little provoked to learn that her husband expected his friend, Gouvernail, up to spend a week or two on the plantation.
They had entertained a good deal during the winter; much of the time had also been passed in New Orleans in various forms of mild dissipation. She was looking forward to a period of unbroken rest, now, and undisturbed tete-a-tete with her husband, when he informed her that Gouvernail was coming up to stay a week or two.
This was a man she had heard much of but never seen. He had been her husband's college friend; was now a journalist, and in no sense a society man or a man about town,
which were, perhaps, some of the reasons she had never met him. But she had unconsciously formed an image of him in her mind. She pictured him tall, slim, cynical; with eye-glasses, and his hands in his pockets; and she did not like him. Gouvernail was slim enough, but he wasn't very tall nor very cynical; neither did he wear eyeglasses nor carry his hands in his pockets. And she rather liked him when he first presented himself.
But why she liked him she could not explain satisfactorily to herself when she partly attempted to do so. She could discover in him none of those brilliant and promising traits which Gaston, her husband, had often assured her that he possessed. On the contrary, he sat rather mute and receptive before her chatty eagerness to make him feel at home and in face of Gaston's frank and wordy hospitality. His manner was as courteous toward her as the most exacting woman could require; but he