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Battle on 42nd Street: War in Crete and the Anzacs' bloody last stand
Battle on 42nd Street: War in Crete and the Anzacs' bloody last stand
Battle on 42nd Street: War in Crete and the Anzacs' bloody last stand
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Battle on 42nd Street: War in Crete and the Anzacs' bloody last stand

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At what point does the will to survive on the battlefield give way to bloodlust? The Battle of Crete was one of the most spectacular military campaigns of the twentieth century. For the first time in history, German forces carried out an invasion entirely from the air while poorly equipped Anzac and British forces, and local Cretans, defended the island. During the campaign, one battle stands out for its viciousness. When the Germans approached the Allies' defensive line — known as 42nd Street — on 27 May 1941, men from the Australian 2/7 and 2/8 Battalions, New Zealanders from several battalions and British soldiers counter-attacked with fixed bayonets. By the end, bodies were strewn across the battlefield. Later, a German doctor reported that many of the bodies of the German soldiers had been mutilated.Acclaimed historian Peter Monteath draws on records and recollections of Australian, New Zealand, British and German forces and local Cretans to reveal the truth behind one of the most gruesome battles of the Second World War.
LanguageEnglish
PublisherNewSouth
Release dateFeb 1, 2020
ISBN9781742244686
Battle on 42nd Street: War in Crete and the Anzacs' bloody last stand

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    Battle on 42nd Street - Peter Monteath

    BATTLE

    ON 42ND STREET

    PETER MONTEATH is Professor of History at Flinders University in Adelaide. His books include POW: Australian Prisoners of War in Hitler’s Reich and Escape Artist: The Incredible Second World War of Johnny Peck. His research for this book took him to archives in Australia, New Zealand and Germany – and to 42nd Street.

    ‘Ka tuwhera te tāwaha o te riri,

    kāore e titiro ki te ao mārama’

    ‘When the gates of war have been flung open, man no longer takes notice of light and reason’

    (Māori proverb)

    BATTLE

    ON 42ND STREET

    War in Crete and the Anzacs’ bloody last stand

    PETER MONTEATH

    A NewSouth book

    Published by

    NewSouth Publishing

    University of New South Wales Press Ltd

    University of New South Wales

    Sydney NSW 2052

    AUSTRALIA

    newsouthpublishing.com

    © Peter Monteath 2019

    First published 2019

    This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part of this book may be reproduced by any process without written permission. Inquiries should be addressed to the publisher.

    A catalogue record for this book is available from the National Library of Australia

    ISBN: 9781742236032 (paperback)

    9781742244686 (ebook)

    9781742249186 (ePDF)

    Design Josephine Pajor-Markus

    Cover design Luke Causby, Blue Cork

    Cover images (front) German parachute troops over Suda Bay during the invasion, Crete, 20 May 1941 (Australian War Memorial 128433); Men of the Australian 2/7th Battalion training with fixed bayonets, Biet Jerjia, Palestine, May 1940 (Australian War Memorial 001947, negative by Damien Parer); (back) German graves, not long after the battle on 42nd Street (Dimitris Skartsilakis)

    Maps Josephine Pajor-Markus

    All reasonable efforts were taken to obtain permission to use copyright material reproduced in this book, but in some cases copyright could not be traced. The author welcomes information in this regard.

    Contents

    Prologue

    1The bayonet: A short, sharp history

    2Ordinary men

    3Anzacs in Greece

    4Operation Merkur

    5Assembling Creforce

    6The fight for Maleme

    7Counter-attack at Maleme

    8The struggle for Galatas

    9Battle on 42nd Street

    10 Charge!

    11 In cold blood

    Epilogue

    Acknowledgments

    Bibliography

    Photo sources

    Notes

    Index

    Prologue

    ‘War is the realm of physical exertion and suffering.

    These will destroy us unless we can make ourselves indifferent to them, and for this birth or training must provide us with a certain strength of body and soul.’¹

    Carl von Clausewitz

    Late in 1940, a company of British engineers, the 42nd Field Company, set up camp in olive groves a short distance from Suda Bay on the island of Crete. Though it was November and the season had turned, to these British soldiers Crete seemed a warm and welcoming haven, untouched by the wars being waged to their south in Africa and to their north in continental Europe. While there was talk that Mussolini might disturb the island’s peace, no-one believed it, or preferred not to. That the engineers’ thoughts lay elsewhere was signalled by their choice of name for the dusty, sunken road running through their bivouac, from the foothills toward the western shore of Suda Bay, with its iridescent waters and gently lapping waves. In ironic self-reference, and with memories of the eponymous 1933 Hollywood film swirling through the minds of some, that dirt road became ‘42nd Street’. And while the 42nd Field Company moved on, the name stuck.

