Profiles of Saints
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In this sensitive and refreshing treatment of the saints as real people whose lives were never free from human weakness, failure, and struggle, Fabro reveals his own profound spirituality, deeply rooted in the mystery of redemptive suffering. May this volume serve to inspire all authentic Christians to strive for a life of sanctity and foster devotion to the saints, whose very glory was their willingness to allow their lives to be illumined by grace.
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Profiles of Saints - Cornelio Fabro
Author
St. Thomas Aquinas
OR ON ITALIAN GENTILITY
William of Tocco, the official biographer for St. Thomas’s cause for canonization, writes that Br. Thomas was tall in stature and wonderfully proportioned in his members; he had blond hair and his face was tanned by the sun. The subtle line of his lips betrayed both his goodness and his firmness; his eyes showed clarity and penetrating calmness. These reflecting and searching eyes are truly characteristic of the ancient representations of St. Thomas. Completely abstracted from the surrounding world, they seem to fix upon an aim distant yet present to the contemplating spirit, not as if lost in a dream, but as if being lifted up wholly in the ardor of a striking truth. Thomas is seized by a specific difficulty, pondering a specific mystery . . . and then, behold . . . the light of new knowledge flashes victorious in his spirit. Yet another moment and that silent mouth will open and convey to us the treasure uncovered, or else his slightly raised hand will write down his new intuition in the open tome before him.
The saint had a delicate, sensitive constitution, very receptive to joy and sorrow, and a rare experience of life. William of Tocco rightly observes that the portentousness of his memory, the beautiful leaps of his imagination, his gift for making intuitive connections, and the exuberant richness of his intimate life, which we admire especially in his liturgical poetry, were all due to this most tender constitution.
This spiritual refinement and sensibility put him in the company of such privileged souls as Francis of Assisi, Raphael, Mozart, and Goethe, along with the powerful spirits of Eckehart, Dante, Michelangelo, Beethoven (Stakemeier).
The refined makeup of his soul was accompanied by a virile courage that was free of sentimentality or personal vanity, and a coolly resolute power of decision, which manifested itself particularly in the face of danger. Such was the case when the ship taking him to Paris was threatened by a furious storm with an imminent danger of complete shipwreck, in which he alone was able to retain a composure so calm as to inspire courage in the other people onboard until they were out of danger. Neither his mother’s prayers, nor his sisters’ tears, nor his brothers’ brutality, nor even long months of captivity in his father’s castle were able to shake the steely will with which he had freely chosen the ideal of his new Order. Yet, despite this firmness, Thomas never offended or harmed anyone either by word or in deed. It is true that, against his adversaries in Paris, in order to defend the truth, he knew how to express his thoughts with resoluteness, but his righteous indignation—both verbal and written—never exceeded its just measure. Because of nobility of spirit and awareness of an innate strength, rather than out of weakness, he showed himself meek and understanding toward the rejections and errors of his environment. Thomas possessed what Italians call gentilezza
[gentility]: that refined and chivalrous manner, ever responsive to need and full of attentions, which issues from profound self-possession and trust in the good. In addition to this gentility, he possessed dulcedo
[sweetness], radiant amiability and goodness, and the aristocratic delicacy of Francis of Assisi, Catherine of Siena, Philip Neri, and John Bosco. His contemporaries called him the kindly and beloved master,
and even Eckehart speaks with emotion of the "dear St.