Blackbird: A History of the Untouchable Spy Plane
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About this ebook
The SR-71 Blackbird, the famed “spy” jet, was deliberately designed to be the world's fastest and highest-flying aircraft—and its success has never been approached since.
It was conceived in the late 1950s by Lockheed Martin's highly secret 'Skunk Works' team under one of the most (possibly the most) brilliant aero designers of all time, Clarence “Kelly” Johnson. Once fully developed in 1964, the Blackbird represented the apogee of jet-powered flight. It could fly at well over three times the speed of sound above 85,000 feet and had an unrefueled range of 3,200 nautical miles. It flew with great success until 1999). Despite extensive use over Vietnam and later battlefields, not one was ever shot down (unlike the U2 in the Gary Powers incident).
The Blackbird's capabilities seem unlikely ever to be exceeded. It was retired because its function can be performed by satellites—and in today's steady trend toward unmanned military aircraft, it is improbable that another jet aircraft of this speed and caliber will ever again be conceived.
James Hamilton-Paterson
James Hamilton-Paterson is a novelist and non-fiction writer whose books defy easy categorisation. Gerontius won the Whitbread Prize; Cooking with Fernet Branca was longlisted for the Booker Prize. His acclaimed books on the oceans, including Seven-Tenths, have been widely translated, and his books about aviation have set new standards for writing about aircraft. Born and educated in England, Hamilton-Paterson has lived in the Philippines and Italy and now makes his home in Austria.
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- Rating: 4 out of 5 stars4/5Of all the aircraft ever developed the SR-71 ‘Blackbird’ is probably one of the most distinctive. Conceived by Clarence 'Kelly' Johnson along with a team of brilliant engineers at 'Skunk Works', Lockheed Martin's highly secret military development site, the design first saw the light of day in the late 1950’s. That is seventy years ago and it still looks futuristic now. Built to replace the U2 spy plane, it was designed to be the fastest and highest flying aircraft. When development finished in the mid-1960’s it was the pinnacle of aero and jet development, it could fly at 85,000 feet at a speed of Mach 3 (approximately 2000mph) for a range of 3200 miles. The various versions of the plane flew missions over the world from then until the end of the nineties and it was never shot down. It was only retired as the job it was designed to do could now be done better with satellites.
The Blackbird is an engineering marvel. The engineering team had to solve so many problems in using titanium, then an exotic material, even finding that the cadmium plating on their tools would affect it. The pilots had to be dressed as astronauts as the plane flew so high and the fuselage was mostly fuel tanks. They had a reputation for leaking fuel all over the place, but that was not entirely true. The plane holds various speed records including one for travelling from New York to London in just 1 hour 54 minutes, which is just staggering. It is a plane that looks fast even on the ground.
Hamilton-Paterson has managed to bring us a distilled history of an aircraft that is eminently readable and full of details and anecdotes on the development and challenges that the creation of this aircraft too. There is a limited amount of detail on the operations that the SR-71 undertook, probably because most are still classified. It is a good introduction to the aircraft, with some interesting photos as well, but if the book has one flaw, it was that it was too short.
Book preview
Blackbird - James Hamilton-Paterson
1. PARANOIA
MOST ACCOUNTS OF the SR-71 family of aircraft are designed for the specialist aero-buff or ‘Haynes Manual’ end of the market. The more popular tend to concentrate on the wow! factor of astonishing performance and often overlook that, like any other aircraft, the ‘Blackbirds’ were expressly designed to perform a specific function. This was to carry an assortment of cameras and sensors over a target at high altitude and speed, collect a mass of information and return safely with it for evaluation. The ability to break speed and other records was merely a by-product of the design and never remotely a goal in itself. Once the top-secret aircraft had been officially ‘revealed’ (in the jargon of the day), this capacity for shattering world records was adroitly used for popular support in bolstering the case for its continued survival in the face of Pentagon moves to terminate the project.
Also generally missing from such accounts is an other-than-cursory attempt to place the Blackbird in the wider context of Cold War geopolitics as well as of 1950s aerodynamic design. This was the period of the adolescent Jet Age, whose increasing speeds entailed a rapid and highly competitive expansion of aerodynamic knowledge. Aero industries on both sides of the Atlantic spawned great numbers of advanced, inventive and occasionally plain silly aircraft designs, all in the hopes of going ever faster and higher. It was a time of obsessive competition between countries and companies, of wastefully duplicated effort and amazing progress. It was also the period of burgeoning nuclear technology and rocketry conducted under conditions of near-hysterical secrecy.
