LIFE Remembering John Lennon
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LIFE Remembering John Lennon - The Editors of LIFE
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Introduction
GETTY
THE FAB THREE: Young performers George Harrison, John Lennon and Paul McCartney stand outside McCartney’s Forthlin Road home in Liverpool, England. In the spring and summer of 1960, the musicians come together and cut some of their first recordings in McCartney’s house, with tracks including Matchbox,
Hello Little Girl
and One After 909.
Some sources report that the recordings are made in McCartney’s bathroom and dub them The Bathroom Tapes.
Drummer Ringo Starr does not join the group until two years later.
Rock ’n’ roll was born kickin’ and screamin’ in America in the 1950s, as revolutionary sounds from Chuck Berry, Buddy Holly, the Everlys, Bo Diddley, Eddie Cochran, Jerry Lee Lewis, Little Richard, Elvis Presley and others commandeered the airwaves and blared defiantly from jukeboxes. Young people thrilled to a beat all their own, and kids in other parts of the world dug the music too—and sometimes even tried to play it. But the only tunes that mattered—that were the real deal—came from the States.
The new music found an eager audience in Britain, as a dreary postwar climate left disenfranchised teenagers wanting something—anything—that was different. A lot of them keyed in to the American scene, and a few were ready and willing to pattern themselves after the American acts. But if they were ready and willing, these performers were not so able, at least from a Yankee perspective. The likes of Tommy Steele and Cliff Richard were popular in the U.K., but to Americans, the few who heard them at all, these Brits were nothing more than wannabes. They lacked originality, and the true rock feel.
Luckily for the future of rock ’n’ roll, there were others than Steele and Richard who were listening to the music. One of them was a bright if directionless boy in Liverpool who came alive at age 15 when he heard a recording by Elvis. Empowered, John Lennon, a middle-class child of confusion from Liverpool, formed a band, and therein took hold of himself. Before too long another young Liverpudlian, Paul McCartney, joined with him, and these anxious teenagers set about learning their craft.
By the early 1960s, though rock ’n’ roll still ruled the musical roost, the lifeblood had been drained from the medium. Elvis had gone into the service, then had returned a little too grown-up, and more than a little too Hollywood. Chuck and Jerry Lee got entangled in scandals that took them out of the mix, and Little Richard, of all people, chose to devote himself to the spiritual rather than the secular. Rock, such as it was, had become the purview of white-bread teen idols, bland performers lip-synching bland numbers. Frankly, it seemed all was lost. But as we now know, this was not the case. Things were heating up in Merrie Olde England.
The fine American R&B singer Delbert McClinton was on the scene at the time, and tells LIFE, "In April 1962, about a year before the Beatles changed the world, I was playing harmonica with Bruce Channel—who had a