    Half a year later, in May 1941, war did come to Crete after all. The Battle for Crete was at once the most modern and the most ancient of wars. In the space of just a few hours on 20 May 1941, any hopes that Crete might be spared the high-tech savagery that had laid waste the Greek mainland and large swathes of Europe further to the north were abandoned. What followed in Crete were twelve days of unremitting bloodshed in a struggle which posed that most crucial of questions to soldiers on both sides. In the heat of battle, did they possess the desire and the ability to do what they were required to do – to kill?

    In the twentieth century, the soldier’s main task had been rendered much easier than in any other age by the advance of military technology. Death could be delivered from great distances, the awful consequences hidden from sight and from earshot. Killers and killed alike were not just unacquainted with each other but mercifully unable to draw any clear line of blame or responsibility. In the Great War it was artillery above all that caused carnage, mangling bodies and destroying lives on an unimagined scale. Shrapnel could sever limbs, while machine-guns, grenades, mortars and landmines, too, could make a mess of men’s bodies and minds. A generation later, the capacity to kill large numbers from great distance had grown further. Artillery and machine-guns had been given wings. Not only soldiers but civilians, too, were subjected to anonymous, indiscriminate killing orchestrated from the skies.

    All of this was well known to the weary Australians and New Zealanders who in the night of 26 to 27 May snatched precious moments of rest among the olive trees along 42nd Street. For a full week they had been relentlessly hammered from the skies by the Luftwaffe and pursued across Crete by some of the most accom-plished and best equipped forces Hitler could muster. Before that, through most of the month of April, the Anzacs had been chased by the Wehrmacht down the length of mainland Greece, from the icy heights of Vevi in the far north to the southernmost ports and beaches.

    All that, however, was about to change. On the morning of 27 May, in the sun-drenched groves that had afforded the Anzacs precious respite through the night, neither the Luftwaffe’s mastery of the air nor German firepower on the ground would count for much. As a unit of German mountain troops, newly arrived on the island, wended its way through the morning shadows toward 42nd Street, the Anzacs stirred from their slumbers. With lines of sight blocked by trees, on this occasion the battle would be an intimate affair.

    Just how a soldier will fare when confronted with the kind of test that was about to be set both sides at 42nd Street is a mystery which occupies every army. Theory alone could not reveal whether men possessed the ‘certain strength of body and soul’ demanded by the great Prussian general and military theorist Carl von Clausewitz. Soldiers could be trained to a peak of physical fitness, instructed in the use of their weapons and drilled to respond with unthinking obedience. Ultimately, however, it was only in combat that the answers to the most vital of questions would finally be known. Facing their enemies rather than their drill sergeants, would soldiers be able to overcome their fear of dying? More than that, would they be able to overcome their fear of killing? Would they find themselves ‘merely there’ on the field of battle, following the most basic of instincts of self-preservation? Or would they be transported into the kind of state of mind that would lead them not just to kill but to enter, at least for a short, mad time, a state of bloodlust? In the shady groves along 42nd Street, both sides would have their answer. Bayonets were fixed.

    1

    The bayonet: A short, sharp history

    Even the sound of a bayonet could be frightening. The audible whetting of bayonet blades in the enemy’s trenches could puncture a night’s rest with premonitions of steely death. The sight of gleaming blades, too, turned the stomach of many a soldier. For all the sheer, witless terror it could produce in those who heard, saw and perhaps felt its cold steel, there was no weapon more visceral than the bayonet.

    It might have been a moment of inspired panic that brought the bayonet into existence. The bearer of a musket – maybe a soldier, maybe a hunter – having fired his weapon and missed his target, found himself at the mercy of a fast-approaching assailant. With no time to reload, he plunged the handle of a dagger into the muzzle, converting it from firearm to elongated knife or pike. Perhaps he had missed his target altogether and expected to be assaulted at any moment, or perhaps his wounded quarry had disappeared into a thicket and needed to be chased at speed. As time was of the essence, it could not be squandered in the cumbersome act of reloading. Shoved snugly inside the muzzle of a firearm, even a short dagger of the kind for which the region of Bayonne had won fame could deliver a lethal strike.

