The Lees of Happiness
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F. Scott Fitzgerald
Among the “Lost Generation” of writers that came of age during the Roaring Twenties, the work of F. Scott Fitzgerald (1896–1940) epitomized “The Jazz Age”: a period of declining traditional values, prohibition and speakeasies, and great artistic leaps. Fitzgerald’s first novel, This Side of Paradise, was a financial success, but subsequent ones, including his masterpiece, The Great Gatsby, sold poorly. In need of money, he turned to writing commercial short stories and Hollywood scripts, while his lifelong alcoholism destroyed his health and led to an early death. The 1945 reissue of The Great Gatsby spurred a wide resurgence of interest, and Fitzgerald is now considered one of the greatest American writers of the twentieth century.
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The Lees of Happiness - F. Scott Fitzgerald
The Lees of Happiness
by F. Scott Fitzgerald
Start Publishing LLC
Copyright © 2020 by Start Publishing LLC
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.
First Start Publishing eBook edition.
Start Publishing is a registered trademark of Start Publishing LLC
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
ISBN 978-1-952438-35-6
Table of Contents
I
II
III
IV
V
VI
I
If you should look through the files of old magazines for the first years of the present century you would find, sandwiched in between the stories of Richard Harding Davis and Frank Norris and others long since dead, the work of one Jeffrey Curtain: a novel or two, and perhaps three or four dozen short stories. You could, if you were interested, follow them along until, say, 1908, when they suddenly disappeared.
When you had read them all you would have been quite sure that here were no masterpieces—here were passably amusing stories, a bit out of date now, but doubtless the sort that would then have whiled away a dreary half hour in a dental office. The man who did them was of good intelligence, talented, glib, probably young. In the samples of his work you found there would have been nothing to stir you to more than a faint interest in the whims of life—no deep interior laughs, no sense of futility or hint of tragedy.
After reading them you would yawn and put the number back in the files, and perhaps, if you were in some library reading-room, you would decide that by way of variety you would look at a newspaper of the period and see whether the Japs had taken Port Arthur. But if by any chance the newspaper you had chosen was the right one and had crackled open at the theatrical page, your eyes would have been arrested and held, and for at least a minute you would have forgotten Port Arthur as quickly as you forgot Château Thierry. For you would, by this fortunate chance, be looking at the portrait of an exquisite woman.
Those were tie days of Florodora
and of sextets,