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Sweet Young Things: A Sweet Young Things Mystery: Sweet Young Things, #1
Sweet Young Things: A Sweet Young Things Mystery: Sweet Young Things, #1
Sweet Young Things: A Sweet Young Things Mystery: Sweet Young Things, #1
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Sweet Young Things: A Sweet Young Things Mystery: Sweet Young Things, #1

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Fala wants revenge. Revenge against Preston for ruining her life. Revenge for ruining so many other lives in the process.

Preston thought she was just a sweet young thing. But Fala is not sweet. And Preston needs to learn that—the hard way.

"Kristine Kathryn Rusch's crime stories are exceptional, both in plot and in style."

Mystery Scene Magazine

LanguageEnglish
Release dateApr 28, 2020
ISBN9781393243052
Sweet Young Things: A Sweet Young Things Mystery: Sweet Young Things, #1
Author

Kristine Kathryn Rusch

USA Today bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. Under that name, she publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov’s Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award. Publications from The Chicago Tribune to Booklist have included her Kris Nelscott mystery novels in their top-ten-best mystery novels of the year. The Nelscott books have received nominations for almost every award in the mystery field, including the best novel Edgar Award, and the Shamus Award. She writes goofy romance novels as award-winner Kristine Grayson, romantic suspense as Kristine Dexter, and futuristic sf as Kris DeLake.  She also edits. Beginning with work at the innovative publishing company, Pulphouse, followed by her award-winning tenure at The Magazine of Fantasy & Science Fiction, she took fifteen years off before returning to editing with the original anthology series Fiction River, published by WMG Publishing. She acts as series editor with her husband, writer Dean Wesley Smith, and edits at least two anthologies in the series per year on her own. To keep up with everything she does, go to kriswrites.com and sign up for her newsletter. To track her many pen names and series, see their individual websites (krisnelscott.com, kristinegrayson.com, krisdelake.com, retrievalartist.com, divingintothewreck.com). She lives and occasionally sleeps in Oregon.

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    Sweet Young Things - Kristine Kathryn Rusch

    Sweet Young Things

    SWEET YOUNG THINGS

    A Sweet Young Things Mystery

    KRISTINE KATHRYN RUSCH

    WMG Publishing, Inc.

    Contents

    Sweet Young Things

    Newsletter sign-up

    Also by Kristine Kathryn Rusch

    About the Author

    Sweet Young Things

    Pawnshops were all the same. Crowded with junk, reeking of cigarette smoke, they always had one guy who hadn’t bathed in a week sitting behind a glass counter. The counter was the only thing that had been cleaned in twenty years.

    Fala rested her palms against the countertop, feeling the warmth of the glass beneath her skin. Old lights illuminated the jewelry inside. Some of it glistened. Much of it was as worthless as the junk on the walls—old class rings, Masonic pins, cheap rosaries—but some of it had possibilities. A garnet ring with emeralds on the side, clearly 1950s. A Tiffany pin, all gold, shiny and complete. A grandmother ring, ostentatious with its twenty different jewels, half a dozen of them small rubies.

    Estate jewelry. Desperation jewelry. The last of a large lot.

    Sixty-five dollars, the scrawny guy said, taking the jeweler’s eye from his own. His fingernails were black, and his hair was matted against his skull.

    She reserved her shiver of distaste for later. The ring he held was worth four thousand, minimum. The diamond was an emerald cut from the 1920s, rare these days, and the setting was pure white gold.

    A hundred and fifty, she said.

    Lady—

    C’mon, she said, trying to sound whiney. It was my grandmother’s. I doubt I’m coming back for it. At least give me something.

    A hundred. The ring clinked as he set it on the countertop.

    I need a hundred and fifty.

    He wouldn’t get a deal like that anywhere else, but then again, he wouldn’t turn it around that quickly either. She knew how it worked, maybe better than he did.

    You’re lucky I’m a soft touch. He reached the shelf behind the counter, tapped the old-fashioned cash register, and it opened with the ring of a bell. She hadn’t heard that sound since she’d been in college.

    He handed her six twenties and a ten, all crumpled, all feeling slightly greasy. She counted them, forcing her hands to shake as if she couldn’t believe her good fortune.

    Actually, she was making sure each bill was legit. The last time she’d done this, in Detroit, she’d gotten two counterfeit twenties, all the unduplicatable kind. But the bills she held in her hand this time came from the last century: none of that phony color Monopoly money stuff.

    She shoved them in her right-hand pocket as he filled out the brown ticket with her fake name and address. He slid the top half back to her. She put that in her left pocket, knowing she’d lose that little stub within a day.

    Not that she cared. The ring hadn’t been her grandmother’s and she wasn’t here for the money.

    She’d come to check out the place before she made the owner an offer he couldn’t refuse.

    Division Street in Gresham, Oregon, still wore its 1950s roots with pride. Once the main drag in a city that had once been more than a suburb, Division had decaying supper clubs with faulty neon lights, taverns with one single greasy window up front, and more pawnshops than any other stretch in the Portland metropolitan area.

    If you drove with your eyes half-closed, you could see how classy this place had been: an overgrown golf course hugged the bend in the road, and motels that advertised color television led into a development of 1950’s houses twice the size of

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