    From its first use somewhere in southwestern France sometime in the first half of the seventeenth century, the genius of the invention spread far and wide. History has it that the first acknowledged military use of the bayonet was at Ypres in 1647. It also reveals that, for all its genius, the days of the ‘plug bayonet’ were numbered. While the wooden handle was plugged in the musket, the weapon could not be fired. Worse than that, over-vigorous use might damage the barrel, or the blade might break while wedged firmly inside. If that happened, then the weapon would be useless as a firearm.

    Over time, ways were found to attach blades to the outside of barrels, whether running alongside, on top or beneath them. That could be with rings or sockets. The blades themselves could be kept separately from the firearm, typically on their bearer’s belt, and then slid or slotted into place when the occasion required it. In some variations they might be permanently attached to the firearm and then folded or sprung into position. The blades could be short and daggerlike, barely long enough to pierce the enemy’s clothing, let alone deliver a lethal incision. Or they could be as long as swords, so that when attached to long-barrelled weapons they could deliver their bearer the advantage of reach which might easily account for the difference between life and death. In cross-section they might be broad and thin like a carving knife, round like a stiletto, or star-shaped.

    In their countless variations, bayonets appeared on many a battlefield in Europe and then other parts of the world as well, until in the last decades of the nineteenth century they appeared to have met their match. The American Civil War and the Franco–Prussian War seemed to teach one incontrovertible lesson – that the advances in military technology had rendered the humble bayonet obsolete. In the face of machine-gun fire or a bombardment of artillery, the infantryman with a fixed bayonet might never see his killer, let alone plunge the cold steel into him. The days of the bayonet, its detractors insisted, were numbered.

    Against that, the weapon’s advocates pleaded for its enduring value. Most killing, they conceded, could be performed at an anonymous distance; there was no need to wait to see the proverbial whites of the enemy’s eyes. Yet while machine-guns, mortars and artillery might serve to mow down the serried ranks of the enemy or blow them apart, ultimately even positions strewn with corpses had to be occupied and claimed. For all its firepower, the most modern technology of war still lacked in mobility; it remained the infantrymen’s vital role to make contested territory their own. If the very sight of fixed bayonets did not persuade any surviving defenders to turn tail or surrender, then the bayonets might still have work to do.

    The twentieth century proved that declarations of the bayonet’s demise had been premature. It remained standard issue for infantrymen all over the world, even if its shape and use varied. The Russians clung fanatically to their faith in the socket bayonet. The Japanese reintroduced a sword bayonet in 1897, inspired by a French weapon. Where stealth was of the essence, as it was in night attacks in the Russo–Japanese War, the bayonet delivered silent death. Americans, too, insisted that their infantry carry long bayonet blades – an intim-idating 40 centimetres – on their belts, ready to be fixed when the need arose. In time and with experience, though, the Germans opted for shorter knife bayonets of 25 or 30 centimetres.¹

    In Britain, and all her Dominions, the so-called ‘Pattern 1907’ bayonet was preferred. Over the centuries, the fundamentals of the bayonet had barely changed, and the Pattern, too, consisted of a blade, a guard with crosspiece and muzzle ring, and a wooden hilt. Along much of the length of the blade ran a groove, a fuller. It reduced the weight of the weapon and also allowed air to pass into the wound, making it easier to extract the blade.

    While most of the standard weapons of the British Empire’s armies were manufactured in Britain, Australia, like India, manufactured its own Pattern 1907 bayonets in both wars. In the First World War they were made in a factory in Lithgow, while those from the Second World War were stamped with 13 (for Orange Arsenal) or 14 (for Munitions Australia). The wooden grips were stamped with ‘SLAZ’, an abbreviation of their British maker, Slazenger, active in the sporting goods business back to the 1880s. By the time of the Second World War the blades also displayed the number of the military district in which they were issued, along with their weapon serial number. Kept normally in a scabbard attached to the soldier’s belt, when fixed to the standard-issue Short Magazine Lee Enfield rifle, the Pattern 1907 extended the soldier’s reach by more than 40 centimetres.

