Guidebooks for the Dead

By Cynthia Cruz

In Guidebooks for the Dead, Cynthia Cruz returns to a familiar literary landscape in which a cast of extraordinary women struggle to create amidst violence, addiction and poverty. For Marguerite Duras, evoked here in a collage of poems, the process of renaming herself is a “Quiet death,” a renewal she envisions as vital to her evolution. In “Duras (The Flock),” she is “high priestess” to an imagined assemblage of women writers for whom the word is sustenance and weapon, “tiny pills or bullets, each one packed with memory, packed with a multitude of meaning.” Joining them is the book’s speaker, an “I” who steps forward to declare her rightful place among “these ladies with smeared lipstick and torn hosiery. . . this parade of wrong voices.” Guidebooks for the Dead is both homage to these women and a manifesto for how to survive in a world that seeks to silence those who resist.

• Language: English
• Publisher: Four Way Books
• Release date: Mar 2, 2020
• ISBN: 9781945588617

Book preview

Also by Cynthia Cruz

Dregs (2018)

How the End Begins (2016)

Wunderkammer (2014)

The Glimmering Room (2012)

Ruin (2006)

GUIDEBOOKS FOR THE DEAD

CYNTHIA CRUZ

FOUR WAY BOOKS

TRIBECA

Copyright © 2020 Cynthia Cruz

No part of this book may be used or reproduced in any manner without written permission except in the case of brief quotations embodied in critical articles and reviews.

Library of Congress Cataloging-in-Publication Data

Names: Cruz, Cynthia, author.

Title: Guidebooks for the dead / Cynthia Cruz.

Description: New York : Four Way Books, [2020]

Identifiers: LCCN 2019031740 | ISBN 9781945588440 (trade paperback)

Subjects: LCSH: Dead--Poetry. | Women authors--Poetry. | Creation (Literary, artistic, etc.)--Poetry.

Classification: LCC PS3603.R893 A6 2020 | DDC 811/.6--dc23

LC record available at https://lccn.loc.gov/2019031740

This book is manufactured in the United States of America and printed on acid-free paper.

Four Way Books is a not-for-profit literary press. We are grateful for the assistance we receive from individual donors, public arts agencies, and private foundations.

This publication is made possible with public funds from the National Endowment for the Arts

and from the New York State Council on the Arts, a state