A series of political crises fed into and nourished the mutually sustained paranoia that raged in NATO countries and the Soviet Bloc alike, to be seen at its most obsessive in the United States and the USSR. Among these crises were the downing of Francis Gary Powers in his U-2 spy plane over the USSR on 1 May 1960; the building of the Berlin Wall (1961); the CIA-sponsored fiasco of the Cuban Bay of Pigs invasion (1961); and the Cuban Missile Crisis of late 1962. By 1964 paranoia had intensified to the point where only satire could adequately deal with it – most notably Stanley Kubrick’s brilliant film of that year, Dr. Strangelove.
‘I can no longer sit back and allow Communist infiltration to sap and impurify all of our precious bodily fluids,’ Sterling Hayden remarks in his role as General Jack D. Ripper, commanding officer of an American Strategic Air Command (SAC) bomber base, who has decided off his own bat that his B-52s should carry out a pre-emptive strike against the Soviet Union. Paranoia reached out even to the Shepperton Studios in Surrey where the film was made. When some US Air Force officers were invited to view the set they reportedly went white as they inspected the mock-up of the B-52 cockpit, stunned by its accuracy. Kubrick was obliged to elicit the set designer’s promise that no military secrets had been divulged, that his invention was based entirely on imagination and a photo on the cover of an SAC propaganda book (Mel Hunter’s Strategic Air Command) that showed enough of a cockpit for him to be able to make plausible guesses at the rest of it, including the switchgear for the bomb-arming and recall procedures. ‘Otherwise,’ Kubrick told Ken Adam, the production designer, ‘you and I may shortly be dragged off and investigated by the FBI.’
A B-52 releasing a ‘bomb train’ over Vietnam, March 31 1967, during Operation Rolling Thunder. This now-venerable bomber served SAC from 1955 and will probably still be active in 20 years’ time.
In its post-1945 emergence as a superpower, the United States felt its dominant position threatened solely by the USSR and by the ethos of ‘godless Communism’ it was convinced Russia was disseminating with stealth and guile throughout the less developed nations, especially in South East Asia, China and Latin America. When in November 1956 Nikita Khrushchev addressed some Western ambassadors in Moscow immediately after he had crushed the Hungarian Uprising he promised them, ‘We will bury you!’ This was both melodramatic and chilling and the United States had no doubt that it was in a nuclear arms race with the Soviets. Each side strove to progress from atom bombs to hydrogen bombs, from propeller-driven to jet bombers, from surface-to-air missiles (SAMs) to intercontinental ballistic missiles (ICBMs), up through the stratosphere and out into space. Intense secrecy shrouded anything to do with the military, especially any form of experimental aircraft, and above all with nuclear weapons and their delivery systems.
Behind all this lay the constant, nagging fear that all unbeknownst the other side could be stealing a march, might have bigger and better weapons even now being readied under wraps in remote testing grounds. This fear was sedulously fostered by careful propaganda and misinformation that found its way into press and broadcast reports. The crises referred to above were essentially political; but just as bad, if not worse, were those brought on by technological advances. To the arms race was added the space race when in October 1957 the USSR launched the world’s first satellite, Sputnik. This shocked the United States and caused widespread panic throughout the US military and intelligence agencies as they agonised over the Soviets’ apparent technical superiority. Thereafter the lead in various fields fluctuated from one side to the other. Take a single month in 1961:
12 April: Major Yuri Gagarin became the first man in space, orbiting Earth for 108 minutes in the five-ton Vostok. At a press conference later that day President Kennedy lamented seeing the US once again come second to the USSR in the space field, admitting ruefully ‘it will be some time before we catch up’.
21 April: The United States captured the world record speed for controlled flight with the 3,074 mph (4,947 kph) achieved by an X-15 rocket-powered aircraft drop-launched from a B-52 bomber in a joint project of NASA, the Air Force and the Navy.
28 April: The USSR set a new world altitude record for an aircraft taking off and landing conventionally with a height of 113,891 feet (34,714 metres) achieved by G. Mussolov in a Ye-66A. His aircraft was a much-tweaked MiG-21 fighter using a rocket booster to take it beyond the point where its jet engine failed for lack of atmosphere to bite on. This was exactly the same principle that would be used by Chuck Yeager’s equally modified Starfighter, the NF-104A with rocket booster that reached no higher than 108,700 feet on 10 December 1963 in an attempt that very nearly cost him his life.