    Bayonets were standard equipment in the First World War, even as the accelerated development of military technology enforced the trend to mechanised, industrial killing. Australians earned themselves a reputation for using their bayonets with relish. Well trained and drilled in their use, they plunged, parried and stabbed with great vigour at Gallipoli and on the Western Front. The Australians, as the historian Bill Gammage has put it:

    by reputation and probably in fact, were among the most willing to kill. They had an uncomplicated attitude towards the Hun, conditioned largely by propaganda and hardly at all by contact, and they hated him with a loathing paralleled, at least in the British Army, only by some other colonial troops. Accordingly many killed their opponents brutally, savagely, and unnecessarily.²

    It was not only the Germans who became acquainted with the Pattern 1907. At Gallipoli Albert Jacka won Australia’s first VC of the war by shooting five Turks and bayonetting two others. Another Australian, Nigel Ellsworth, noted that in advance of a night attack on Turkish lines:

    one can’t buy a place in the main firing trench, and men are known to have refused ₤2 for their positions during the fighting. They stand up in the trenches & yell out ‘Come on, we’ll give you Allah’, & … let some Turks actually get into our Trenches then tickle them up with the bayonet.³

    Archie Barwick, a farmer from New South Wales, spoke of being transported into a state of ‘mad intoxication’ when he took to the Turks with fixed bayonet. ‘I can recollect driving the bayonet into the body of one fellow quite clearly, & he fell right at my feet & when I drew the bayonet out, the blood spurted from his body.’⁴ A New Zealand officer writing home from Gallipoli claimed that the Turks ‘redoubled’ their fire over the New Zealanders’ positions at night. It was ‘the one hope of deterring the dreaded bayonets of our men … steel has an unearthly terror for them’.⁵

    The Western Front was no different, and there, too, some of the men left a record of their work with the bayonet, and of the spirit in which it was wielded. In recalling his experience of Pozières in mid-1916, Private Thomas of the 6th Battalion claimed that he was so enraged at the

    infernal bombardment & loss of splendid young comrades that my blood was up & I was like a fiend & felt terrible & I worked every man jack of them up to the same pitch … A German officer loomed up & raised his revolver point blank at me, with a yell I dropped a bomb at him, I held it two seconds in my hand & it did its infernal job. I suppose we all went stone mad then for I finished my bombs & then my bayonet & they ran calling for mercy great big burly hounds, how they scooted falling over each other, jabbering & shrieking & probably cursing.

    In a similar vein, another Australian wrote boastfully to his family of the short work he made of Germans: ‘They get it too right where the chicken gets the axe … I … will fix a few more before I have finished. It’s good sport father when the bayonet goes in their eyes bulge out like a prawns.’

    If there was a danger in the over-zealous use of the bayonet, it was that the weapon might be driven so far and firmly into the opponent’s body that it was difficult to extract it. The Queenslander Hugh Knyvett recalled a case where a fellow Australian drove his bayonet through a German and into a hardwood beam, from which it could not be withdrawn. The blade had to be released from the rifle, ‘leaving the German stuck up there as a souvenir of his visit’. In other instances, too, Knyvett warned:

    many of our men have been killed through driving their bayonet too far into the body of their opponent, not being able to draw it out, thus being helpless when attacked by another of the enemy. It is no use telling men not to drive their bayonet in more than three or four inches, for in the speed and fury of a charge they will always drive it in right up to the hilt.

    By the latter stages of the First World War, the Australians’ skill had manifested in the use of a particular movement with the bayonet known as the ‘throat jab’, designed to deliver a lethal blow to the enemy’s most vulnerable point. It is well illustrated in William Longstaff ’s iconic painting Night Attack by 13th Brigade at Villers-Bretonneux, which shows an Australian holding aloft his Lee Enfield, bayonet attached, and thrusting it into a German’s exposed throat. In recalling his own role in that battle in the night from 24 April to Anzac Day, Walter Downing wrote:

    There was no quarter on either side. Germans continued to fire their machine-guns, although transfixed by bayonets; but though they were crack regiments of Prussian and Bavarian Guards, and though they were brave and far outnumbered the Australians, they had no chance in the wild onslaught of maddened men, who forgot no whit, in their fury, of their traditional skill. The latter were bathed in spurting blood. They killed and killed. Bayonets passed with ease through grey-clad bodies, and were withdrawn with a sucking noise … Many had tallies of twenty and thirty and more, all killed with the bayonet, or bullet, or bomb. Some found chances in the slaughter to light cigarettes, then continued the killing.

