The Lees of Happiness
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F. Scott Fitzgerald
F. Scott Fitzgerald (1896–1940) was an American novelist and short story writer. He is best known for his 1925 novel The Great Gatsby, the quintessential tale of the decadence and overindulgence of the Jazz Age. Born into an upper middle-class family in St. Paul, Minnesota, Fitzgerald was raised in New York. After dropping out of Princeton University in 1917 to join the Army, he was stationed in Alabama, where he met wealthy socialite Zelda Sayre. It was only after he achieved moderate success with his debut novel This Side of Paradise that Zelda agreed to marry him. His second novel, The Beautiful and the Damned, propelled him to literary stardom, the volatile nature of which inspired his best-known work The Great Gatsby. Though it met with mixed reviews in Fitzgerald’s lifetime, The Great Gatsby is now considered by some literary scholars to be the “Great American Novel.” Haunted by alcoholism, declining popularity, and financial difficulties well into the 1930s, Fitzgerald died in 1940. An unfinished novel, The Last Tycoon, was published posthumously in 1941.
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The Lees of Happiness - F. Scott Fitzgerald
The Lees of Happiness
by F. Scott Fitzgerald
©2018 Wilder Publications, Inc.
This is a work of fiction. Names, characters, businesses, organizations, places, events and incidents are either the products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, locales or institutions is entirely coincidental.
All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner without written permission except for brief quotations for review purposes only.
ISBN 13: 978-1-5154-1968-6
Table of Contents
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I
If you should look through the files of old magazines for the first years of the present century you would find, sandwiched in between the stories of Richard Harding Davis and Frank Norris and others long since dead, the work of one Jeffrey Curtain: a novel or two, and perhaps three or four dozen short stories. You could, if you were interested, follow them along until, say, 1908, when they suddenly disappeared.
When you had read them all you would have been quite sure that here were no masterpieces—here were passably amusing stories, a bit out of date now, but doubtless the sort that would then have whiled away a dreary half hour in a dental office. The man who did them was of good intelligence, talented, glib, probably young. In the samples of his work you found there would have been nothing to stir you to more than a faint interest in the whims of life—no deep interior laughs, no sense of futility or hint of tragedy.
After reading them you would yawn and put the number back in the files, and perhaps, if you were in some library reading-room, you would decide that by way of variety you would look at a newspaper of the period and see whether the Japs had taken Port Arthur. But if by any chance the newspaper you had chosen was the right one and had crackled open at the theatrical page, your eyes would have been arrested and held, and for at least a minute you would have forgotten Port Arthur as quickly as you forgot Château Thierry. For you would, by this fortunate