Gaudissart II
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About this ebook
In this very short story, the owner of a Parisian shop sells a cheap shawl at an inflated price to a wealthy Englishwoman by pretending that it used to be owned by the Empress Joséphine. The Parisian salesmen in the story are compared to both the fictitious Felix Gaudissart who appears in Balzac's other stories, and the real-life politician Talleyrand for their cunning.
Honoré de Balzac
Honoré de Balzac (1799-1850) was a French novelist, short story writer, and playwright. Regarded as one of the key figures of French and European literature, Balzac’s realist approach to writing would influence Charles Dickens, Émile Zola, Henry James, Gustave Flaubert, and Karl Marx. With a precocious attitude and fierce intellect, Balzac struggled first in school and then in business before dedicating himself to the pursuit of writing as both an art and a profession. His distinctly industrious work routine—he spent hours each day writing furiously by hand and made extensive edits during the publication process—led to a prodigious output of dozens of novels, stories, plays, and novellas. La Comédie humaine, Balzac’s most famous work, is a sequence of 91 finished and 46 unfinished stories, novels, and essays with which he attempted to realistically and exhaustively portray every aspect of French society during the early-nineteenth century.
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Gaudissart II - Honoré de Balzac
Honoré de Balzac
Gaudissart II
Published by Good Press, 2019
goodpress@okpublishing.info
EAN 4064066195922
Table of Contents
Cover
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To know how to sell, to be able to sell, and to sell. People generally do not suspect how much of the stateliness of Paris is due to these three aspects of the same problem. The brilliant display of shops as rich as the salons of the noblesse before 1789; the splendors of cafes which eclipse, and easily eclipse, the Versailles of our day; the shop-window illusions, new every morning, nightly destroyed; the grace and elegance of the young men that come in contact with fair customers; the piquant faces and costumes of young damsels, who cannot fail to attract the masculine customer; and (and this especially of late) the length, the vast spaces, the Babylonish luxury of galleries where shopkeepers acquire a monopoly of the trade in various articles by bringing them all together—all this is as nothing. Everything, so far, has been done to appeal to a single