In short, the atmosphere was grimly competitive as well as grimly secretive. Certainly in the United States much of the anxiety centred around two subjects that journalists, with the help of the military, soon turned into ongoing crises: ‘the bomber gap’ and ‘the missile gap’. Thanks to newspapers and periodicals like Time magazine these took on dread significance. Did the Soviets really have a thousand new bombers that could outnumber as well as outfly their American counterparts? Might they also be racing to produce advanced ballistic missiles commensurate with their apparent superiority in rocketry? From every point of view – and especially from that of the Pentagon, the CIA and the White House – it became vital to know. Traditional ground-based agents and spies had their uses, but the Iron Curtain was drawn very tightly shut and the only clinching information would be that of aerial reconnaissance using cameras that could produce high-resolution images of things the Soviets couldn’t easily hide such as factories, missile launchers, airfields, radar sites and even the Moscow May Day parades.
But there was a complicating behind-the-scenes factor to the United States’ military posture (as there doubtless was in the USSR as well): the often bitter wrangling for budgetary advantage between the three services, not to mention between the companies competing for contracts to supply high-value military hardware such as aircraft. Above all there was the US military’s occasionally fraught relationship with the CIA and other intelligence agencies, not to mention smouldering disagreements between the White House, the Department of Defense and various administration officials.
Particularly germane to our story of an American aircraft is the primary importance in the 1950s and 1960s of the United States Air Force and especially of its bomber wing, SAC (pronounced ‘sack’). In the days before ICBMs went into service the delivery of America’s nuclear threat depended on SAC’s immense fleets of B-47s and B-52s. In 1961 a system code-named CHROME DOME came into operation. Under this scheme twelve of SAC’s B-52s fully laden with nuclear bombs were kept on constant airborne alert, flying towards a ‘fail-safe’ point just outside the Soviet border. When they reached it they would automatically turn back unless they received a coded Go signal that meant they were to proceed and bomb their predetermined Russian targets, the exact co-ordinates of which were locked in a safe aboard each aircraft.
A Boeing RB-47E Stratojet over Kansas. This was the reconnaissance version of the B-47 bomber that first flew in 1947 and whose swept wings and podded engines became the template for most future airliners.
The existence and even the very name of CHROME DOME (which remained operative until 1968) were highly classified, making it all the more astonishing that Dr. Strangelove replicated exactly this supposedly top-secret strategy. The film’s brilliant writer, Terry Southern, must have been not just imaginative but remarkably well-informed. His cigar-chomping General Ripper was clearly based on the abrasive figure of Curtis LeMay, the general who commanded SAC throughout the 1950s and then went to the Pentagon as the Air Force Chief of Staff in 1961. LeMay’s meteoric career in the Second World War had left him with a reputation for competence but also for dogged belligerence towards all who opposed him, particularly civilians up to and including the President. He was especially impatient with any idea of negotiating with the Russians (‘the pantywaist option’ to use his phrase), and at moments of crisis he favoured launching a pre-emptive nuclear strike against the USSR to settle their hash once and for all. ‘If I see that the Russians are amassing their planes for an attack,’ he was recorded as saying to Robert C. Sprague of the Office of Defense Mobilization in 1957, ‘I’m going to knock the [expletive] out of them before they take off the ground.’ ‘But General LeMay,’ Sprague replied, ‘that’s not national policy.’ ‘I don’t care,’ LeMay said. ‘It’s my policy. That’s what I’m going to do.’¹ It was greatly to John F. Kennedy’s credit that five years later he was able to face down LeMay during the Cuban Missile Crisis when his rogue general was insisting on SAC launching a strike on Soviet nuclear missile sites in Cuba: a strike we now know would have triggered a full-scale nuclear exchange. It was only by pulling rank and reminding LeMay that the President of the United States was also Commander-in-Chief of the Armed Forces that Kennedy was able to prevail. By some accounts it was a close-run thing.
The importance of this bullish element in the Air Force’s high command will become apparent, together with its often uneasy rivalry with civilian intelligence-gathering agencies such as the CIA over who should command and fly the fleet of American spy planes. Indeed, it was the USAF high command that finally ensured