    For all the stories of the frenzied brandishing of the bayonet, in reality its role in the First World War was more prominent in the telling than on the battlefield. At the end of the war, its detractors remained. Field hospitals, they pointed out, reported very few bayonet wounds. Sober analysis showed that the vast majority of deaths and casualties were put down to machine-guns and artillery. As for the Australians themselves, more than half those admitted to field hospitals in France suffered injuries from shells and shell shock, and more than a third from bullets. The combined tally from bombs, grenades and bayonets was just over 2 per cent.¹⁰

    After the war, even former combatants voiced their awareness of the bayonet’s shortcomings. It might have been helpful for certain mundane tasks like opening tins, chopping firewood or perhaps roasting meat over a fire, but in a charge across open land in the sights of German machine-gunners, it was at best an unwelcome burden. In close quarters, too, it had its drawbacks. Fixed in readiness to the end of a Lee Enfield and lugged along a trench, its most likely victim was a comrade in arms, who might receive a prod to the buttocks or a poke in the eye.

    Nonetheless, as the growling of the dogs of war reached a crescendo in 1939, the bayonet still had its place in every army. Its advocates had won their case, and not because the evidence about the impact of the bayonet in the Great War had deceived. Rather, it was because those who made the case for its retention recognised that in any war, including the next, its value would lie not in its capacity to kill large numbers. No sane mind could argue that the bayonet would supplant artillery or the machine-gun. Rather, the wiser heads who prevailed knew that the true value of the bayonet was in the soldier’s mind, not at the end of his rifle.

    That was true in two ways. While the greatest threat to the twentieth century soldier was the bomb or the bullet delivered anonymously from afar, the most animating of fears was that of ‘cold steel’ inserted into his body in a mortal duel, the most intimate form of combat death. The most feared weapons in war are not necessarily the most dangerous. One reason why field hospitals counted relatively few casualties caused by bayonet wounds may well have been that many a soldier turned and ran before taking his chances against a surging line of men, bayonets glistening, and in all likelihood adorn-ing their advance with the kinds of cries or yells designed to curdle blood. In those circumstances, only in the rarest cases would bayonet steel clash with steel. Unlike the arrival of the bullet or the shell, the bayonet’s advent was seen, was possibly heard, and with judicious retreat was probably avoidable. As one soldier of the Second World War put it, ‘If I was that close to a Jerry, where we could use bayonets, one of us would have already surrendered!’¹¹

    More crucial, though, than the psychological effect of the bayonet on the enemy was its impact on the men who wielded it. To take the lives of fellow human beings required not just weapons, but a mentality that tolerated the act of killing and even facilitated it.

    In this war, as in the last, at military training schools across the world, instructor sergeants taught their charges to lunge, thrust and parry. Bayonets in hand, recruits were exhorted to plunge their weapons into swinging sacks of sawdust or bags of straw, aiming for those parts marked as weak and vulnerable. The sacks, as a British Army training manual insisted:

    should be filled with vertical layers of straw and thin sods (grass or heather), leaves, shavings, etc., in such a way as to give the greatest resistance without injury to the bayonet. A realistic effect, necessitating a strong withdrawal as if gripped by a bone, is obtained by inserting a vertical layer of pieces of hard wood.¹²

    To ramp up the level of realism, by the time of the Second World War, some British recruits practised ‘in abattoirs, with warm animal blood thrown in their faces as they plunged home their bayonets’.¹³ Commonly, too, in training with the bayonet, men were incited to emit wild, adrenaline-pumping screams.

    Confidence in the use of the bayonet, it was believed, would give infantry the courage to advance from their positions and confront the enemy directly. A lesson taken from the First World War was that only the men assured of their ‘own power to use the bayonet’ were likely ‘to wish to come to close quarters’.¹⁴ The great advantage of the bayonet that they developed was what some called ‘the spirit of the bayonet’, l’esprit de la baïonnette. More crudely, it was a ‘lust for blood’, or perhaps Archie Barwick’s ‘mad intoxication’. Although the statistics insisted it was unlikely that the bayonet would be the cause of death, it was crucial because it engendered in its bearer the desire to advance and to kill.

    Ideally the effect of such training, then, was not just to impart the physical wherewithal to brandish a bayonet effectively, to acquire the strength and skills akin to those of a fencer or swords-man. More than that, the training was to develop a mental reflex perhaps best understood as the form of associative learning that psychologists term ‘classical conditioning’. Just as Pavlov’s dog was conditioned to salivate on the appearance of a metronome – an artefact the dog had been trained to associate with the presenta-tion of food – so in the mind of the infantryman the command to fix bayonets would trigger a hyper-aggressive state. At that point it might even have seemed to the soldier that all agency had shifted to his bayonet, which would tug him into wild acts of violence, as if he had ‘no choice but to go along with its spirit’.¹⁵ As one infantryman put it, the ‘shining things leap from the scabbards and flash in the light … They seem alive and joyous; they turn us into fiends, thirsty

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